Avant-garde film [[electronic resource] /] / edited by Alexander Graf and Dietrich Scheunemann |
Pubbl/distr/stampa | Amsterdam ; ; New York, : Rodopi, 2007 |
Descrizione fisica | 1 online resource (400 p.) |
Disciplina | 791.43 |
Altri autori (Persone) |
GrafAlexander
ScheunemannDietrich |
Collana | Avant garde critical studies |
Soggetto topico |
Experimental films - History and criticism
Avant-garde (Aesthetics) |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-16215-6
9786613162151 94-012-0003-3 1-4356-1341-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary material / Editors Avant-Garde Film -- Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / R. Bruce Elder -- Frames and Windows: Visual Space in Abstract Cinema / A.L. Rees -- Paris – Berlin – Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / Alexander Graf -- Man Ray’s Films: From Dada to Surrealism / Rudolf E. Kuenzli -- On Mário Peixoto’s Limite / Michael Korfmann -- Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / Tami M. Williams -- Mayakovsky: Film: Futurism / Marina Burke -- The Interiority of Space: Desire and Maya Deren / Maureen Turim -- Stan Brakhage’s Film Testament: The Four Faust Films / Inez Hedges -- Light-Play and the Aesthetics of Avant-Garde Film / William C. Wees -- Paul Sharits: from Cinematic Movement to Nondirectional Motion / Yvonne Spielmann -- Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / Pierre Sorlin -- It’s a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / Bart Keunen and Sascha Bru -- Peter Kubelka’s Arnulf Rainer / Nicky Hamlyn -- Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / Tania Ørum -- French Experimental Cinema: the Figural and the Formless – Nicolas Rey’s Terminus for you (1996) and Pip Chodorov’s Charlemagne 2: Piltzer (2002) / Martine Beugnet -- The Stammering Frame: on recent French and Austrian Film Experiments / Frédérique Devaux -- Inscriptions of Light and The ‘Calligraphy of Decay’: Volatile Representation in Bill Morrison’s Decasia / Ursula Böser -- From Video Art to Video Performance: The Work of Ulrike Rosenbach / Günter Berghaus -- New Media and Feminist Interventions: Valie Export’s Medial Anagrams / Margit Grieb -- The Paracinema of Anthony McCall and Tony Conrad / Jonathan Walley -- List of Illustrations / Editors Avant-Garde Film -- Contributors to this volume / Editors Avant-Garde Film -- Index / Editors Avant-Garde Film. |
Record Nr. | UNINA-9910452118403321 |
Amsterdam ; ; New York, : Rodopi, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Avant-garde film [[electronic resource] /] / edited by Alexander Graf and Dietrich Scheunemann |
Pubbl/distr/stampa | Amsterdam ; ; New York, : Rodopi, 2007 |
Descrizione fisica | 1 online resource (400 p.) |
Disciplina | 791.43 |
Altri autori (Persone) |
GrafAlexander
ScheunemannDietrich |
Collana | Avant garde critical studies |
Soggetto topico |
Experimental films - History and criticism
Avant-garde (Aesthetics) |
ISBN |
1-283-16215-6
9786613162151 94-012-0003-3 1-4356-1341-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary material / Editors Avant-Garde Film -- Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / R. Bruce Elder -- Frames and Windows: Visual Space in Abstract Cinema / A.L. Rees -- Paris – Berlin – Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / Alexander Graf -- Man Ray’s Films: From Dada to Surrealism / Rudolf E. Kuenzli -- On Mário Peixoto’s Limite / Michael Korfmann -- Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / Tami M. Williams -- Mayakovsky: Film: Futurism / Marina Burke -- The Interiority of Space: Desire and Maya Deren / Maureen Turim -- Stan Brakhage’s Film Testament: The Four Faust Films / Inez Hedges -- Light-Play and the Aesthetics of Avant-Garde Film / William C. Wees -- Paul Sharits: from Cinematic Movement to Nondirectional Motion / Yvonne Spielmann -- Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / Pierre Sorlin -- It’s a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / Bart Keunen and Sascha Bru -- Peter Kubelka’s Arnulf Rainer / Nicky Hamlyn -- Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / Tania Ørum -- French Experimental Cinema: the Figural and the Formless – Nicolas Rey’s Terminus for you (1996) and Pip Chodorov’s Charlemagne 2: Piltzer (2002) / Martine Beugnet -- The Stammering Frame: on recent French and Austrian Film Experiments / Frédérique Devaux -- Inscriptions of Light and The ‘Calligraphy of Decay’: Volatile Representation in Bill Morrison’s Decasia / Ursula Böser -- From Video Art to Video Performance: The Work of Ulrike Rosenbach / Günter Berghaus -- New Media and Feminist Interventions: Valie Export’s Medial Anagrams / Margit Grieb -- The Paracinema of Anthony McCall and Tony Conrad / Jonathan Walley -- List of Illustrations / Editors Avant-Garde Film -- Contributors to this volume / Editors Avant-Garde Film -- Index / Editors Avant-Garde Film. |
Record Nr. | UNINA-9910778274503321 |
Amsterdam ; ; New York, : Rodopi, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Avant-garde film / / edited by Alexander Graf and Dietrich Scheunemann |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; New York, : Rodopi, 2007 |
Descrizione fisica | 1 online resource (400 p.) |
Disciplina | 791.43 |
Altri autori (Persone) |
GrafAlexander
ScheunemannDietrich |
Collana | Avant garde critical studies |
Soggetto topico |
Experimental films - History and criticism
Avant-garde (Aesthetics) |
ISBN |
1-283-16215-6
