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Digital oratory as discursive practice : from the podium to the screen / / Fiona Rossette-Crake
| Digital oratory as discursive practice : from the podium to the screen / / Fiona Rossette-Crake |
| Autore | Rossette-Crake Fiona |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 418 |
| Collana | Postdisciplinary Studies in Discourse |
| Soggetto topico |
Applied linguistics
Business communication Discourse analysis |
| ISBN |
9783031189845
9783031189838 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- About the Author -- List of Figures -- 1: Approaching Oratory in the Twenty-First Century -- 1.1 From Podium to Screen: An Overview -- A Renewal of Formats and a Public Speaking Revival -- Some Examples of Contemporary Public Speaking Practices -- "Social Media Oratory" -- "New Oratory" -- "Fully Digitalised Oratory" -- Contemporary "Podium, Lectern Oratory" -- On the Heterogeneous Nature of the Object of the Present Study -- 1.2 A Discourse Analytical Perspective -- Literature Review -- Linguistics -- Discourse Analysis -- (Digital) Rhetoric and Computer-Mediated Communication -- Workplace Discourse and Critical Discourse Analysis -- Research Questions and Organisation of This Book -- References -- 2: Oratory as Communication Setup (I): Definitions -- 2.1 "Speech," "Public Speaking," "Oratory," "Digital Oratory" -- "Podium Talk," Speech, Public Speaking, Oratory -- "Podium Talk" -- Speech -- Public Speaking -- Oratory -- Oratory in the Electronic and Digital Eras -- A "Declining Art"? -- Towards a Definition of Oratory That Accommodates the Contemporary Context -- 2.2 The Specificity of Oratory Compared to Dialogic Speech -- Oratory as "Spoken Monologic" Discourse -- Oratory and the Asymmetrical Speaker-Addressee Relation -- An "Extraordinary" Asymmetry -- Discursive Divides and Their Negotiation -- References -- 3: Oratory as Communication Setup (II): Towards a Typology That Incorporates Technological Mediation -- 3.1 When Oratory Combines with Electronic and Digital Media -- New Setups and New Frameworks of Categorisation -- The "Filter" Effect: Challenges Posed by Digital Communication -- Co-presence, Context, Embodiment, and Community -- Making a Connection Via the Digital Interface -- 3.2 Participant Frameworks -- Composite Audiences -- Remote Speakers -- Feedback and the Complexity of Social Media.
3.3 Summary: Oratory as Communication Setup -- Oratory as Communication Setup -- Main Categories of Oratory Distinguished Here -- References -- 4: Oratory as Rhetorical Practice: The Renewal of Memoria and Actio -- 4.1 Oratory Minus the Lectern: The Move to a More Embodied Rhetoric -- 4.2 Mode of Production … and Memoria -- Modelling Memoria: Different Modes of Production -- Temporal and Spatial Thresholds -- "Writing Orally," Deictic Reference, and Kairos -- Deictic Reference -- Actio: The Body on the Stage-And Off -- References -- 5: Multimodality and Technology -- 5.1 The Slideshow -- The Slideshow as a Multimodal Resource -- Negotiating More Complex Temporal and Spatial Thresholds -- 5.2 Other Technological, Multimodal Resources -- An Ambiguous Relationship with Technology -- Multiple Screens and the Projection of the Image of the Speaker -- The Live Performance and Multiple Screens -- The Live Performance and Interpersonal Meanings -- Fully Digitalised Oratory: Screens Within the Screen -- Immersive Experiences and Holograms -- Use of "Captions" in Social Media Oratory -- 5.3 Filming -- The New Oratory -- Fully Digitalised and Social Media Oratory, and the Contraction of Social Space -- References -- 6: Oratory as Social Practice (I): Discursive Genre, Culture, and Power -- 6.1 Oratory and the Question of Discursive Genre -- Genre and the Heritage of Classical Rhetoric -- An Initial Definition of Genre -- The Heritage of Classical Rhetoric -- A Discourse-Analysis Framework for Modelling Genre -- Enclosing Scene -- Generic Scene -- Scenography -- Multiple Scenes, and New Types of Enclosing Scenes -- Digital Communication and the Decompartmentalisation of Generic Practices -- 6.2 Culture, Power, and Diversity (Or Lack of It) -- Oratory and Culture -- Some Cultural Considerations -- Anglo-American Communication Culture. Power and Diversity -- Access to the Public Speaking Floor -- New Challenges -- Anglo-American Hegemony and the Corporate World -- References -- 7: Oratory as Social Practice (II): Presentation of the Self in a Digital, Neoliberal Age -- 7.1 Promotion and Exaltation of the Self -- The New Economy and Reputation -- The New Work Order and the Self as Enterprise -- Digital Oratory and Corporate and Personal Branding -- 7.2 The Collapse of the Public/Private Divide -- "Public" Speaking Gone "Private"? -- Speaking from the Backstage -- Backstaging -- "Everyday Life as Public Performance": The Paradox of Microcelebrity and Authenticity -- 7.3 Digital Oratory and Other Economic Stakes -- An Economics of Attention … And Speed -- "Showledge" -- References -- 8: Ethos, or the Discursive Enactment of the Presentation of the Self -- 8.1 The Weight of Discursive Ethos-And "Interdiscursive Ethos" -- 8.2 The Generic Ethos of the Digital Speaker -- 8.3 Argument by Personal Example, and Storytelling -- References -- 9: The Move from Rhetorical to Dialogic Staging -- 9.1 Rhetorical Staging -- A "Superspeaker" and a "Superaddressee" -- The Gettysburg Address and the Staging of the Signifier -- Rhetorical Staging and Oratory Today -- 9.2 Dialogic Staging -- The Example of Two Instagram Posts -- A Renegotiation of the One-to-Many Relation -- Staging an Interaction -- Linguistic Markers of Dialogic Staging -- References -- 10: TED Talks: A Case Study -- 10.1 Branding -- The Intensive Formatting That Underscores the TED Brand -- The Self-branding of Speakers -- The Speaker: From Scientist to Guru -- 10.2 Two TED Talks, a Decade Apart -- 10.3 Showledge and Empowerment: TED Under the Critical Lens -- Showledge and Form Versus Science and Substance -- Change as a Discursive Construct -- 10.4 TED Talks Through the COVID-19 Pandemic -- References. 11: Enacting Oratory on Social Media -- 11.1 Numerous Orators, Numerous Enclosing Scenes -- Media and Corporate Enclosing Scenes -- Other Professional Enclosing Scenes -- 11.2 Social Media Oratory and the Political Enclosing Scene -- Social Media as an Alternative to Podium Oratory -- Volodymyr Zelensky, or a War Waged Via Social Media Oratory -- Negotiating Between Languages and Cultures -- Inventing Scenographies -- A Specific Enactment of Rhetorical Staging -- References -- Index. |
| Record Nr. | UNINA-9910635400603321 |
Rossette-Crake Fiona
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| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Public Speaking and the New Oratory [[electronic resource] ] : A Guide for Non-native Speakers / / by Fiona Rossette-Crake
| Public Speaking and the New Oratory [[electronic resource] ] : A Guide for Non-native Speakers / / by Fiona Rossette-Crake |
| Autore | Rossette-Crake Fiona |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (286 pages) |
| Disciplina | 808.51 |
| Soggetto topico |
Discourse analysis
Intercultural communication English language Language and education Study skills Discourse Analysis Intercultural Communication English Language Education Groupwork and Presentation |
| ISBN | 3-030-22086-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Speaking in English: Getting Started -- Chapter 1: Fostering an Anglo-Saxon Ethos -- Chapter 2: Genre and generic competence -- Chapter 3: A discourse-analysis approach to public speaking genres -- Chapter 4: Public speaking versus conversation -- Chapter 5: Elaborate orality: speaking from a script -- Part 2: Staging an interaction with your audience -- Chapter 6: Comparisons between the language of conversation, writing and public speaking -- Chapter 7: Talking to your audience -- Chapter 8: Anchoring your speech in the context of delivery -- Chapter 9: Rhetorical Staging -- Chapter 10: Delivery, or action -- Chapter 11: Slideshows that reinforce the interaction -- Part 3: Structuring your speech for listenability -- Chapter 12: The syntax of the sentence -- Chapter 13: Managing information -- Chapter 14: Strategies for concision -- Chapter 15:Figures of repetition: functions -- Chapter 16: Repetition of words and accumulation: a typology -- Chapter 17: Macro-organisation -- Chapter 18: Connectives -- Chapter 19: Introductions, transitions and signing off -- Part 4: The New Oratory -- Chapter 20: Three-Minute-Thesis Presentations (3MT) -- Chapter 21: Investor pitches -- Chapter 22: TED talks -- Chapter 23: Some characteristics of the New Oratory. |
| Record Nr. | UNINA-9910338231903321 |
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Rossette-Crake Fiona
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||