Autore	Shakespeare William <1564-1616, >
Pubbl/distr/stampa	London : , : Continuum, , 2011
Descrizione fisica	1 online resource (241 p.)
Disciplina	822.33
Collana	Continuum Renaissance drama
ISBN	9780830000000 1-4725-5481-7 1-283-24586-8 9786613245861 1-4411-7042-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Half-title; Title; Copyright; Contents; Series Introduction; Timeline; Introduction; CHAPTER ONE The Critical Backstory; CHAPTER TWO Performance History; CHAPTER THREE Current Critical Research: The State of the Art; CHAPTER FOUR New Directions: The Madcap and Politic Prince of Wales: Ceremony and Courtly Performance in Henry IV; CHAPTER FIVE New Directions: 'The Devil Take Such Cozeners!': Radical Shakespeare in 1 Henry IV CHAPTER SIX New Directions: Falstaffian 'Gross Indecorum', 'Contrarietie', and Arrested Prodigality: Anachronism and Colliding Generational Sensibilities in 1 Henry IVCHAPTER SEVEN New Directions: 'By Shrewsbury Clock': The Time of Day and the Death of Hotspur in 1 Henry IV; CHAPTER EIGHT A Survey of Resources; Bibliography; Notes on Contributors; Index
Record Nr.	UNINA-9910461303103321

Autore	Shakespeare William <1564-1616, >
Edizione	[1st ed.]
Pubbl/distr/stampa	London : , : Continuum, , 2011
Descrizione fisica	1 online resource (241 p.)
Disciplina	822.33
Collana	Continuum Renaissance drama
ISBN	9780830000000 1-4725-5481-7 1-283-24586-8 9786613245861 1-4411-7042-1
Classificazione	HI 3451
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Half-title; Title; Copyright; Contents; Series Introduction; Timeline; Introduction; CHAPTER ONE The Critical Backstory; CHAPTER TWO Performance History; CHAPTER THREE Current Critical Research: The State of the Art; CHAPTER FOUR New Directions: The Madcap and Politic Prince of Wales: Ceremony and Courtly Performance in Henry IV; CHAPTER FIVE New Directions: 'The Devil Take Such Cozeners!': Radical Shakespeare in 1 Henry IV CHAPTER SIX New Directions: Falstaffian 'Gross Indecorum', 'Contrarietie', and Arrested Prodigality: Anachronism and Colliding Generational Sensibilities in 1 Henry IVCHAPTER SEVEN New Directions: 'By Shrewsbury Clock': The Time of Day and the Death of Hotspur in 1 Henry IV; CHAPTER EIGHT A Survey of Resources; Bibliography; Notes on Contributors; Index
Altri titoli varianti	One Henry Four Henry the Fourth, part one
Record Nr.	UNINA-9910824494803321

