Textual choices in discourse [[electronic resource] ] : a view from cognitive linguistics / / edited by Barbara Dancygier, José Sanders, Lieven Vandelanotte |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 |
Descrizione fisica | 1 online resource (204 p.) |
Disciplina | 401/.41 |
Altri autori (Persone) |
DancygierBarbara
SandersJosé VandelanotteLieven <1978-> |
Collana | Benjamins current topics |
Soggetto topico |
Discourse analysis
Cognitive grammar |
Soggetto genere / forma | Electronic books. |
ISBN |
1-281-15121-1
9786613776716 90-272-7386-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Textual Choices in Discourse; Editorial page; Title page; LCC data; Table of contents; Introductory remarks; Illusions of simplicity; 1. Material problems; 2. Cognitive tools; 3. Cognitive analysis of visual poetry; 3.1 Untitled poem; 3.2 "Water Poem #5"; 4. Cognitive conclusions; 5. Literary connections; Notes; References; Author's address; Alternativity in poetry and drama; 1. Alternativity and negation; 2. Negation and discourse on the stage; 3. Alternativity in poetic discourse; 3.1 Alternative stances; 3.2 Frame evocation and refutation; 3.3 Alternativity and blending
3.4 Alternativity of or-constructions4. Alternativity and poetic effects; Notes; References; Author's address; Joint attention, To the Lighthouse, and modernist representations of intersubjectivity; 1. Introduction; 2. Joint attention; 3. Two strategies; 4. Thematizing joint attention; 4.1 Joint attention in To the Lighthouse; 4.2 The reader's eye; 4.3 Think of a kitchen table; Notes; References; Author's address; 'Where am I, lurking in what place of vantage?'; 1. Introduction; 2. Dimensions of distance in The Book of Evidence and The Sea 3. 'What a business it is, the human discourse'. Metalinguistic distance4. 'Demand, did I?' Distancing speech representation; 5. Metafictional distance and acts of name-giving; 6. The situation of discourse in The Book of Evidence; 7. Decompression and distanced perspective; 7.1 Freddie's "inner sergeant": Decompression in The Book of Evidence; 7.2 'Lurking in what place of vantage?' Distanced perspective in The Sea; 8. Conclusion; Notes; Primary data; References; Author's address; Intertwined voices; 1. Theoretical background; 2. Case study; 2.1 Method; 2.2 Results 3. Close study of sample excerpts across news genres4. Mental spaces of sources and their function; 5. Conclusion and discussion; Notes; References; Author's address; Unrealistic scenarios, metaphorical blends and rhetorical strategies across genres; 1. Introduction; 2. Unrealistic scenarios and rhetorical strategies: Two examples; Example 1: Neural networks and intertwined octopi; Example 2: European Monetary Union and trains with multiple engines; 3. Unrealistic scenarios and metaphorical blends; 3.1 The octopus game as a metaphorical blend, and genre 3.2 The EMU train as a metaphorical blend, and genre4. Conclusions; Notes; References; Author's address; LIFE IS MUSIC; 1. Introduction; 2. MUSIC IS LIFE; 3. LIFE IS MUSIC; 4. Rhetorical development of the Life and Music blend; 5. Conclusion; Notes; References; Data sources with abbreviations used; Author's address; Two puzzle pieces; 1. Introduction; 2. Blending Theory; 3. Construction Grammar; 3.1 NP is a NP construction; 3.2 It's like NP construction; 4. Discourse context & the constructions; 5. Metaphors & similes in radio news magazine discourse; 6. The radio news magazine genre 7. Constructions in discourse context |
Record Nr. | UNINA-9910452443003321 |
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Textual choices in discourse [[electronic resource] ] : a view from cognitive linguistics / / edited by Barbara Dancygier, José Sanders, Lieven Vandelanotte |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 |
Descrizione fisica | 1 online resource (204 p.) |
Disciplina | 401/.41 |
Altri autori (Persone) |
DancygierBarbara
SandersJosé VandelanotteLieven <1978-> |
Collana | Benjamins current topics |
Soggetto topico |
Discourse analysis
Cognitive grammar |
ISBN |
1-281-15121-1
9786613776716 90-272-7386-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Textual Choices in Discourse; Editorial page; Title page; LCC data; Table of contents; Introductory remarks; Illusions of simplicity; 1. Material problems; 2. Cognitive tools; 3. Cognitive analysis of visual poetry; 3.1 Untitled poem; 3.2 "Water Poem #5"; 4. Cognitive conclusions; 5. Literary connections; Notes; References; Author's address; Alternativity in poetry and drama; 1. Alternativity and negation; 2. Negation and discourse on the stage; 3. Alternativity in poetic discourse; 3.1 Alternative stances; 3.2 Frame evocation and refutation; 3.3 Alternativity and blending
