Future theatre research : origin, medium, performance-text, reception and acting / / Eli Rozik |
Autore | Rozik Eli |
Pubbl/distr/stampa | Brighton ; ; Chicago : , : Sussex Academic Press, , 2016 |
Descrizione fisica | 1 online resource (327 p.) |
Disciplina | 792.01 |
Soggetto topico | Theater - Philosophy |
ISBN | 1-78284-285-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Dedication; Title Page; Copyright; Contents; Preface and Acknowledgements; Introduction: Theatre Medium; 1 Basic Iconic Units; Imagistic definition of 'iconicity'; Basic iconic units; Real objects on stage; Part I Iconic Figures of Speech; 2 Stage Metaphor; Verbal Metaphor; Iconic metaphor; Imagistic metaphor; Stage symbol; 3 Theatre Experience as Metaphor; Stage metaphor; Metaphoric fictional world; Paradox of double reference; Mechanism of textual metaphor; Sophocles' Oedipus the King; García Lorca's Yerma; 4 Stage Allegory; Metaphoric stage allegory
Interpreting stage allegoryMixing praxical and allegoric features; Mixed metaphor in allegoric texts; 5 Speech-Act Stage Metaphor; Ionesco's Exit the King; Speech-act metaphor on stage; The predicate 'is a metaphor'; Stylistic implications; 6 Set and Costume Metaphor; Metaphoric experience; Set and costume metaphor; Five basic models; Set and costume mixed metaphor; Part II Stage Conventionality; 7 Stage Conventions; Notion of 'stage convention'; Kinds of stage conventions; Functions of stage conventions; Ironic conventions; Aesthetic conventions; Theatre norms 8 The Chorus: Matrix of Stage ConventionsDramatic chorus; Dithyrambic storytelling; Bacchylides' Theseus Dive; Nature of dithyramb; 9 Lady Macbeth: In the Making of a Tragic Hero; Confidant convention; Lady Macbeth as confidant; Confidential motifs; Lady Macbeth's transfiguration; Poetic implications; 10 Functions of Language in Theatre; Ingarden's approach; Ingarden's functions of language; Language mediation; Speech interaction; Speech act theory; Iconic interaction; Stage Conventions; Part III Fictional Thinking; 11 Nature of Fictional Thinking; Fictional world Structure and thematic specificationArchetypal patterns of response; Stratified structure of fictional world; Structure of character; Possible fallacies; 12 Sacred Narratives for Secular Spectators; Basic features of 'myth'; Functional approaches; Mythical mappings; Universality of mythical mappings; Binding of Isaac; Passion of the Christ; 13 Theatre Ethics; Hegel's 'ethical substance'; Aristotle's 'philanthropon'; Kant's 'categorical imperative'; Dramatic irony; Synthesis of Hegel and Aristotle; Sophocles' Antigone; 14 Theatre Aesthetics; Aesthetic experience; Kinds of aesthetic experience Functions of aesthetic experienceRange of aesthetic experiences; Objective/subjective dispute; Objective and subjective principles; On a possible aesthetics of theatre; 15 Theatre Rhetoric; Author-audience interaction; Structural equivalence; Rhetoric interaction; Rhetoric pre-structuration; Yerushalmi's Woyzeck 91; Part IV Reception; 16 Implied Spectator; Implied vs. real spectator; Implied spectator and rhetoric structure; Espert's The House of Bernarda Alba; Thinking experimentation; 17 Theatre as Thinking Laboratory; Scientific mode of thinking; Theatrical thinking - A comparison 18 Vicarious Theatre Experience |
Record Nr. | UNINA-9910797931503321 |
Rozik Eli | ||
Brighton ; ; Chicago : , : Sussex Academic Press, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Future theatre research : origin, medium, performance-text, reception and acting / / Eli Rozik |
Autore | Rozik Eli |
Pubbl/distr/stampa | Brighton ; ; Chicago : , : Sussex Academic Press, , 2016 |
Descrizione fisica | 1 online resource (327 p.) |
Disciplina | 792.01 |
Soggetto topico | Theater - Philosophy |
ISBN | 1-78284-285-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Dedication; Title Page; Copyright; Contents; Preface and Acknowledgements; Introduction: Theatre Medium; 1 Basic Iconic Units; Imagistic definition of 'iconicity'; Basic iconic units; Real objects on stage; Part I Iconic Figures of Speech; 2 Stage Metaphor; Verbal Metaphor; Iconic metaphor; Imagistic metaphor; Stage symbol; 3 Theatre Experience as Metaphor; Stage metaphor; Metaphoric fictional world; Paradox of double reference; Mechanism of textual metaphor; Sophocles' Oedipus the King; García Lorca's Yerma; 4 Stage Allegory; Metaphoric stage allegory
