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Black music matters : jazz and the transformation of music studies / / Ed Sarath
| Black music matters : jazz and the transformation of music studies / / Ed Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2018] |
| Descrizione fisica | 1 online resource (257 pages) |
| Disciplina | 780.71 |
| Soggetto topico |
Music - Instruction and study
Jazz - Instruction and study Curriculum change |
| ISBN | 1-5381-1171-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910796945103321 |
Sarath Ed
|
||
| Lanham : , : Rowman & Littlefield, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Black music matters : jazz and the transformation of music studies / / Ed Sarath
| Black music matters : jazz and the transformation of music studies / / Ed Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2018] |
| Descrizione fisica | 1 online resource (257 pages) |
| Disciplina | 780.71 |
| Soggetto topico |
Music - Instruction and study
Jazz - Instruction and study Curriculum change |
| ISBN | 1-5381-1171-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910823996703321 |
|
Sarath Ed
|
||
| Lanham : , : Rowman & Littlefield, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath
| Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | Albany, : State University of New York Press, c2013 |
| Descrizione fisica | 1 online resource (489 p.) |
| Disciplina | 781.65/11 |
| Collana | Suny series in integral theory |
| Soggetto topico |
Improvisation (Music)
Interdisciplinary research Jazz - Instruction and study Music - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4384-4723-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The AQAL framework -- Improvisation-driven growth of creativity and consciousness -- Meditation-driven growth of creativity and consciousness -- Integral evolutionary dynamics -- Jazz and the academy -- Invention -- Interaction -- Individuation -- Jazz -- The music school of the future -- Paradigmatic change and the 21st-century academy -- Planet earth takes a solo. |
| Record Nr. | UNINA-9910453244103321 |
|
Sarath Ed
|
||
| Albany, : State University of New York Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath
| Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | Albany, : State University of New York Press, c2013 |
| Descrizione fisica | 1 online resource (489 p.) |
| Disciplina | 781.65/11 |
| Collana | Suny series in integral theory |
| Soggetto topico |
Improvisation (Music)
Interdisciplinary research Jazz - Instruction and study Music - Psychological aspects |
| ISBN | 1-4384-4723-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The AQAL framework -- Improvisation-driven growth of creativity and consciousness -- Meditation-driven growth of creativity and consciousness -- Integral evolutionary dynamics -- Jazz and the academy -- Invention -- Interaction -- Individuation -- Jazz -- The music school of the future -- Paradigmatic change and the 21st-century academy -- Planet earth takes a solo. |
| Record Nr. | UNINA-9910779603903321 |
|
Sarath Ed
|
||
| Albany, : State University of New York Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath
| Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath |
| Autore | Sarath Ed |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Albany, : State University of New York Press, c2013 |
| Descrizione fisica | 1 online resource (489 p.) |
| Disciplina | 781.65/11 |
| Collana | Suny series in integral theory |
| Soggetto topico |
Improvisation (Music)
Interdisciplinary research Jazz - Instruction and study Music - Psychological aspects |
| ISBN | 1-4384-4723-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The AQAL framework -- Improvisation-driven growth of creativity and consciousness -- Meditation-driven growth of creativity and consciousness -- Integral evolutionary dynamics -- Jazz and the academy -- Invention -- Interaction -- Individuation -- Jazz -- The music school of the future -- Paradigmatic change and the 21st-century academy -- Planet earth takes a solo. |
| Record Nr. | UNINA-9910818922203321 |
|
Sarath Ed
|
||
| Albany, : State University of New York Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910455301803321 |
|
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910778475203321 |
|
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through improvisation : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910810924903321 |
|
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||