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The ethics of literary communication : genuineness, directness, indirectness / / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University
| The ethics of literary communication : genuineness, directness, indirectness / / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University |
| Pubbl/distr/stampa | Amsterdam : , : John Benjamins Publishing Company, , [2013] |
| Descrizione fisica | 1 online resource (283 p.) |
| Disciplina | 808.001/4 |
| Altri autori (Persone) |
SellRoger D
BorchAdam LindgrenInna |
| Collana | Dialogue studies |
| Soggetto topico |
Discourse analysis, Literary
Communication in literature Language and ethics Literature - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN | 90-272-7168-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Ethics of Literary Communication; Editorial page; Title page; LCC data; Dedication page; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about"
References4. Intersubjective positioning and community-making: E. E. Cummings's Preface to his Collected Poems; 1. Targeting and creating a literary audience; 2. Theoretical background; 3. Courtship; 4. Commandeering; 5. Real readers and dialogical response; References; 5. Genuine and distorted communication in autobiographical writing: E. M. Forster's "West Hackhurst"; 1. An undervalued text?; 2. Genesis, structure and first impressions; 3. The Memoir Club as a literary site; 4. Literary artistry in autobiographical writing; 5. An honest portrait of communicational failure 6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature 3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance 5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem" 5. Johann-Peter Hebel: The calendar story as a place of openness |
| Record Nr. | UNINA-9910452501903321 |
| Amsterdam : , : John Benjamins Publishing Company, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The ethics of literary communication : genuineness, directness, indirectness / / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University
| The ethics of literary communication : genuineness, directness, indirectness / / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University |
| Pubbl/distr/stampa | Amsterdam : , : John Benjamins Publishing Company, , [2013] |
| Descrizione fisica | 1 online resource (283 p.) |
| Disciplina | 808.001/4 |
| Altri autori (Persone) |
SellRoger D
BorchAdam LindgrenInna |
| Collana | Dialogue studies |
| Soggetto topico |
Discourse analysis, Literary
Communication in literature Language and ethics Literature - Philosophy |
| ISBN | 90-272-7168-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Ethics of Literary Communication; Editorial page; Title page; LCC data; Dedication page; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about"
References4. Intersubjective positioning and community-making: E. E. Cummings's Preface to his Collected Poems; 1. Targeting and creating a literary audience; 2. Theoretical background; 3. Courtship; 4. Commandeering; 5. Real readers and dialogical response; References; 5. Genuine and distorted communication in autobiographical writing: E. M. Forster's "West Hackhurst"; 1. An undervalued text?; 2. Genesis, structure and first impressions; 3. The Memoir Club as a literary site; 4. Literary artistry in autobiographical writing; 5. An honest portrait of communicational failure 6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature 3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance 5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem" 5. Johann-Peter Hebel: The calendar story as a place of openness |
| Record Nr. | UNINA-9910790548703321 |
| Amsterdam : , : John Benjamins Publishing Company, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The ethics of literary communication : genuineness, directness, indirectness / / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University
| The ethics of literary communication : genuineness, directness, indirectness / / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University |
| Pubbl/distr/stampa | Amsterdam : , : John Benjamins Publishing Company, , [2013] |
| Descrizione fisica | 1 online resource (283 p.) |
| Disciplina | 808.001/4 |
| Altri autori (Persone) |
SellRoger D
BorchAdam LindgrenInna |
| Collana | Dialogue studies |
| Soggetto topico |
Discourse analysis, Literary
Communication in literature Language and ethics Literature - Philosophy |
| ISBN | 90-272-7168-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Ethics of Literary Communication; Editorial page; Title page; LCC data; Dedication page; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "It seemed to me that I myself was what the book was talking about"
References4. Intersubjective positioning and community-making: E. E. Cummings's Preface to his Collected Poems; 1. Targeting and creating a literary audience; 2. Theoretical background; 3. Courtship; 4. Commandeering; 5. Real readers and dialogical response; References; 5. Genuine and distorted communication in autobiographical writing: E. M. Forster's "West Hackhurst"; 1. An undervalued text?; 2. Genesis, structure and first impressions; 3. The Memoir Club as a literary site; 4. Literary artistry in autobiographical writing; 5. An honest portrait of communicational failure 6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature 3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance 5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's "To Autumn"; 1. "The vice of writing"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The "we-problem" 5. Johann-Peter Hebel: The calendar story as a place of openness |
| Record Nr. | UNINA-9910828295903321 |
| Amsterdam : , : John Benjamins Publishing Company, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Humane readings [[electronic resource] ] : essays on literary mediation and communication in honour of Roger D. Sell / / edited by Jason Finch ...[et al.]
