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Photographing Central Asia : From the Periphery of the Russian Empire to Global Presence / / ed. by Svetlana Gorshenina, Sergei Abashin, Bruno De Cordier, Tatiana Saburova
| Photographing Central Asia : From the Periphery of the Russian Empire to Global Presence / / ed. by Svetlana Gorshenina, Sergei Abashin, Bruno De Cordier, Tatiana Saburova |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2022] |
| Descrizione fisica | 1 online resource (VIII, 431 p.) |
| Disciplina | 779.9958 |
| Collana | Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie |
| Soggetto topico | Documentary photography |
| ISBN | 3-11-075446-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Contents -- Note on transliteration -- 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- Part I: Photography and orientalisms -- 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- Part II: Using and reusing photographs -- 8 Pre-revolutionary postcards with views of Turkestan -- 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- 10 Max Penson: The rise of a Soviet photographer from the margins -- 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- 13 Afterword: Unmarginalising Central Asian Photography -- List of figures and tables -- Geographic index -- Index nominum -- Index rerum |
| Record Nr. | UNISA-996487159503316 |
| Berlin ; ; Boston : , : De Gruyter, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Photographing Central Asia : From the Periphery of the Russian Empire to Global Presence / / ed. by Svetlana Gorshenina, Sergei Abashin, Bruno De Cordier, Tatiana Saburova
| Photographing Central Asia : From the Periphery of the Russian Empire to Global Presence / / ed. by Svetlana Gorshenina, Sergei Abashin, Bruno De Cordier, Tatiana Saburova |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2022] |
| Descrizione fisica | 1 online resource (VIII, 431 p.) |
| Disciplina | 779.9958 |
| Collana | Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie |
| Soggetto topico | Documentary photography |
| ISBN | 3-11-075446-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Contents -- Note on transliteration -- 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- Part I: Photography and orientalisms -- 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- Part II: Using and reusing photographs -- 8 Pre-revolutionary postcards with views of Turkestan -- 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- 10 Max Penson: The rise of a Soviet photographer from the margins -- 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- 13 Afterword: Unmarginalising Central Asian Photography -- List of figures and tables -- Geographic index -- Index nominum -- Index rerum |
| Record Nr. | UNINA-9910774727703321 |
| Berlin ; ; Boston : , : De Gruyter, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staged Otherness : Ethnic Shows in Central and Eastern Europe, 1850–1939 / / ed. by Dagnosław Demski, Dominika Czarnecka
| Staged Otherness : Ethnic Shows in Central and Eastern Europe, 1850–1939 / / ed. by Dagnosław Demski, Dominika Czarnecka |
| Pubbl/distr/stampa | Budapest ; ; New York : , : Central European University Press, , [2022] |
| Descrizione fisica | 1 online resource (460 p.) |
| Soggetto topico |
Audiences - Europe, Central - History - 19th century
Audiences - Europe, Central - History - 20th century Audiences - Europe, Eastern - History - 19th century Audiences - Europe, Eastern - History - 20th century Ethnographic shows - Europe, Central - History - 19th century Ethnographic shows - Europe, Central - History - 20th century Ethnographic shows - Europe, Eastern - History - 19th century Ethnographic shows - Europe, Eastern - History - 20th century Social sciences SOCIAL SCIENCE / Anthropology / Cultural & Social |
| Soggetto non controllato |
Völkerschauen
differences exotic human zoo mass entertainment, modernity social history |
