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Seeing motion : a history of visual perception in art and science / / Romana Karla Schuler
| Seeing motion : a history of visual perception in art and science / / Romana Karla Schuler |
| Autore | Schuler Romana Karla |
| Pubbl/distr/stampa | Berlin, Germany ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 |
| Descrizione fisica | 1 online resource (304 p.) |
| Disciplina | 701.15 |
| Collana | Edition Angewandte |
| Soggetto topico |
Visual perception
Optical illusions in art |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-11-042299-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Seeing Motion -- Front matter -- Table of Contents -- Preface. On Theories and Art in Visualizing (Apparent)-Motion -- Acknowledgements -- PART 1. On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality -- Seeing as a Scientific Topic -- The Beginnings of the Study of Apparent Motion -- An Individual Way of Seeing: Jan Evangelista Purkinje -- The Explanation of an Optical Illusion: Peter Mark Roget -- The First Motion Picture Machine: Joseph Plateau -- The Phenakistoscope or the Stroboscopic Disk -- Inventions with Stroboscopic Effects -- The Talbot-Plateau law of 1834/35 -- Gustav Theodor Fechner’s Subjective colors -- Four notes on Afterimages -- Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope -- Zöllner’s Illusion -- Reflections on Zöllner’s Illusion: Wilhelm Filehne -- Hermann Helmholtz and the new Physiological optics in the nineteenth century -- Helmholtz’s Experiments on Visual Sensations -- Ernst Brücke: The Advantage of Intermittent Retina Stimuli -- Josef Czermak: Thoughts on Speed during Motional Illusions -- The Influence of Psychophysics on Mach’s Experiments -- Mach’s Series of Experiments on light Stimulus on the Retina -- Mach’s Experiments on Sensation of Movement and Afterimages of Movement -- Studies in Movement: The Mach Drum -- Sigmund Exner: Explorations into Kinesthetics, Sensation of Movement and Apparent Motion -- Two Sparks and One Apparent Motion -- Johann Ignaz Hoppe’s Attempts at Defining Apparent Motion -- The First Psychological Analyses of Stroboscopic Phenomena (1886) -- James McKeen Cattell: Visual Stimulation in Time -- The First Monograph on the Perception of Movement -- Alfred Borschke and Leo Hescheles: Movement Afterimages and Speed of Movement -- Adolf Szily’s Experimental Analysis: Moving Afterimage and Contrasts of Movement -- Szily’s Instrument Based Observations -- Adolf Basler: Memoranda on the Process of Movements of Afterimages -- Vittorio Benussi: From Apparent Motion to Apparent Corporeality -- Stroboscopic Apparent Motion (S-Movement), 1912 -- Combinations of Apparent Motion (1918) -- Stereo Kinetics -- Max Wertheimer: The Berlin Gestalt Psychology -- Wertheimer’s Phi-Phenomena (1910–1912) -- From Apparent Motion to a Repositioning of Psychology as a Whole -- Application of a Theory for Types of Visual Perception -- Karl Duncker: On Induced Movements -- Herbert Kleint: Simulation of a Tilted Room -- The Inverted Image of the Retina -- George M. Stratton and the Experiment with Inversion Goggles -- Early Experimental Perception Research at the Innsbruck University: Franz Hillebrand, Theodor Erismann, Ivo Kohler -- Theodor Erismann and Ivo Kohler’s Goggle Experiment -- Consecutive Experiments with Inversion Goggles after 1955 -- Resume of Part I -- PART 2. From the Artistic Transformation to Immateriality -- The Beginnings of Kinetic Art at the Turn of the Twentieth Century -- From Schumann/Wertheimer Wheel-Tachistoscope to Duchamp’s Readymade Roue de bicyclette (Bicycle Wheel) -- Influence of Perception Research on Art after 1960 -- Artistic Research: Alfons Schilling, Jeffrey Shaw, Peter Weibel -- Discerning Participatory capacity and Phenomenological narration: Jeffrey Shaw -- Addiction to new Images: Alfons Schilling -- From Perception Devices to Seeing Machines -- Visual Test Situations between Experiment and Theory: Peter Weibel -- The observation of observation in Peter Weibel’s Work -- Construction of Imaginary Spaces and observations in Apparent Spaces -- Interactive Images and Dislocation -- Interactive Plasticity in the Virtual Image -- Feedback-Effects -- Epilog -- Appendix -- Endnotes -- References -- Internet sources -- Image credits |
| Record Nr. | UNINA-9910465919303321 |
Schuler Romana Karla
|
||
