Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum
| Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910457736403321 |
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum
| Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910784421003321 |
|
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Discovering Orson Welles / / Jonathan Rosenbaum
| Discovering Orson Welles / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910823946003321 |
|
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum
| Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago, IL, : A Cappella, c2000 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico | Motion pictures - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-306-03354-3
1-55652-992-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |
| Record Nr. | UNINA-9910454172403321 |
|
Rosenbaum Jonathan
|
||
| Chicago, IL, : A Cappella, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum
| Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago, IL, : A Cappella, c2000 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico | Motion pictures - United States |
| ISBN |
1-306-03354-3
1-55652-992-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |
| Record Nr. | UNINA-9910782691203321 |
|
Rosenbaum Jonathan
|
||
| Chicago, IL, : A Cappella, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum
| Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago, IL, : A Cappella, c2000 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico | Motion pictures - United States |
| ISBN |
1-306-03354-3
1-55652-992-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |
| Record Nr. | UNINA-9910815500603321 |
|
Rosenbaum Jonathan
|
||
| Chicago, IL, : A Cappella, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movies as politics / / Jonathan Rosenbaum
| Movies as politics / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [Reprint 2019] |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1997] |
| Descrizione fisica | 1 online resource (xi, 359 p. ) |
| Disciplina | 791.43/658 |
| Soggetto topico |
Motion pictures - Political aspects
Film Music, Dance, Drama & Film |
| ISBN |
0-520-91810-X
0-585-28538-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- How to Live in Air Conditioning -- Language, Representation, Narrative -- Utopian Space and Urban Encounters -- Chance and Control -- Classification and Genre: Musical Ghettos -- Two / Entertainment as Oppression: The Hollywood Apparatus -- Alternatives -- Political Subjects -- Other Cinemas -- Alternate Histories -- Index |
| Record Nr. | UNISA-996248175303316 |
|
Rosenbaum Jonathan
|
||
| Berkeley, CA : , : University of California Press, , [1997] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Placing movies : the practice of film criticism / / Jonathan Rosenbaum
| Placing movies : the practice of film criticism / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [Reprint 2019] |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1995] |
| Descrizione fisica | 1 online resource (ix, 337 p. ) |
| Disciplina | 791.43/75 |
| Soggetto topico |
Motion pictures - Reviews
Film criticism Music, Dance, Drama & Film Film |
| ISBN |
0-520-91495-3
0-585-29939-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Dedication and Acknowledgments -- Starting Out in Film Criticism -- Introduction -- Theory and Practice -- Film Comment Journals, 1974-1977: -- Edinburgh Encounters: -- Barthes & Film: -- A Bluffer's Guide to Bèla Tarr -- They Drive by Night: -- Introduction -- Ozu's GOOD MORNING -- Aspects Or ANATAHAN -- Gold Diggers of 1953: -- Gertrud as Nonnarrative -- The Manchurian Candidate -- OTHELLO Goes Hollywood -- Introduction -- Work and Play in the House of Fiction -- The Tyranny of Sensitivity -- Love Films -- The Death of Hulot -- Orson Welles's Essay Films and Documentary Fictions: -- The Importance of Being Perverse: -- Alain Resnais and MÈLO -- Introduction -- Jerri Lewis's HARDLY WORKING -- DOOMED LOVE: -- RAIDERS OF THE LOST ARK -- Mapping the Territory of Radl Ruiz -- Notes Toward the Devaluation of Woody Allen -- Crass Consciousness: -- Introduction -- Bird Watching -- Jean Vigo's Secret -- Guilty by Omission -- His Master's Vice -- Government Lies -- A Cinema of Uncertainty: -- Bibliography -- Index |
| Record Nr. | UNISA-996248206403316 |
|
Rosenbaum Jonathan
|
||
| Berkeley, CA : , : University of California Press, , [1995] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||