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Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-97325-1
0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910463155803321 |
Sanden Paul
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910786048603321 |
|
Sanden Paul
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||