| ISBN | 963-386-440-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- 1. Introduction: From Western to Peripheral Voices -- I. European versus Indigenous Agency -- 2. The Hagenbeck Ethnic Shows: Recruitment, Organization, and Academic and Popular Responses -- 3. A Brief History of Staging Somali Ethnographic Performing Troupes in Europe, 1885–1930 -- 4. “Wild Chamacoco” and the Czechs: The Double-Edged Ethnographic Show of Vojtěch Frič, 1908–9 -- 5. Why Hidden Ears Matter: On Kalintsov’s Samoyed Exhibition in Vienna, 1882 -- II. Performing the Ethnographic Other -- 6. The (Ethno-)Drama of Exoticism: Ethnic Shows as a Medium -- 7. How Do These “Exotic” Bodies Move? Ethnographic Shows and Constructing Otherness in the Polish-Language Press, 1880–1914 -- 8. The World of Creation: Press Accounts of Ethnographic Shows in Circus Performances in Upper Silesia -- III. Across Local Contexts -- 9. Racialized Performance and the Construction of Slovene Whiteness: Ethnographic Shows and Circus Acts on the Habsburg Periphery, 1880–1914 -- 10. A Century of Elision? Ethnic Shows in Saint Petersburg and Moscow, 1879–1914 -- 11. “When Winter Arrives, the Sinhalese Go Back to Ceylon and Their Elephants Go to Hamburg”: Hagenbeck’s Sinhalese Caravans and Ethnographic Imagery in the Polish Press during the Partition Era -- 12. The Call of the Wild: A Sociological Sketch of Buffalo Bill’s Wild West in Banat and Transylvania -- 13. “Staged Otherness” in Saint Petersburg -- Epilogue -- List of Contributors -- Index |
| Record Nr. | UNISA-996483170703316 |
| Budapest ; ; New York : , : Central European University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Staged Otherness : Ethnic Shows in Central and Eastern Europe, 1850–1939 / / ed. by Dagnosław Demski, Dominika Czarnecka
| Staged Otherness : Ethnic Shows in Central and Eastern Europe, 1850–1939 / / ed. by Dagnosław Demski, Dominika Czarnecka |
| Pubbl/distr/stampa | Budapest ; ; New York : , : Central European University Press, , [2022] |
| Descrizione fisica | 1 online resource (460 p.) |
| Soggetto topico |
Audiences - Europe, Central - History - 19th century
Audiences - Europe, Central - History - 20th century Audiences - Europe, Eastern - History - 19th century Audiences - Europe, Eastern - History - 20th century Ethnographic shows - Europe, Central - History - 19th century Ethnographic shows - Europe, Central - History - 20th century Ethnographic shows - Europe, Eastern - History - 19th century Ethnographic shows - Europe, Eastern - History - 20th century Social sciences SOCIAL SCIENCE / Anthropology / Cultural & Social |
| Soggetto non controllato |
Völkerschauen
differences exotic human zoo mass entertainment, modernity social history |
| ISBN | 963-386-440-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- 1. Introduction: From Western to Peripheral Voices -- I. European versus Indigenous Agency -- 2. The Hagenbeck Ethnic Shows: Recruitment, Organization, and Academic and Popular Responses -- 3. A Brief History of Staging Somali Ethnographic Performing Troupes in Europe, 1885–1930 -- 4. “Wild Chamacoco” and the Czechs: The Double-Edged Ethnographic Show of Vojtěch Frič, 1908–9 -- 5. Why Hidden Ears Matter: On Kalintsov’s Samoyed Exhibition in Vienna, 1882 -- II. Performing the Ethnographic Other -- 6. The (Ethno-)Drama of Exoticism: Ethnic Shows as a Medium -- 7. How Do These “Exotic” Bodies Move? Ethnographic Shows and Constructing Otherness in the Polish-Language Press, 1880–1914 -- 8. The World of Creation: Press Accounts of Ethnographic Shows in Circus Performances in Upper Silesia -- III. Across Local Contexts -- 9. Racialized Performance and the Construction of Slovene Whiteness: Ethnographic Shows and Circus Acts on the Habsburg Periphery, 1880–1914 -- 10. A Century of Elision? Ethnic Shows in Saint Petersburg and Moscow, 1879–1914 -- 11. “When Winter Arrives, the Sinhalese Go Back to Ceylon and Their Elephants Go to Hamburg”: Hagenbeck’s Sinhalese Caravans and Ethnographic Imagery in the Polish Press during the Partition Era -- 12. The Call of the Wild: A Sociological Sketch of Buffalo Bill’s Wild West in Banat and Transylvania -- 13. “Staged Otherness” in Saint Petersburg -- Epilogue -- List of Contributors -- Index |
| Record Nr. | UNINA-9910831814003321 |
| Budapest ; ; New York : , : Central European University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||