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"Cashville" [[electronic resource] ] : dilution of original country music identity through increasing commercialization / / Stephanie Schäfer
| "Cashville" [[electronic resource] ] : dilution of original country music identity through increasing commercialization / / Stephanie Schäfer |
| Autore | Schäfer Stephanie |
| Pubbl/distr/stampa | Hamburg, : Diplomica Verlag, 2012 |
| Descrizione fisica | 1 online resource (120 p.) |
| Disciplina | 781.642 |
| Soggetto topico |
Country music - History and criticism
Music trade - Tennessee - Nashville |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-8428-2845-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music
V. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile |
| Record Nr. | UNINA-9910461667303321 |
Schäfer Stephanie
|
||
| Hamburg, : Diplomica Verlag, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"Cashville" [[electronic resource] ] : dilution of original country music identity through increasing commercialization / / Stephanie Schäfer
| "Cashville" [[electronic resource] ] : dilution of original country music identity through increasing commercialization / / Stephanie Schäfer |
| Autore | Schäfer Stephanie |
| Pubbl/distr/stampa | Hamburg, : Diplomica Verlag, 2012 |
| Descrizione fisica | 1 online resource (120 p.) |
| Disciplina | 781.642 |
| Soggetto topico |
Country music - History and criticism
Music trade - Tennessee - Nashville |
| ISBN | 3-8428-2845-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music
V. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile |
| Record Nr. | UNINA-9910785825903321 |
|
Schäfer Stephanie
|
||
| Hamburg, : Diplomica Verlag, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||