| Berlin, Germany ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Seeing motion : a history of visual perception in art and science / / Romana Karla Schuler
| Seeing motion : a history of visual perception in art and science / / Romana Karla Schuler |
| Autore | Schuler Romana Karla |
| Pubbl/distr/stampa | Berlin, Germany ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 |
| Descrizione fisica | 1 online resource (304 p.) |
| Disciplina | 701.15 |
| Collana | Edition Angewandte |
| Soggetto topico |
Visual perception
Optical illusions in art |
| ISBN | 3-11-042299-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Seeing Motion -- Front matter -- Table of Contents -- Preface. On Theories and Art in Visualizing (Apparent)-Motion -- Acknowledgements -- PART 1. On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality -- Seeing as a Scientific Topic -- The Beginnings of the Study of Apparent Motion -- An Individual Way of Seeing: Jan Evangelista Purkinje -- The Explanation of an Optical Illusion: Peter Mark Roget -- The First Motion Picture Machine: Joseph Plateau -- The Phenakistoscope or the Stroboscopic Disk -- Inventions with Stroboscopic Effects -- The Talbot-Plateau law of 1834/35 -- Gustav Theodor Fechner’s Subjective colors -- Four notes on Afterimages -- Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope -- Zöllner’s Illusion -- Reflections on Zöllner’s Illusion: Wilhelm Filehne -- Hermann Helmholtz and the new Physiological optics in the nineteenth century -- Helmholtz’s Experiments on Visual Sensations -- Ernst Brücke: The Advantage of Intermittent Retina Stimuli -- Josef Czermak: Thoughts on Speed during Motional Illusions -- The Influence of Psychophysics on Mach’s Experiments -- Mach’s Series of Experiments on light Stimulus on the Retina -- Mach’s Experiments on Sensation of Movement and Afterimages of Movement -- Studies in Movement: The Mach Drum -- Sigmund Exner: Explorations into Kinesthetics, Sensation of Movement and Apparent Motion -- Two Sparks and One Apparent Motion -- Johann Ignaz Hoppe’s Attempts at Defining Apparent Motion -- The First Psychological Analyses of Stroboscopic Phenomena (1886) -- James McKeen Cattell: Visual Stimulation in Time -- The First Monograph on the Perception of Movement -- Alfred Borschke and Leo Hescheles: Movement Afterimages and Speed of Movement -- Adolf Szily’s Experimental Analysis: Moving Afterimage and Contrasts of Movement -- Szily’s Instrument Based Observations -- Adolf Basler: Memoranda on the Process of Movements of Afterimages -- Vittorio Benussi: From Apparent Motion to Apparent Corporeality -- Stroboscopic Apparent Motion (S-Movement), 1912 -- Combinations of Apparent Motion (1918) -- Stereo Kinetics -- Max Wertheimer: The Berlin Gestalt Psychology -- Wertheimer’s Phi-Phenomena (1910–1912) -- From Apparent Motion to a Repositioning of Psychology as a Whole -- Application of a Theory for Types of Visual Perception -- Karl Duncker: On Induced Movements -- Herbert Kleint: Simulation of a Tilted Room -- The Inverted Image of the Retina -- George M. Stratton and the Experiment with Inversion Goggles -- Early Experimental Perception Research at the Innsbruck University: Franz Hillebrand, Theodor Erismann, Ivo Kohler -- Theodor Erismann and Ivo Kohler’s Goggle Experiment -- Consecutive Experiments with Inversion Goggles after 1955 -- Resume of Part I -- PART 2. From the Artistic Transformation to Immateriality -- The Beginnings of Kinetic Art at the Turn of the Twentieth Century -- From Schumann/Wertheimer Wheel-Tachistoscope to Duchamp’s Readymade Roue de bicyclette (Bicycle Wheel) -- Influence of Perception Research on Art after 1960 -- Artistic Research: Alfons Schilling, Jeffrey Shaw, Peter Weibel -- Discerning Participatory capacity and Phenomenological narration: Jeffrey Shaw -- Addiction to new Images: Alfons Schilling -- From Perception Devices to Seeing Machines -- Visual Test Situations between Experiment and Theory: Peter Weibel -- The observation of observation in Peter Weibel’s Work -- Construction of Imaginary Spaces and observations in Apparent Spaces -- Interactive Images and Dislocation -- Interactive Plasticity in the Virtual Image -- Feedback-Effects -- Epilog -- Appendix -- Endnotes -- References -- Internet sources -- Image credits |
| Record Nr. | UNINA-9910798192103321 |
|
Schuler Romana Karla
|
||