9786613162151 94-012-0003-3 1-4356-1341-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary material / Editors Avant-Garde Film -- Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film / R. Bruce Elder -- Frames and Windows: Visual Space in Abstract Cinema / A.L. Rees -- Paris – Berlin – Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920's / Alexander Graf -- Man Ray’s Films: From Dada to Surrealism / Rudolf E. Kuenzli -- On Mário Peixoto’s Limite / Michael Korfmann -- Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac / Tami M. Williams -- Mayakovsky: Film: Futurism / Marina Burke -- The Interiority of Space: Desire and Maya Deren / Maureen Turim -- Stan Brakhage’s Film Testament: The Four Faust Films / Inez Hedges -- Light-Play and the Aesthetics of Avant-Garde Film / William C. Wees -- Paul Sharits: from Cinematic Movement to Nondirectional Motion / Yvonne Spielmann -- Changes in experimental filmmaking between the 1920's and the 1960's: On Luis Buñuel / Pierre Sorlin -- It’s a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema / Bart Keunen and Sascha Bru -- Peter Kubelka’s Arnulf Rainer / Nicky Hamlyn -- Danish Avant-Garde Filmmakers of the 1960's: Technology, Cross-aesthetics and Politics / Tania Ørum -- French Experimental Cinema: the Figural and the Formless – Nicolas Rey’s Terminus for you (1996) and Pip Chodorov’s Charlemagne 2: Piltzer (2002) / Martine Beugnet -- The Stammering Frame: on recent French and Austrian Film Experiments / Frédérique Devaux -- Inscriptions of Light and The ‘Calligraphy of Decay’: Volatile Representation in Bill Morrison’s Decasia / Ursula Böser -- From Video Art to Video Performance: The Work of Ulrike Rosenbach / Günter Berghaus -- New Media and Feminist Interventions: Valie Export’s Medial Anagrams / Margit Grieb -- The Paracinema of Anthony McCall and Tony Conrad / Jonathan Walley -- List of Illustrations / Editors Avant-Garde Film -- Contributors to this volume / Editors Avant-Garde Film -- Index / Editors Avant-Garde Film. |
Record Nr. | UNINA-9910825163703321 |
Amsterdam ; ; New York, : Rodopi, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Avant-garde/Neo-avant-garde [[electronic resource] /] / edited by Dietrich Scheunemann |
Pubbl/distr/stampa | Amsterdam ; ; New York, N.Y., : Rodopi, 2005 |
Descrizione fisica | 1 online resource (347 p.) |
Disciplina | 111.85 |
Altri autori (Persone) | ScheunemannDietrich |
Collana | Avant Garde critical studies |
Soggetto topico |
Avant-garde (Aesthetics)
Arts, Modern - 20th century Arts, Modern - 21st century |
Soggetto genere / forma | Electronic books. |
ISBN |
94-012-0258-3
1-4237-8851-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material / Dietrich Scheunemann -- Preface / Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde / RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde / HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry / KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde / JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde / OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism / UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / DAVID MACRAE -- What Avant-Garde? / GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde / RICHARD WILLIAMS -- Montage in the Arts: A Reassessment / JENNIFER VALCKE -- Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / KLAUS BEEKMAN -- List of Illustrations / Dietrich Scheunemann -- Index / Dietrich Scheunemann. |
Record Nr. | UNINA-9910451578203321 |
Amsterdam ; ; New York, N.Y., : Rodopi, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Avant-garde/Neo-avant-garde / / editor, Dietrich Scheunemann |
Pubbl/distr/stampa | Amsterdam ; ; New York, N.Y., : Rodopi, 2005 |
Descrizione fisica | 1 online resource (346 pages) : illustrations, portrait |
Disciplina | 111.85 |
Altri autori (Persone) | ScheunemannDietrich |
Collana | Avant Garde critical studies |
Soggetto topico |
Avant-garde (Aesthetics)
Arts, Modern - 20th century Arts, Modern - 21st century |
ISBN |
94-012-0258-3
1-4237-8851-6 |
Classificazione | 20.30 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material / Dietrich Scheunemann -- Preface / Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde / RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde / HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry / KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde / JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde / OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism / UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / DAVID MACRAE -- What Avant-Garde? / GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde / RICHARD WILLIAMS -- Montage in the Arts: A Reassessment / JENNIFER VALCKE -- Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / KLAUS BEEKMAN -- List of Illustrations / Dietrich Scheunemann -- Index / Dietrich Scheunemann. |
Record Nr. | UNINA-9910777646303321 |
Amsterdam ; ; New York, N.Y., : Rodopi, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Avant-garde/Neo-avant-garde / / edited by Dietrich Scheunemann |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; New York, N.Y., : Rodopi, 2005 |
Descrizione fisica | 1 online resource (346 pages) : illustrations, portrait |
Disciplina | 111.85 |
Altri autori (Persone) | ScheunemannDietrich |
Collana | Avant Garde critical studies |
Soggetto topico |
Avant-garde (Aesthetics)
Arts, Modern - 20th century Arts, Modern - 21st century |
ISBN |
94-012-0258-3
1-4237-8851-6 |
Classificazione | 20.30 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material / Dietrich Scheunemann -- Preface / Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde / RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde / HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry / KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde / JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde / OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism / UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / DAVID MACRAE -- What Avant-Garde? / GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde / RICHARD WILLIAMS -- Montage in the Arts: A Reassessment / JENNIFER VALCKE -- Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / KLAUS BEEKMAN -- List of Illustrations / Dietrich Scheunemann -- Index / Dietrich Scheunemann. |
Record Nr. | UNINA-9910828809003321 |
Amsterdam ; ; New York, N.Y., : Rodopi, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|