Interpreting stage allegoryMixing praxical and allegoric features; Mixed metaphor in allegoric texts; 5 Speech-Act Stage Metaphor; Ionesco's Exit the King; Speech-act metaphor on stage; The predicate 'is a metaphor'; Stylistic implications; 6 Set and Costume Metaphor; Metaphoric experience; Set and costume metaphor; Five basic models; Set and costume mixed metaphor; Part II Stage Conventionality; 7 Stage Conventions; Notion of 'stage convention'; Kinds of stage conventions; Functions of stage conventions; Ironic conventions; Aesthetic conventions; Theatre norms 8 The Chorus: Matrix of Stage ConventionsDramatic chorus; Dithyrambic storytelling; Bacchylides' Theseus Dive; Nature of dithyramb; 9 Lady Macbeth: In the Making of a Tragic Hero; Confidant convention; Lady Macbeth as confidant; Confidential motifs; Lady Macbeth's transfiguration; Poetic implications; 10 Functions of Language in Theatre; Ingarden's approach; Ingarden's functions of language; Language mediation; Speech interaction; Speech act theory; Iconic interaction; Stage Conventions; Part III Fictional Thinking; 11 Nature of Fictional Thinking; Fictional world Structure and thematic specificationArchetypal patterns of response; Stratified structure of fictional world; Structure of character; Possible fallacies; 12 Sacred Narratives for Secular Spectators; Basic features of 'myth'; Functional approaches; Mythical mappings; Universality of mythical mappings; Binding of Isaac; Passion of the Christ; 13 Theatre Ethics; Hegel's 'ethical substance'; Aristotle's 'philanthropon'; Kant's 'categorical imperative'; Dramatic irony; Synthesis of Hegel and Aristotle; Sophocles' Antigone; 14 Theatre Aesthetics; Aesthetic experience; Kinds of aesthetic experience Functions of aesthetic experienceRange of aesthetic experiences; Objective/subjective dispute; Objective and subjective principles; On a possible aesthetics of theatre; 15 Theatre Rhetoric; Author-audience interaction; Structural equivalence; Rhetoric interaction; Rhetoric pre-structuration; Yerushalmi's Woyzeck 91; Part IV Reception; 16 Implied Spectator; Implied vs. real spectator; Implied spectator and rhetoric structure; Espert's The House of Bernarda Alba; Thinking experimentation; 17 Theatre as Thinking Laboratory; Scientific mode of thinking; Theatrical thinking - A comparison 18 Vicarious Theatre Experience |
Record Nr. | UNINA-9910822042403321 |
Rozik Eli | ||
Brighton ; ; Chicago : , : Sussex Academic Press, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jewish drama & theatre [[electronic resource] ] : from rabbinical intolerance to secular liberalism / / Eli Rozik |
Autore | Rozik Eli |
Pubbl/distr/stampa | Eastbourne, : Sussex Academic Press, 2013 |
Descrizione fisica | 1 online resource (324 p.) |
Disciplina | 792.089/924 |
Soggetto topico |
Jewish drama - History and criticism
Creation - Biblical teaching |
Soggetto genere / forma | Electronic books. |
ISBN | 1-78284-096-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Jewish drama and theatre |
Record Nr. | UNINA-9910453296303321 |
Rozik Eli | ||
Eastbourne, : Sussex Academic Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jewish drama & theatre [[electronic resource] ] : from rabbinical intolerance to secular liberalism / / Eli Rozik |
Autore | Rozik Eli |
Pubbl/distr/stampa | Eastbourne, : Sussex Academic Press, 2013 |
Descrizione fisica | 1 online resource (324 p.) |
Disciplina | 792.089/924 |
Soggetto topico |
Jewish drama - History and criticism
Creation - Biblical teaching |
ISBN | 1-78284-096-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : dramatic and theatrical creativity -- Tangential Jewish drama. Jewish theatre and ritual origin -- The Book of Job as Greek tragedy -- Ezekiel's Exagoge -- The binding of Isaac in theatre -- Fernando de Rojas' La Celestina -- Felipe Godinez' The Queen Esther -- Leone de' Sommi's A comedy of betrothal -- Advent of Yiddish Theatre. Adoption of theatre despite ritual -- Sephardi roots of Jewish parody -- The nature of carnival -- The purim-shpil -- The purim-rabbi -- A tribute to Yiddish theatre -- The languages of the Jews and Jewish theatre -- The Jewish nature of Israeli theatre. Sacred narratives in secular contexts -- Actualization in the Israeli theatre -- Rina Yerushalmi's Jephthah's daughter -- Sisera's mother and the Trojan women -- Rina Yerushalmi's Woyzeck 91 -- Nissim Aloni's The American princess -- Hanoch Levin's Sufferings of Job. |
Altri titoli varianti | Jewish drama and theatre |
Record Nr. | UNINA-9910790624303321 |
Rozik Eli | ||
Eastbourne, : Sussex Academic Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jewish drama & theatre : from rabbinical intolerance to secular liberalism / / Eli Rozik |
Autore | Rozik Eli |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Eastbourne, : Sussex Academic Press, 2013 |
Descrizione fisica | 1 online resource (324 p.) |
Disciplina | 792.089/924 |
Soggetto topico |
Jewish drama - History and criticism
Creation - Biblical teaching |