| Humane readings [[electronic resource] ] : essays on literary mediation and communication in honour of Roger D. Sell / / edited by Jason Finch ...[et al.] |
| Pubbl/distr/stampa | Philadelphia, : John Benjamins Pub. Company, 2009 |
| Descrizione fisica | xi, 160 p |
| Disciplina | 820.9 |
| Altri autori (Persone) |
FinchJason
SellRoger D |
| Collana | Pragmatics & beyond new series |
| Soggetto topico |
English literature - History and criticism
Literature - History and criticism - Theory, etc Literature - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-44500-6
9786612445002 90-272-8912-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910456673303321 |
| Philadelphia, : John Benjamins Pub. Company, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Humane readings [[electronic resource] ] : essays on literary mediation and communication in honour of Roger D. Sell / / edited by Jason Finch ...[et al.]
| Humane readings [[electronic resource] ] : essays on literary mediation and communication in honour of Roger D. Sell / / edited by Jason Finch ...[et al.] |
| Pubbl/distr/stampa | Philadelphia, : John Benjamins Pub. Company, 2009 |
| Descrizione fisica | xi, 160 p |
| Disciplina | 820.9 |
| Altri autori (Persone) |
FinchJason
SellRoger D |
| Collana | Pragmatics & beyond new series |
| Soggetto topico |
English literature - History and criticism
Literature - History and criticism - Theory, etc Literature - Philosophy |
| ISBN |
1-282-44500-6
9786612445002 90-272-8912-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "This verse marks that" : the Bible, editors, and early modern English texts / Helen Wilcox -- Humanized intertexts : an iconospheric approach to Ben Jonson's comedy, The case is altered (1598) / Anthony W. Johnson -- Appearance and reality in Jane Austen's Persuasion / Tony Lurcock -- Green flowers and golden eyes : Balzac, decadence and Wilde's Salome / Sven-Johan Spånberg -- "When I use a word it means just what I choose it to mean" : power and (mis)communication in literature for young readers / Maria Nikolajeva -- Place and communicative personae : how Forster has changed Stevenage since the 1940s / Jason Finch -- Tony Harrison and the rhetorics of reality : a re-evaluation of v / Tony Bex -- Truthful (hi)stories in Michael Ondaatje's Anil's ghost / Lydia Kokkola -- Pragmatic Penelope or timeless tales for the times / Gunilla Florby -- Three fallacies in interpreting literature / Bo Pettersson. |
| Record Nr. | UNINA-9910780804403321 |
| Philadelphia, : John Benjamins Pub. Company, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Humane readings [[electronic resource] ] : essays on literary mediation and communication in honour of Roger D. Sell / / edited by Jason Finch ...[et al.]
