Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
Autore | Sanden Paul |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (221 p.) |
Disciplina | 781.1/1 |
Collana |
Routledge research in music
Routledge research in music |
Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-97325-1
0-203-07851-9 1-136-15656-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
Record Nr. | UNINA-9910463155803321 |
Sanden Paul
![]() |
||
New York : , : Routledge, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
Autore | Sanden Paul |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (221 p.) |
Disciplina | 781.1/1 |
Collana |
Routledge research in music
Routledge research in music |
Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
Record Nr. | UNINA-9910786048603321 |
Sanden Paul
![]() |
||
New York : , : Routledge, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
Autore | Sanden Paul |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (221 p.) |
Disciplina | 781.1/1 |
Collana |
Routledge research in music
Routledge research in music |
Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
Record Nr. | UNINA-9910817607703321 |
Sanden Paul
![]() |
||
New York : , : Routledge, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|