Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The apocalypse in film : dystopias, disasters, and other visions about the end of the world / / edited by Karen A. Ritzenhoff, Angela Krewani ; contributors, Angela Krewani [and seventeen others]
| The apocalypse in film : dystopias, disasters, and other visions about the end of the world / / edited by Karen A. Ritzenhoff, Angela Krewani ; contributors, Angela Krewani [and seventeen others] |
| Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2016 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 791.43/615 |
| Soggetto topico |
Science fiction films - History and criticism
Apocalypse in motion pictures |
| ISBN | 1-4422-6029-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Clémentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Krämer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba. |
| Record Nr. | UNINA-9910797864103321 |
| Lanham, Maryland : , : Rowman & Littlefield, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The apocalypse in film : dystopias, disasters, and other visions about the end of the world / / edited by Karen A. Ritzenhoff, Angela Krewani ; contributors, Angela Krewani [and seventeen others]
| The apocalypse in film : dystopias, disasters, and other visions about the end of the world / / edited by Karen A. Ritzenhoff, Angela Krewani ; contributors, Angela Krewani [and seventeen others] |
| Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2016 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 791.43/615 |
| Soggetto topico |
Science fiction films - History and criticism
Apocalypse in motion pictures |
| ISBN | 1-4422-6029-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Clémentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Krämer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba. |
| Record Nr. | UNINA-9910809468703321 |
| Lanham, Maryland : , : Rowman & Littlefield, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mediated terrorism in the 21st century / / Elena Caoduro, Karen Rendell, Karen A. Ritzenhoff, editors
| Mediated terrorism in the 21st century / / Elena Caoduro, Karen Rendell, Karen A. Ritzenhoff, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
| Descrizione fisica | 1 online resource (301 pages) |
| Disciplina | 303.625 |
| Soggetto topico |
Terrorism and mass media
Terrorism in mass media Terrorism on television |
| ISBN | 3-030-73511-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910485595003321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Selling sex on screen : from Weimar cinema to zombie porn / / edited by Karen A. Ritzenhoff, Catriona McAvoy
| Selling sex on screen : from Weimar cinema to zombie porn / / edited by Karen A. Ritzenhoff, Catriona McAvoy |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 |
| Descrizione fisica | 1 online resource (283 p.) |
| Disciplina |
791.43/6538
791.436538 |
| Soggetto topico |
Prostitutes in motion pictures
Prostitution in motion pictures Sex in motion pictures |
| ISBN | 1-4422-5354-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface: "She Isn't a Hooker. She's, Like, an International Party-Girl": Language, (Mis)identification, and Selling Sex on Screen; Acknowledgments; Introduction; Chapter 1. The Sexual Economy and the New Woman Images of Prostitution in Weimar Cinema; Chapter 2. Early Representations of Female Prostitution in Pandora's Box; Chapter 3. How the Production Code Tapped Out the Mother Lode: Women, Sex, and Busby Berkeley's Gold Diggers Films; "Birdie, You Got My Dollar, Don't I Get Something for It?": The "Tutor-Code" of Sex Trade in the Golden Age of Television Westerns
Economics, Empathy, and Expectation: History and Representation of Rape and Prostitution in Late 1980s Vietnam War FilmsChapter 6. She Wolves: The Monstrous Women of Nazisploitation Cinema; Chapter 7. Delicate Reports: Prostitution in Sergio Martino's Mondo Film Wages of Sin (Mille peccati . . . nessuna virtù); Chapter 8. Cha Ching!: Getting Paid in Breakfast at Tiffany's and Showtime's Gigolos; Chapter 9. Machines, Mirrors, Martyrs, and Money: Prostitutes and Promiscuity in Steve McQueen's Shame and Stanley Kubrick's Eyes Wide Shut Chapter 10. "They're Selling an Image": "Hookers Cut to Look Like Movie Stars" in L.A. ConfidentialChapter 11. Selling Sex, along with Everything Else: Darla as Mark(et)ed Woman in Joss Whedon's Buffy the Vampire Slayer; Chapter 12. What Happens to the Money Shot?: Why Zombie Porn Can't Get the Audience to Bite; Index; About the Editorsand Contributors |
| Record Nr. | UNINA-9910797369803321 |
| Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Selling sex on screen : from Weimar cinema to zombie porn / / edited by Karen A. Ritzenhoff, Catriona McAvoy
| Selling sex on screen : from Weimar cinema to zombie porn / / edited by Karen A. Ritzenhoff, Catriona McAvoy |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 |
| Descrizione fisica | 1 online resource (283 p.) |
| Disciplina |
791.43/6538
791.436538 |
| Soggetto topico |
Prostitutes in motion pictures
Prostitution in motion pictures Sex in motion pictures |
| ISBN | 1-4422-5354-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface: "She Isn't a Hooker. She's, Like, an International Party-Girl": Language, (Mis)identification, and Selling Sex on Screen; Acknowledgments; Introduction; Chapter 1. The Sexual Economy and the New Woman Images of Prostitution in Weimar Cinema; Chapter 2. Early Representations of Female Prostitution in Pandora's Box; Chapter 3. How the Production Code Tapped Out the Mother Lode: Women, Sex, and Busby Berkeley's Gold Diggers Films; "Birdie, You Got My Dollar, Don't I Get Something for It?": The "Tutor-Code" of Sex Trade in the Golden Age of Television Westerns
Economics, Empathy, and Expectation: History and Representation of Rape and Prostitution in Late 1980s Vietnam War FilmsChapter 6. She Wolves: The Monstrous Women of Nazisploitation Cinema; Chapter 7. Delicate Reports: Prostitution in Sergio Martino's Mondo Film Wages of Sin (Mille peccati . . . nessuna virtù); Chapter 8. Cha Ching!: Getting Paid in Breakfast at Tiffany's and Showtime's Gigolos; Chapter 9. Machines, Mirrors, Martyrs, and Money: Prostitutes and Promiscuity in Steve McQueen's Shame and Stanley Kubrick's Eyes Wide Shut Chapter 10. "They're Selling an Image": "Hookers Cut to Look Like Movie Stars" in L.A. ConfidentialChapter 11. Selling Sex, along with Everything Else: Darla as Mark(et)ed Woman in Joss Whedon's Buffy the Vampire Slayer; Chapter 12. What Happens to the Money Shot?: Why Zombie Porn Can't Get the Audience to Bite; Index; About the Editorsand Contributors |
| Record Nr. | UNINA-9910828382603321 |
| Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||