Autore	Shakespeare William <1564-1616, >
Pubbl/distr/stampa	Cambridge : , : Cambridge University Press, , 2004
Descrizione fisica	1 online resource (xxii, 262 pages) : digital, PDF file(s)
Disciplina	822.3/3
Collana	Shakespeare in production
Soggetto topico	Fathers and daughters Exiles Comedy
ISBN	0-511-19289-4 1-139-16457-0 1-316-08542-2 1-280-47763-6 0-511-19502-8 0-511-19568-0 0-511-19359-9 0-511-31407-8 0-511-19433-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	SERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; ABBREVIATIONS; PRODUCTIONS; INTRODUCTION; Peculiarities of the play as a performance piece; Seventeenth century; Charles Johnson's 'Love in a Forest'; Eighteenth century: romping actresses and the struggle for decorum; Dora Jordan: 'spirit of enjoyment'; Into the nineteenth century: opera, spectacle, and a new Rosalind; Kemble's revisions; Macready's restorations; Helena Faucit: Rosalind 'ethereally embodied'; Charles Kean and the growth of pictorial staging Charlotte Cushman: a Tiresian Ganymede Samuel Phelps and the conventional Jaques; Victorian excesses; Scenic illusionism: Hare-Kendal's stage grass and Sullivan's stuffed stag; Moral entertainment; The feminine ideal; Other Rosalinds; Augustin Daly's triumph; Turn of the century: transition to a freer Arden; Oscar Asche's greenhouse; Nigel Playfair's break with scenic illusionism; Open-air Arden; The play settles in; Early film versions; Foreign productions; Vanessa Redgrave: 'a Rosalind to remember'; Clifford Williams: sexless love; Experiments in the 1960's and 1970's; BBC television Peter Stein's journey to Arden Adrian Noble and gender-bending in the 1980's; Christine Edzard's dystopic Arden; Cheek by Jowl; Shakespeare's Globe; LIST OF CHARACTERS; AS YOU LIKE IT; ACT 1, SCENE 1; ACT 1, SCENE 2; ACT 1, SCENE 3; ACT 2; ACT 3, SCENE 1; ACT 3, SCENE 2; ACT 3, SCENE 3; ACT 3, SCENE 4; ACT 3, SCENE 5; ACT 3, SCENE 6; ACT 4, SCENE 1; ACT 4, SCENE 2; ACT 4, SCENE 3; ACT 5, SCENE 1; ACT 5, SCENE 2; ACT 5, SCENE 3; ACT 5, SCENE 4; [EPILOGUE]; BIBLIOGRAPHY; INDEX
Record Nr.	UNINA-9910457729803321

Autore	Shakespeare William <1564-1616, >
Pubbl/distr/stampa	Cambridge : , : Cambridge University Press, , 2004
Descrizione fisica	1 online resource (xxii, 262 pages) : digital, PDF file(s)
Disciplina	822.3/3
Collana	Shakespeare in production
Soggetto topico	Fathers and daughters Exiles Comedy
Soggetto genere / forma	Pastoral drama Comedies.
ISBN	0-511-19289-4 1-139-16457-0 1-316-08542-2 1-280-47763-6 0-511-19502-8 0-511-19568-0 0-511-19359-9 0-511-31407-8 0-511-19433-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	SERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; ABBREVIATIONS; PRODUCTIONS; INTRODUCTION; Peculiarities of the play as a performance piece; Seventeenth century; Charles Johnson's 'Love in a Forest'; Eighteenth century: romping actresses and the struggle for decorum; Dora Jordan: 'spirit of enjoyment'; Into the nineteenth century: opera, spectacle, and a new Rosalind; Kemble's revisions; Macready's restorations; Helena Faucit: Rosalind 'ethereally embodied'; Charles Kean and the growth of pictorial staging Charlotte Cushman: a Tiresian Ganymede Samuel Phelps and the conventional Jaques; Victorian excesses; Scenic illusionism: Hare-Kendal's stage grass and Sullivan's stuffed stag; Moral entertainment; The feminine ideal; Other Rosalinds; Augustin Daly's triumph; Turn of the century: transition to a freer Arden; Oscar Asche's greenhouse; Nigel Playfair's break with scenic illusionism; Open-air Arden; The play settles in; Early film versions; Foreign productions; Vanessa Redgrave: 'a Rosalind to remember'; Clifford Williams: sexless love; Experiments in the 1960's and 1970's; BBC television Peter Stein's journey to Arden Adrian Noble and gender-bending in the 1980's; Christine Edzard's dystopic Arden; Cheek by Jowl; Shakespeare's Globe; LIST OF CHARACTERS; AS YOU LIKE IT; ACT 1, SCENE 1; ACT 1, SCENE 2; ACT 1, SCENE 3; ACT 2; ACT 3, SCENE 1; ACT 3, SCENE 2; ACT 3, SCENE 3; ACT 3, SCENE 4; ACT 3, SCENE 5; ACT 3, SCENE 6; ACT 4, SCENE 1; ACT 4, SCENE 2; ACT 4, SCENE 3; ACT 5, SCENE 1; ACT 5, SCENE 2; ACT 5, SCENE 3; ACT 5, SCENE 4; [EPILOGUE]; BIBLIOGRAPHY; INDEX
Record Nr.	UNINA-9910784422603321