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Cinema after Deleuze [[electronic resource] /] / Richard Rushton
| Cinema after Deleuze [[electronic resource] /] / Richard Rushton |
| Autore | Rushton Richard |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Continuum International Pub. Group, c2012 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina | 791.4301 |
| Collana | Deleuze encounters |
| Soggetto topico | Motion pictures - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4411-1199-9
1-280-57864-5 9786613608406 1-4411-8288-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D. W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock
The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index |
| Record Nr. | UNINA-9910461702803321 |
Rushton Richard
|
||
| London ; ; New York, : Continuum International Pub. Group, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema after Deleuze [[electronic resource] /] / Richard Rushton
| Cinema after Deleuze [[electronic resource] /] / Richard Rushton |
| Autore | Rushton Richard |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Continuum International Pub. Group, c2012 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina | 791.4301 |
| Collana | Deleuze encounters |
| Soggetto topico | Motion pictures - Philosophy |
| ISBN |
1-4411-1199-9
1-280-57864-5 9786613608406 1-4411-8288-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D. W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock
The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index |
| Record Nr. | UNINA-9910789934903321 |
|
Rushton Richard
|
||
| London ; ; New York, : Continuum International Pub. Group, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema after Deleuze [[electronic resource] /] / Richard Rushton
| Cinema after Deleuze [[electronic resource] /] / Richard Rushton |
| Autore | Rushton Richard |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Continuum International Pub. Group, c2012 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina | 791.4301 |
| Collana | Deleuze encounters |
| Soggetto topico | Motion pictures - Philosophy |
| ISBN |
1-4411-1199-9
1-280-57864-5 9786613608406 1-4411-8288-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D. W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock
The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index |
| Record Nr. | UNINA-9910823224403321 |
|
Rushton Richard
|
||
| London ; ; New York, : Continuum International Pub. Group, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The reality of film [[electronic resource] ] : theories of filmic reality / / Richard Rushton
| The reality of film [[electronic resource] ] : theories of filmic reality / / Richard Rushton |
| Autore | Rushton Richard |
| Pubbl/distr/stampa | Manchester ; ; New York, : Manchester University Press, : Distributed in the United States exclusively by Palgrave, 2011 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Realism in motion pictures
Motion pictures - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78170-299-3
1-84779-341-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719082689; 9780719082689; Copyright; Contents; List of illustrations; Acknowledgements; Introduction: On the reality of film; 1 Beyond political modernism; 2 Realism, reality and authenticity; 3 The imaginary as filmic reality; 4 A reality beyond imagining; 5 Cinema produces reality; 6 Filmic reality and ideological fantasy; 7 Filmic reality and the aesthetic regime; Afterword; Notes; References; Index |
| Record Nr. | UNINA-9910465955303321 |
|
Rushton Richard
|
||
| Manchester ; ; New York, : Manchester University Press, : Distributed in the United States exclusively by Palgrave, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The reality of film [[electronic resource] ] : theories of filmic reality / / Richard Rushton
| The reality of film [[electronic resource] ] : theories of filmic reality / / Richard Rushton |
| Autore | Rushton Richard |
| Pubbl/distr/stampa | Manchester ; ; New York, : Manchester University Press, : Distributed in the United States exclusively by Palgrave, 2011 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Realism in motion pictures
Motion pictures - Philosophy |
| Soggetto non controllato |
André Bazin
Christian Metz Gilles Deleuze Jacques Rancière Slavoj Žižek Stanley Cavell cinema film theorists filmic reality |
| ISBN |
1-78170-299-3
1-84779-341-X |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719082689; 9780719082689; Copyright; Contents; List of illustrations; Acknowledgements; Introduction: On the reality of film; 1 Beyond political modernism; 2 Realism, reality and authenticity; 3 The imaginary as filmic reality; 4 A reality beyond imagining; 5 Cinema produces reality; 6 Filmic reality and ideological fantasy; 7 Filmic reality and the aesthetic regime; Afterword; Notes; References; Index |
| Record Nr. | UNINA-9910791952603321 |
|
Rushton Richard
|
||
| Manchester ; ; New York, : Manchester University Press, : Distributed in the United States exclusively by Palgrave, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The reality of film [[electronic resource] ] : theories of filmic reality / / Richard Rushton
| The reality of film [[electronic resource] ] : theories of filmic reality / / Richard Rushton |
| Autore | Rushton Richard |
| Pubbl/distr/stampa | Manchester ; ; New York, : Manchester University Press, : Distributed in the United States exclusively by Palgrave, 2011 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Realism in motion pictures
Motion pictures - Philosophy |
| Soggetto non controllato |
André Bazin
Christian Metz Gilles Deleuze Jacques Rancière Slavoj Žižek Stanley Cavell cinema film theorists filmic reality |
| ISBN |
1-78170-299-3
1-84779-341-X |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719082689; 9780719082689; Copyright; Contents; List of illustrations; Acknowledgements; Introduction: On the reality of film; 1 Beyond political modernism; 2 Realism, reality and authenticity; 3 The imaginary as filmic reality; 4 A reality beyond imagining; 5 Cinema produces reality; 6 Filmic reality and ideological fantasy; 7 Filmic reality and the aesthetic regime; Afterword; Notes; References; Index |
| Record Nr. | UNINA-9910808311203321 |
|
Rushton Richard
|
||
| Manchester ; ; New York, : Manchester University Press, : Distributed in the United States exclusively by Palgrave, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is film theory? [[electronic resource] ] : an introduction to contemporary debates / / Richard Rushton and Gary Bettinson
| What is film theory? [[electronic resource] ] : an introduction to contemporary debates / / Richard Rushton and Gary Bettinson |
| Autore | Rushton Richard |
| Pubbl/distr/stampa | Maidenhead, England, : Open University Press, 2010 |
| Descrizione fisica | 211 p. : ill |
| Altri autori (Persone) | BettinsonGary |
| Soggetto topico |
Motion pictures
Cinematography |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-33866-1
9786613338662 0-335-24038-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910459458603321 |
|
Rushton Richard
|
||
| Maidenhead, England, : Open University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is film theory? [[electronic resource] ] : an introduction to contemporary debates / / Richard Rushton and Gary Bettinson
| What is film theory? [[electronic resource] ] : an introduction to contemporary debates / / Richard Rushton and Gary Bettinson |
| Autore | Rushton Richard |
| Pubbl/distr/stampa | Maidenhead, England, : Open University Press, 2010 |
| Descrizione fisica | 211 p. : ill |
| Altri autori (Persone) | BettinsonGary |
| Soggetto topico |
Motion pictures
Cinematography |
| ISBN |
1-283-33866-1
9786613338662 0-335-24038-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910784939703321 |
|
Rushton Richard
|
||
| Maidenhead, England, : Open University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is film theory? [[electronic resource] ] : an introduction to contemporary debates / / Richard Rushton and Gary Bettinson
| What is film theory? [[electronic resource] ] : an introduction to contemporary debates / / Richard Rushton and Gary Bettinson |
| Autore | Rushton Richard |
| Pubbl/distr/stampa | Maidenhead, England, : Open University Press, 2010 |
| Descrizione fisica | 211 p. : ill |
| Altri autori (Persone) | BettinsonGary |
| Soggetto topico |
Motion pictures
Cinematography |
| ISBN |
1-283-33866-1
9786613338662 0-335-24038-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910828023303321 |
|
Rushton Richard
|
||
| Maidenhead, England, : Open University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||