| Humane readings [[electronic resource] ] : essays on literary mediation and communication in honour of Roger D. Sell / / edited by Jason Finch ...[et al.] |
| Pubbl/distr/stampa | Philadelphia, : John Benjamins Pub. Company, 2009 |
| Descrizione fisica | xi, 160 p |
| Disciplina | 820.9 |
| Altri autori (Persone) |
FinchJason
SellRoger D |
| Collana | Pragmatics & beyond new series |
| Soggetto topico |
English literature - History and criticism
Literature - History and criticism - Theory, etc Literature - Philosophy |
| ISBN |
1-282-44500-6
9786612445002 90-272-8912-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "This verse marks that" : the Bible, editors, and early modern English texts / Helen Wilcox -- Humanized intertexts : an iconospheric approach to Ben Jonson's comedy, The case is altered (1598) / Anthony W. Johnson -- Appearance and reality in Jane Austen's Persuasion / Tony Lurcock -- Green flowers and golden eyes : Balzac, decadence and Wilde's Salome / Sven-Johan Spånberg -- "When I use a word it means just what I choose it to mean" : power and (mis)communication in literature for young readers / Maria Nikolajeva -- Place and communicative personae : how Forster has changed Stevenage since the 1940s / Jason Finch -- Tony Harrison and the rhetorics of reality : a re-evaluation of v / Tony Bex -- Truthful (hi)stories in Michael Ondaatje's Anil's ghost / Lydia Kokkola -- Pragmatic Penelope or timeless tales for the times / Gunilla Florby -- Three fallacies in interpreting literature / Bo Pettersson. |
| Record Nr. | UNINA-9910824991203321 |
| Philadelphia, : John Benjamins Pub. Company, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Literary community-making [[electronic resource] ] : the dialogicality of English texts from the seventeenth century to the present / / edited by Roger D. Sell
| Literary community-making [[electronic resource] ] : the dialogicality of English texts from the seventeenth century to the present / / edited by Roger D. Sell |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2012 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 820.90001/4 |
| Altri autori (Persone) | SellRoger D |
| Collana | Dialogue studies |
| Soggetto topico |
Discourse analysis, Literary
English language - History Literature - Philolosophy Intertextuality |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-67689-2
9786613653826 90-272-7417-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Literary Community-Making; Editorial page; Title page; LCC data; Table of contents; List of illustrations and figures; Contributors; Chapter 1. Introduction; 1.1 Scope; 1.2 Main findings; 1.3 Looking ahead; References; Chapter 2. Creating paratextual communities; 2.1 Lanyer, Coryate and their paratexts; 2.2 "Let the Muses your companions be": Lanyer's imagined community; 2.3 "Travelling wonder of our daies": A writer and his community; 2.4 Paratexts and communities; References; Chapter 3. Laudianism and literary communication; 3.1 Communicative restriction: Some limiting factors
3.2 Subjective contingencies3.3 Affiliations; 3.4 Laudian self-positionings; 3.5 Literary communities; 3.6 Royalist allegiances; 3.7 Antiquarian circles; 3.8 Receptive contingencies 1: The later seventeenth century; 3.9 Receptive contingencies 2: The nineteenth century; 3.10 Conclusion: Communities and valencies of attraction; References; Chapter 4. Pope's community-making through The Dunciad Variorum; 4.1 The central community of the poem proper; 4.2 "It Partakes of the Nature of a Secret": Community-making and the apparatus; References; Chapter 5. Dialogue versus Silencing 5.1 A communicational tyrant?5.2 The invitation to readers of The Rime; 5.3 Readers' responses; 5.4 Green values; 5.5 The conversational readjustment of 1817; 5.6 The continuing conversation; References; Chapter 6. Towards a dialogical approach to Arnold; 6.1 Dialogical reading; 6.2 Apparent contradictions; 6.3 A writer on religious matters; 6.4 A poet who wrote prose; 6.5 The writer's communicational afterlife; References; Chapter 7. Kipling's soldiers and Kipling's readers; 7.1 The literary breakthrough; 7.2 Stories; 7.3 Poems; 7.4 Popularity and respectability; References Chapter 8. Addressivity and literary history8.1 Plomer and literary history; 8.2 Reintroducing Plomer; 8.3 Plomer's addressivity, textual and