3.4 Alternativity of or-constructions4. Alternativity and poetic effects; Notes; References; Author's address; Joint attention, To the Lighthouse, and modernist representations of intersubjectivity; 1. Introduction; 2. Joint attention; 3. Two strategies; 4. Thematizing joint attention; 4.1 Joint attention in To the Lighthouse; 4.2 The reader's eye; 4.3 Think of a kitchen table; Notes; References; Author's address; 'Where am I, lurking in what place of vantage?'; 1. Introduction; 2. Dimensions of distance in The Book of Evidence and The Sea 3. 'What a business it is, the human discourse'. Metalinguistic distance4. 'Demand, did I?' Distancing speech representation; 5. Metafictional distance and acts of name-giving; 6. The situation of discourse in The Book of Evidence; 7. Decompression and distanced perspective; 7.1 Freddie's "inner sergeant": Decompression in The Book of Evidence; 7.2 'Lurking in what place of vantage?' Distanced perspective in The Sea; 8. Conclusion; Notes; Primary data; References; Author's address; Intertwined voices; 1. Theoretical background; 2. Case study; 2.1 Method; 2.2 Results 3. Close study of sample excerpts across news genres4. Mental spaces of sources and their function; 5. Conclusion and discussion; Notes; References; Author's address; Unrealistic scenarios, metaphorical blends and rhetorical strategies across genres; 1. Introduction; 2. Unrealistic scenarios and rhetorical strategies: Two examples; Example 1: Neural networks and intertwined octopi; Example 2: European Monetary Union and trains with multiple engines; 3. Unrealistic scenarios and metaphorical blends; 3.1 The octopus game as a metaphorical blend, and genre 3.2 The EMU train as a metaphorical blend, and genre4. Conclusions; Notes; References; Author's address; LIFE IS MUSIC; 1. Introduction; 2. MUSIC IS LIFE; 3. LIFE IS MUSIC; 4. Rhetorical development of the Life and Music blend; 5. Conclusion; Notes; References; Data sources with abbreviations used; Author's address; Two puzzle pieces; 1. Introduction; 2. Blending Theory; 3. Construction Grammar; 3.1 NP is a NP construction; 3.2 It's like NP construction; 4. Discourse context & the constructions; 5. Metaphors & similes in radio news magazine discourse; 6. The radio news magazine genre 7. Constructions in discourse context |
Record Nr. | UNINA-9910779396103321 |
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Textual choices in discourse : a view from cognitive linguistics / / edited by Barbara Dancygier, José Sanders, Lieven Vandelanotte |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 |
Descrizione fisica | 1 online resource (204 p.) |
Disciplina | 401/.41 |
Altri autori (Persone) |
DancygierBarbara
SandersJosé VandelanotteLieven <1978-> |
Collana | Benjamins current topics |
Soggetto topico |
Discourse analysis
Cognitive grammar |
ISBN |
1-281-15121-1
9786613776716 90-272-7386-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Textual Choices in Discourse; Editorial page; Title page; LCC data; Table of contents; Introductory remarks; Illusions of simplicity; 1. Material problems; 2. Cognitive tools; 3. Cognitive analysis of visual poetry; 3.1 Untitled poem; 3.2 "Water Poem #5"; 4. Cognitive conclusions; 5. Literary connections; Notes; References; Author's address; Alternativity in poetry and drama; 1. Alternativity and negation; 2. Negation and discourse on the stage; 3. Alternativity in poetic discourse; 3.1 Alternative stances; 3.2 Frame evocation and refutation; 3.3 Alternativity and blending
3.4 Alternativity of or-constructions4. Alternativity and poetic effects; Notes; References; Author's address; Joint attention, To the Lighthouse, and modernist representations of intersubjectivity; 1. Introduction; 2. Joint attention; 3. Two strategies; 4. Thematizing joint attention; 4.1 Joint attention in To the Lighthouse; 4.2 The reader's eye; 4.3 Think of a kitchen table; Notes; References; Author's address; 'Where am I, lurking in what place of vantage?'; 1. Introduction; 2. Dimensions of distance in The Book of Evidence and The Sea 3. 'What a business it is, the human discourse'. Metalinguistic distance4. 'Demand, did I?' Distancing speech representation; 5. Metafictional distance and acts of name-giving; 6. The situation of discourse in The Book of Evidence; 7. Decompression and distanced perspective; 7.1 Freddie's "inner sergeant": Decompression in The Book of Evidence; 7.2 'Lurking in what place of vantage?' Distanced perspective in The Sea; 8. Conclusion; Notes; Primary data; References; Author's address; Intertwined voices; 1. Theoretical background; 2. Case study; 2.1 Method; 2.2 Results 3. Close study of sample excerpts across news genres4. Mental spaces of sources and their function; 5. Conclusion and discussion; Notes; References; Author's address; Unrealistic scenarios, metaphorical blends and rhetorical strategies across genres; 1. Introduction; 2. Unrealistic scenarios and rhetorical strategies: Two examples; Example 1: Neural networks and intertwined octopi; Example 2: European Monetary Union and trains with multiple engines; 3. Unrealistic scenarios and metaphorical blends; 3.1 The octopus game as a metaphorical blend, and genre 3.2 The EMU train as a metaphorical blend, and genre4. Conclusions; Notes; References; Author's address; LIFE IS MUSIC; 1. Introduction; 2. MUSIC IS LIFE; 3. LIFE IS MUSIC; 4. Rhetorical development of the Life and Music blend; 5. Conclusion; Notes; References; Data sources with abbreviations used; Author's address; Two puzzle pieces; 1. Introduction; 2. Blending Theory; 3. Construction Grammar; 3.1 NP is a NP construction; 3.2 It's like NP construction; 4. Discourse context & the constructions; 5. Metaphors & similes in radio news magazine discourse; 6. The radio news magazine genre 7. Constructions in discourse context |
Record Nr. | UNINA-9910818852403321 |
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|