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Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum
| Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910457736403321 |
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum
| Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910784421003321 |
|
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Discovering Orson Welles / / Jonathan Rosenbaum
| Discovering Orson Welles / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| ISBN |
9786612360244
9781282360242 1282360248 9780520940710 0520940717 9781429471831 1429471832 9781433709661 143370966X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9911093054803321 |
|
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Discovering Orson Welles / / Jonathan Rosenbaum
| Discovering Orson Welles / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| ISBN |
9786612360244
9781282360242 1282360248 9780520940710 0520940717 9781429471831 1429471832 9781433709661 143370966X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9911138367303321 |
|
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Essential cinema : on the necessity of film canons / / Jonathan Rosenbaum ; with a new afterword
| Essential cinema : on the necessity of film canons / / Jonathan Rosenbaum ; with a new afterword |
| Autore | Rosenbaum Jonathan |
| Edizione | [Johns Hopkins pbk. ed.] |
| Pubbl/distr/stampa | Baltimore, Md., : Johns Hopkins University Press, 2008 |
| Descrizione fisica | 1 online resource (468 p.) |
| Disciplina | 791.43/09 |
| Soggetto topico | Motion pictures |
| ISBN | 0-8018-9514-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Acknowledgments -- Introduction -- I. CLASSICS -- Fables of the Reconstruction: The Four-Hour Greed -- Fascinating Rhythms: M -- The Color of Paradise: Jour de fête -- Backyard Ethics: Hitchcock's Rear Window -- Songs in the Key of Everyday Life: The Umbrellas of Cherbourg -- A Tale of the Wind: Joris Ivens's Last Testament -- Kira Muratova's Home Truths: The Asthenic Syndrome -- The Importance of Being Sarcastic: Sátántangó -- Blush -- The Ceremony -- Thieves -- True Grit: Rosetta -- II. SPECIAL PROBLEMS -- Malick's Progress -- Improvisations and Interactions in Altmanville, with an Afterword: Nashville -- Mixed Emotions: Breaking the Waves -- Fast, Cheap & -- Out of Control -- The Sweet Cheat: Time Regained -- James Benning's Four Corners -- Overrated Solutions: L'humanité -- The Sound of German: Straub-Huillet's The Death of Empedocles -- Beyond the Clouds: Return to Beauty -- Reality and History as the Apotheosis of Southern Sleaze: Phil Karlson's The Phenix City Story -- Is Ozu Slow? -- The Human Touch: Decalogue and Fargo -- III. OTHER CANONS, OTHER CANONIZERS -- Life Intimidates Art: Irma Vep -- Stanley Kwan's Actress: Writing History in Quicksand -- Critical Distance: Godard's Contempt -- Remember Amnesia? (Guy Maddin's Archangel), with an Afterword: Ten Years Later (Please Watch Carefully: The Heart of the World) -- Ragged but Right: Rivette's Up Down Fragile -- Critic with a Camera: Marker on Tarkovsky -- Riddles of a Sphinx: From the Journals of Jean Seberg -- International Harvest: National Film Histories on Video -- International Sampler: Ghost Dog: The Way of the Samurai -- Not the Same Old Song and Dance: The Young Girls of Rochefort -- Flaming Creatures and Scotch Tape -- Ruiz Hopping and Buried Treasures: Twelve Selected Global Sites -- IV. DISPUTABLE CONTENDERS -- Back in Style: Bertolucci's Besieged.
The Young One: Buñuel's Neglected Masterpiece -- In Dreams Begin Responsibilities: Kubrick's Eyes Wide Shut -- The Best of Both Worlds: A.I. Artificial Intelligence -- Under the Chador: The Day I Became a Woman -- Chains of Ignorance: Charles Burnett's Nightjohn -- Good Vibrations: Waking Life -- Hell on Wheels: Taxi Driver -- Meat, John, Dough: Pretty Woman -- Tashlinesque -- Weird and Wonderful: Takeshi Kitano's Kikujiro -- *Corpus Callosum -- V. FILMMAKERS -- Mann of the West -- Otto Preminger -- Nicholas Ray -- Exiles in Modernity: Films by Edward Yang -- Hou Hsiao-hsien: Becoming Taiwanese -- The Countercultural Histories of Rudy Wurlitzer -- Samuel Fuller: The Words of an Innocent Warrior -- The Mysterious Elaine May: Hiding in Plain Sight -- Visionary Agitprop: I Am Cuba -- The Battle over Orson Welles -- License to Feel: Distant Voices, Still Lives and The Neon Bible -- Death and Life: Landscapes of the Soul-The Cinema of Alexander Dovzhenko -- Appendix: 1,000 Favorites (A Personal Canon) -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. |
| Record Nr. | UNINA-9911090074403321 |
|
Rosenbaum Jonathan
|
||
| Baltimore, Md., : Johns Hopkins University Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Essential cinema : on the necessity of film canons / / Jonathan Rosenbaum ; with a new afterword
| Essential cinema : on the necessity of film canons / / Jonathan Rosenbaum ; with a new afterword |
| Autore | Rosenbaum Jonathan |
| Edizione | [Johns Hopkins pbk. ed.] |
| Pubbl/distr/stampa | Baltimore, Md., : Johns Hopkins University Press, 2008 |
| Descrizione fisica | 1 online resource (468 p.) |
| Disciplina | 791.43/09 |