personal; 8.4 The addressivity of The Case Is Altered: Voices from past and present; 8.5 Plomer and the Victorians; 8.6 Nostalgia underneath satire: Addressivity and time in "London Ballads and Poems"; 8.7 Plomer, communicational ethics and literary community-making; References; Chapter 9. Within the anti-fascist community; 9.1 A call to respond to?; 9.2 A warning to heed?; 9.3 A text-world to build; References Chapter 10. Literary dialogicality under threat?10.1 A controversial figure; 10.2 O'Connell the landlord; 10.3 The forty-shilling freeholders and Catholic emancipation; 10.4 The campaign for repeal; 10.5 Dialogicality; References; Chapter 11. Robert Kroetsch and Rudy Wiebe; 11.2 The challenge to hegemonic images; 11.2 Mediating the experience of "being in the Prairie"; 11.3 The self, community and space: The Blue Mountains of China; 11.4 Seed Catalogue: Cabbages, gophers and porcupines; 11.5 On Alberta: Sweeter than All the World and Alberta; References Chapter 12. "Reading as a relationship" |
| Record Nr. | UNINA-9910452250403321 |
| Amsterdam, : John Benjamins Pub. Co., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Literary community-making [[electronic resource] ] : the dialogicality of English texts from the seventeenth century to the present / / edited by Roger D. Sell
| Literary community-making [[electronic resource] ] : the dialogicality of English texts from the seventeenth century to the present / / edited by Roger D. Sell |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2012 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 820.90001/4 |
| Altri autori (Persone) | SellRoger D |
| Collana | Dialogue studies |
| Soggetto topico |
Discourse analysis, Literary
English language - History Literature - Philolosophy Intertextuality |
| ISBN |
1-280-67689-2
9786613653826 90-272-7417-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Literary Community-Making; Editorial page; Title page; LCC data; Table of contents; List of illustrations and figures; Contributors; Chapter 1. Introduction; 1.1 Scope; 1.2 Main findings; 1.3 Looking ahead; References; Chapter 2. Creating paratextual communities; 2.1 Lanyer, Coryate and their paratexts; 2.2 "Let the Muses your companions be": Lanyer's imagined community; 2.3 "Travelling wonder of our daies": A writer and his community; 2.4 Paratexts and communities; References; Chapter 3. Laudianism and literary communication; 3.1 Communicative restriction: Some limiting factors
3.2 Subjective contingencies3.3 Affiliations; 3.4 Laudian self-positionings; 3.5 Literary communities; 3.6 Royalist allegiances; 3.7 Antiquarian circles; 3.8 Receptive contingencies 1: The later seventeenth century; 3.9 Receptive contingencies 2: The nineteenth century; 3.10 Conclusion: Communities and valencies of attraction; References; Chapter 4. Pope's community-making through The Dunciad Variorum; 4.1 The central community of the poem proper; 4.2 "It Partakes of the Nature of a Secret": Community-making and the apparatus; References; Chapter 5. Dialogue versus Silencing 5.1 A communicational tyrant?5.2 The invitation to readers of The Rime; 5.3 Readers' responses; 5.4 Green values; 5.5 The conversational readjustment of 1817; 5.6 The continuing conversation; References; Chapter 6. Towards a dialogical approach to Arnold; 6.1 Dialogical reading; 6.2 Apparent contradictions; 6.3 A writer on religious matters; 6.4 A poet who wrote prose; 6.5 The writer's communicational afterlife; References; Chapter 7. Kipling's soldiers and Kipling's readers; 7.1 The literary breakthrough; 7.2 Stories; 7.3 Poems; 7.4 Popularity and respectability; References Chapter 8. Addressivity and literary history8.1 Plomer and literary history; 8.2 Reintroducing Plomer; 8.3 Plomer's addressivity, textual and personal; 8.4 The addressivity of The Case Is Altered: Voices from past and present; 8.5 Plomer and the Victorians; 8.6 Nostalgia underneath satire: Addressivity and time in "London Ballads and Poems"; 8.7 Plomer, communicational ethics and literary community-making; References; Chapter 9. Within the anti-fascist community; 9.1 A call to respond to?; 9.2 A warning to heed?; 9.3 A text-world to build; References Chapter 10. Literary dialogicality under threat?10.1 A controversial figure; 10.2 O'Connell the landlord; 10.3 The forty-shilling freeholders and Catholic emancipation; 10.4 The campaign for repeal; 10.5 Dialogicality; References; Chapter 11. Robert Kroetsch and Rudy Wiebe; 11.2 The challenge to hegemonic images; 11.2 Mediating the experience of "being in the Prairie"; 11.3 The self, community and space: The Blue Mountains of China; 11.4 Seed Catalogue: Cabbages, gophers and porcupines; 11.5 On Alberta: Sweeter than All the World and Alberta; References Chapter 12. "Reading as a relationship" |