ISBN | 1-78284-096-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : dramatic and theatrical creativity -- Tangential Jewish drama. Jewish theatre and ritual origin -- The Book of Job as Greek tragedy -- Ezekiel's Exagoge -- The binding of Isaac in theatre -- Fernando de Rojas' La Celestina -- Felipe Godinez' The Queen Esther -- Leone de' Sommi's A comedy of betrothal -- Advent of Yiddish Theatre. Adoption of theatre despite ritual -- Sephardi roots of Jewish parody -- The nature of carnival -- The purim-shpil -- The purim-rabbi -- A tribute to Yiddish theatre -- The languages of the Jews and Jewish theatre -- The Jewish nature of Israeli theatre. Sacred narratives in secular contexts -- Actualization in the Israeli theatre -- Rina Yerushalmi's Jephthah's daughter -- Sisera's mother and the Trojan women -- Rina Yerushalmi's Woyzeck 91 -- Nissim Aloni's The American princess -- Hanoch Levin's Sufferings of Job. |
Altri titoli varianti | Jewish drama and theatre |
Record Nr. | UNINA-9910822127603321 |
Rozik Eli | ||
Eastbourne, : Sussex Academic Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Roots of Theatre [[electronic resource] ] : Rethinking Ritual and Other Theories of Origin |
Autore | Rozik Eli |
Pubbl/distr/stampa | Iowa City, : University of Iowa Press, 2005 |
Descrizione fisica | 1 online resource (385 p.) |
Disciplina |
792.01
792/.01 |
Collana | Studies Theatre Hist & Culture |
Soggetto topico |
Rites and ceremonies
Theater -- Origin |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Introduction; Part One. Theories of Origins; 1. Basic Definitions; 2. The Ritual Origin of Tragedy; 3. The Ritual Origin of Comedy; 4. The Shamanistic Source; 5. The Recreation of Theatre by Christianity; 6. The Mummers' Plays; 7. The Adoption of Theatre by Judaism; 8. Back to Aristotle; Part Two. Hedges and Boundaries; 9. Performance Theory; 10. The "Drama" of Real Life; 11. The Spirit of Carnival; 12. Culture as Play/Game; Part Three. A Theory of Roots; 13. The ""Language"" of Dreams; 14. Playing as Thinking; 15. Mythical Representation; 16. Retracing the Steps of History
17. Reflections and ConclusionsBibliography; Index |
Record Nr. | UNINA-9910450800903321 |
Rozik Eli | ||
Iowa City, : University of Iowa Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Roots of Theatre [[electronic resource] ] : Rethinking Ritual and Other Theories of Origin |
Autore | Rozik Eli |
Pubbl/distr/stampa | Iowa City, : University of Iowa Press, 2005 |
Descrizione fisica | 1 online resource (385 p.) |
Disciplina |
792.01
792/.01 |
Collana | Studies Theatre Hist & Culture |
Soggetto topico |
Rites and ceremonies
Theater -- Origin |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Introduction; Part One. Theories of Origins; 1. Basic Definitions; 2. The Ritual Origin of Tragedy; 3. The Ritual Origin of Comedy; 4. The Shamanistic Source; 5. The Recreation of Theatre by Christianity; 6. The Mummers' Plays; 7. The Adoption of Theatre by Judaism; 8. Back to Aristotle; Part Two. Hedges and Boundaries; 9. Performance Theory; 10. The "Drama" of Real Life; 11. The Spirit of Carnival; 12. Culture as Play/Game; Part Three. A Theory of Roots; 13. The ""Language"" of Dreams; 14. Playing as Thinking; 15. Mythical Representation; 16. Retracing the Steps of History
17. Reflections and ConclusionsBibliography; Index |
Record Nr. | UNINA-9910777591903321 |
Rozik Eli | ||
Iowa City, : University of Iowa Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The roots of theatre : rethinking ritual and other theories of origin / / Eli Rozik |
Autore | Rozik Eli |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Iowa City, : University of Iowa Press, c2002 |
Descrizione fisica | 1 online resource (385 p.) |
Disciplina |
792.01
792/.01 |
Collana | Studies in theatre history & culture |
Soggetto topico |
Theater - Origin
Rites and ceremonies |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Introduction; Part One. Theories of Origins; 1. Basic Definitions; 2. The Ritual Origin of Tragedy; 3. The Ritual Origin of Comedy; 4. The Shamanistic Source; 5. The Recreation of Theatre by Christianity; 6. The Mummers' Plays; 7. The Adoption of Theatre by Judaism; 8. Back to Aristotle; Part Two. Hedges and Boundaries; 9. Performance Theory; 10. The "Drama" of Real Life; 11. The Spirit of Carnival; 12. Culture as Play/Game; Part Three. A Theory of Roots; 13. The ""Language"" of Dreams; 14. Playing as Thinking; 15. Mythical Representation; 16. Retracing the Steps of History
17. Reflections and ConclusionsBibliography; Index |
Record Nr. | UNINA-9910809050903321 |
Rozik Eli | ||
Iowa City, : University of Iowa Press, c2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|