| Soggetto topico | Motion pictures |
| ISBN | 0-8018-9514-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Acknowledgments -- Introduction -- I. CLASSICS -- Fables of the Reconstruction: The Four-Hour Greed -- Fascinating Rhythms: M -- The Color of Paradise: Jour de fête -- Backyard Ethics: Hitchcock's Rear Window -- Songs in the Key of Everyday Life: The Umbrellas of Cherbourg -- A Tale of the Wind: Joris Ivens's Last Testament -- Kira Muratova's Home Truths: The Asthenic Syndrome -- The Importance of Being Sarcastic: Sátántangó -- Blush -- The Ceremony -- Thieves -- True Grit: Rosetta -- II. SPECIAL PROBLEMS -- Malick's Progress -- Improvisations and Interactions in Altmanville, with an Afterword: Nashville -- Mixed Emotions: Breaking the Waves -- Fast, Cheap & -- Out of Control -- The Sweet Cheat: Time Regained -- James Benning's Four Corners -- Overrated Solutions: L'humanité -- The Sound of German: Straub-Huillet's The Death of Empedocles -- Beyond the Clouds: Return to Beauty -- Reality and History as the Apotheosis of Southern Sleaze: Phil Karlson's The Phenix City Story -- Is Ozu Slow? -- The Human Touch: Decalogue and Fargo -- III. OTHER CANONS, OTHER CANONIZERS -- Life Intimidates Art: Irma Vep -- Stanley Kwan's Actress: Writing History in Quicksand -- Critical Distance: Godard's Contempt -- Remember Amnesia? (Guy Maddin's Archangel), with an Afterword: Ten Years Later (Please Watch Carefully: The Heart of the World) -- Ragged but Right: Rivette's Up Down Fragile -- Critic with a Camera: Marker on Tarkovsky -- Riddles of a Sphinx: From the Journals of Jean Seberg -- International Harvest: National Film Histories on Video -- International Sampler: Ghost Dog: The Way of the Samurai -- Not the Same Old Song and Dance: The Young Girls of Rochefort -- Flaming Creatures and Scotch Tape -- Ruiz Hopping and Buried Treasures: Twelve Selected Global Sites -- IV. DISPUTABLE CONTENDERS -- Back in Style: Bertolucci's Besieged.
The Young One: Buñuel's Neglected Masterpiece -- In Dreams Begin Responsibilities: Kubrick's Eyes Wide Shut -- The Best of Both Worlds: A.I. Artificial Intelligence -- Under the Chador: The Day I Became a Woman -- Chains of Ignorance: Charles Burnett's Nightjohn -- Good Vibrations: Waking Life -- Hell on Wheels: Taxi Driver -- Meat, John, Dough: Pretty Woman -- Tashlinesque -- Weird and Wonderful: Takeshi Kitano's Kikujiro -- *Corpus Callosum -- V. FILMMAKERS -- Mann of the West -- Otto Preminger -- Nicholas Ray -- Exiles in Modernity: Films by Edward Yang -- Hou Hsiao-hsien: Becoming Taiwanese -- The Countercultural Histories of Rudy Wurlitzer -- Samuel Fuller: The Words of an Innocent Warrior -- The Mysterious Elaine May: Hiding in Plain Sight -- Visionary Agitprop: I Am Cuba -- The Battle over Orson Welles -- License to Feel: Distant Voices, Still Lives and The Neon Bible -- Death and Life: Landscapes of the Soul-The Cinema of Alexander Dovzhenko -- Appendix: 1,000 Favorites (A Personal Canon) -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. |
| Record Nr. | UNINA-9911151389303321 |
|
Rosenbaum Jonathan
|
||
| Baltimore, Md., : Johns Hopkins University Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum
| Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago, IL, : A Cappella, c2000 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico | Motion pictures - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-306-03354-3
1-55652-992-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |
| Record Nr. | UNINA-9910454172403321 |
|
Rosenbaum Jonathan
|
||
| Chicago, IL, : A Cappella, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum
| Movie wars [[electronic resource] ] : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago, IL, : A Cappella, c2000 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico | Motion pictures - United States |
| ISBN |
1-306-03354-3
1-55652-992-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |
| Record Nr. | UNINA-9910782691203321 |
|
Rosenbaum Jonathan
|
||
| Chicago, IL, : A Cappella, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie wars : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum
| Movie wars : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago, IL, : A Cappella, c2000 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico | Motion pictures - United States |
| ISBN |
1-306-03354-3
1-55652-992-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |
| Record Nr. | UNINA-9911107291703321 |
|
Rosenbaum Jonathan
|
||
| Chicago, IL, : A Cappella, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie wars : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum
| Movie wars : how Hollywood and the media conspire to limit what films we can see / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago, IL, : A Cappella, c2000 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico | Motion pictures - United States |
| ISBN |
1-306-03354-3
1-55652-992-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227. |
| Record Nr. | UNINA-9911144078703321 |
|
Rosenbaum Jonathan
|
||
| Chicago, IL, : A Cappella, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