| Record Nr. | UNINA-9910779156103321 |
| Amsterdam, : John Benjamins Pub. Co., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Literary community-making [[electronic resource] ] : the dialogicality of English texts from the seventeenth century to the present / / edited by Roger D. Sell
| Literary community-making [[electronic resource] ] : the dialogicality of English texts from the seventeenth century to the present / / edited by Roger D. Sell |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2012 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 820.90001/4 |
| Altri autori (Persone) | SellRoger D |
| Collana | Dialogue studies |
| Soggetto topico |
Discourse analysis, Literary
English language - History Literature - Philolosophy Intertextuality |
| ISBN |
1-280-67689-2
9786613653826 90-272-7417-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Literary Community-Making; Editorial page; Title page; LCC data; Table of contents; List of illustrations and figures; Contributors; Chapter 1. Introduction; 1.1 Scope; 1.2 Main findings; 1.3 Looking ahead; References; Chapter 2. Creating paratextual communities; 2.1 Lanyer, Coryate and their paratexts; 2.2 "Let the Muses your companions be": Lanyer's imagined community; 2.3 "Travelling wonder of our daies": A writer and his community; 2.4 Paratexts and communities; References; Chapter 3. Laudianism and literary communication; 3.1 Communicative restriction: Some limiting factors
3.2 Subjective contingencies3.3 Affiliations; 3.4 Laudian self-positionings; 3.5 Literary communities; 3.6 Royalist allegiances; 3.7 Antiquarian circles; 3.8 Receptive contingencies 1: The later seventeenth century; 3.9 Receptive contingencies 2: The nineteenth century; 3.10 Conclusion: Communities and valencies of attraction; References; Chapter 4. Pope's community-making through The Dunciad Variorum; 4.1 The central community of the poem proper; 4.2 "It Partakes of the Nature of a Secret": Community-making and the apparatus; References; Chapter 5. Dialogue versus Silencing 5.1 A communicational tyrant?5.2 The invitation to readers of The Rime; 5.3 Readers' responses; 5.4 Green values; 5.5 The conversational readjustment of 1817; 5.6 The continuing conversation; References; Chapter 6. Towards a dialogical approach to Arnold; 6.1 Dialogical reading; 6.2 Apparent contradictions; 6.3 A writer on religious matters; 6.4 A poet who wrote prose; 6.5 The writer's communicational afterlife; References; Chapter 7. Kipling's soldiers and Kipling's readers; 7.1 The literary breakthrough; 7.2 Stories; 7.3 Poems; 7.4 Popularity and respectability; References Chapter 8. Addressivity and literary history8.1 Plomer and literary history; 8.2 Reintroducing Plomer; 8.3 Plomer's addressivity, textual and personal; 8.4 The addressivity of The Case Is Altered: Voices from past and present; 8.5 Plomer and the Victorians; 8.6 Nostalgia underneath satire: Addressivity and time in "London Ballads and Poems"; 8.7 Plomer, communicational ethics and literary community-making; References; Chapter 9. Within the anti-fascist community; 9.1 A call to respond to?; 9.2 A warning to heed?; 9.3 A text-world to build; References Chapter 10. Literary dialogicality under threat?10.1 A controversial figure; 10.2 O'Connell the landlord; 10.3 The forty-shilling freeholders and Catholic emancipation; 10.4 The campaign for repeal; 10.5 Dialogicality; References; Chapter 11. Robert Kroetsch and Rudy Wiebe; 11.2 The challenge to hegemonic images; 11.2 Mediating the experience of "being in the Prairie"; 11.3 The self, community and space: The Blue Mountains of China; 11.4 Seed Catalogue: Cabbages, gophers and porcupines; 11.5 On Alberta: Sweeter than All the World and Alberta; References Chapter 12. "Reading as a relationship" |
| Record Nr. | UNINA-9910822828403321 |
| Amsterdam, : John Benjamins Pub. Co., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||