| Berlin, Germany ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Seeing motion : a history of visual perception in art and science / / Romana Karla Schuler
| Seeing motion : a history of visual perception in art and science / / Romana Karla Schuler |
| Autore | Schuler Romana Karla |
| Pubbl/distr/stampa | Berlin, Germany ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 |
| Descrizione fisica | 1 online resource (304 p.) |
| Disciplina | 701.15 |
| Collana | Edition Angewandte |
| Soggetto topico |
Visual perception
Optical illusions in art |
| ISBN | 3-11-042299-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Seeing Motion -- Front matter -- Table of Contents -- Preface. On Theories and Art in Visualizing (Apparent)-Motion -- Acknowledgements -- PART 1. On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality -- Seeing as a Scientific Topic -- The Beginnings of the Study of Apparent Motion -- An Individual Way of Seeing: Jan Evangelista Purkinje -- The Explanation of an Optical Illusion: Peter Mark Roget -- The First Motion Picture Machine: Joseph Plateau -- The Phenakistoscope or the Stroboscopic Disk -- Inventions with Stroboscopic Effects -- The Talbot-Plateau law of 1834/35 -- Gustav Theodor Fechner’s Subjective colors -- Four notes on Afterimages -- Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope -- Zöllner’s Illusion -- Reflections on Zöllner’s Illusion: Wilhelm Filehne -- Hermann Helmholtz and the new Physiological optics in the nineteenth century -- Helmholtz’s Experiments on Visual Sensations -- Ernst Brücke: The Advantage of Intermittent Retina Stimuli -- Josef Czermak: Thoughts on Speed during Motional Illusions -- The Influence of Psychophysics on Mach’s Experiments -- Mach’s Series of Experiments on light Stimulus on the Retina -- Mach’s Experiments on Sensation of Movement and Afterimages of Movement -- Studies in Movement: The Mach Drum -- Sigmund Exner: Explorations into Kinesthetics, Sensation of Movement and Apparent Motion -- Two Sparks and One Apparent Motion -- Johann Ignaz Hoppe’s Attempts at Defining Apparent Motion -- The First Psychological Analyses of Stroboscopic Phenomena (1886) -- James McKeen Cattell: Visual Stimulation in Time -- The First Monograph on the Perception of Movement -- Alfred Borschke and Leo Hescheles: Movement Afterimages and Speed of Movement -- Adolf Szily’s Experimental Analysis: Moving Afterimage and Contrasts of Movement -- Szily’s Instrument Based Observations -- Adolf Basler: Memoranda on the Process of Movements of Afterimages -- Vittorio Benussi: From Apparent Motion to Apparent Corporeality -- Stroboscopic Apparent Motion (S-Movement), 1912 -- Combinations of Apparent Motion (1918) -- Stereo Kinetics -- Max Wertheimer: The Berlin Gestalt Psychology -- Wertheimer’s Phi-Phenomena (1910–1912) -- From Apparent Motion to a Repositioning of Psychology as a Whole -- Application of a Theory for Types of Visual Perception -- Karl Duncker: On Induced Movements -- Herbert Kleint: Simulation of a Tilted Room -- The Inverted Image of the Retina -- George M. Stratton and the Experiment with Inversion Goggles -- Early Experimental Perception Research at the Innsbruck University: Franz Hillebrand, Theodor Erismann, Ivo Kohler -- Theodor Erismann and Ivo Kohler’s Goggle Experiment -- Consecutive Experiments with Inversion Goggles after 1955 -- Resume of Part I -- PART 2. From the Artistic Transformation to Immateriality -- The Beginnings of Kinetic Art at the Turn of the Twentieth Century -- From Schumann/Wertheimer Wheel-Tachistoscope to Duchamp’s Readymade Roue de bicyclette (Bicycle Wheel) -- Influence of Perception Research on Art after 1960 -- Artistic Research: Alfons Schilling, Jeffrey Shaw, Peter Weibel -- Discerning Participatory capacity and Phenomenological narration: Jeffrey Shaw -- Addiction to new Images: Alfons Schilling -- From Perception Devices to Seeing Machines -- Visual Test Situations between Experiment and Theory: Peter Weibel -- The observation of observation in Peter Weibel’s Work -- Construction of Imaginary Spaces and observations in Apparent Spaces -- Interactive Images and Dislocation -- Interactive Plasticity in the Virtual Image -- Feedback-Effects -- Epilog -- Appendix -- Endnotes -- References -- Internet sources -- Image credits |
| Record Nr. | UNINA-9910816519103321 |
|
Schuler Romana Karla
|
||
| Berlin, Germany ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||