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Mind Models [[electronic resource]]
| Mind Models [[electronic resource]] |
| Autore | Reynolds Roger |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
780.904
780/.9/04 |
| Soggetto topico |
Music -- 20th century -- History and criticism
Music -- 21st century -- History and criticism Music -- Social aspects Music Music, Dance, Drama & Film Music History & Criticism, General |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-03619-0
1-299-46017-8 1-136-09178-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Full Title; Copyright; Contents; Introduction; Preface; Acknowledgments; PART I Rates of Change; Permanence; Acceleration and Pace; Diversity; Capability; Acceptance of Context; New Models; PART II The States of Art; Commerce and Excellence; Subgroups in Society; The General Event; PART III The Public and Private Realms; Alternate Forms of Art; Alternate Approaches to Art; PART IV Sound; Natural Sound and Its Limits; Synthesis; The Last Dimension: Space; PART V Time; Short Intervals, Duration, and Temporal Perspective; Experimental Approaches to Measurement; Some Pitfalls
Altered Time FramesPART VI Notation; The Creative Continuum; The Function of Notation; Good Notational Practice; PART VII Morphology in Music; Computers: The Necessity of Foresight; The Implications of Abundance; Changing Views of Experience; Index |
| Record Nr. | UNINA-9910452338403321 |
Reynolds Roger
|
||
| Hoboken, : Taylor and Francis, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mind Models [[electronic resource]]
| Mind Models [[electronic resource]] |
| Autore | Reynolds Roger |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
780.904
780/.9/04 |
| Soggetto topico |
Music -- 20th century -- History and criticism
Music -- 21st century -- History and criticism Music -- Social aspects Music Music, Dance, Drama & Film Music History & Criticism, General |
| ISBN |
0-203-03619-0
1-299-46017-8 1-136-09178-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Full Title; Copyright; Contents; Introduction; Preface; Acknowledgments; PART I Rates of Change; Permanence; Acceleration and Pace; Diversity; Capability; Acceptance of Context; New Models; PART II The States of Art; Commerce and Excellence; Subgroups in Society; The General Event; PART III The Public and Private Realms; Alternate Forms of Art; Alternate Approaches to Art; PART IV Sound; Natural Sound and Its Limits; Synthesis; The Last Dimension: Space; PART V Time; Short Intervals, Duration, and Temporal Perspective; Experimental Approaches to Measurement; Some Pitfalls
Altered Time FramesPART VI Notation; The Creative Continuum; The Function of Notation; Good Notational Practice; PART VII Morphology in Music; Computers: The Necessity of Foresight; The Implications of Abundance; Changing Views of Experience; Index |
| Record Nr. | UNINA-9910779691103321 |
|
Reynolds Roger
|
||
| Hoboken, : Taylor and Francis, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mind Models [[electronic resource]]
| Mind Models [[electronic resource]] |
| Autore | Reynolds Roger |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
780.904
780/.9/04 |
| Soggetto topico |
Music -- 20th century -- History and criticism
Music -- 21st century -- History and criticism Music -- Social aspects Music Music, Dance, Drama & Film Music History & Criticism, General |
| ISBN |
0-203-03619-0
1-299-46017-8 1-136-09178-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Full Title; Copyright; Contents; Introduction; Preface; Acknowledgments; PART I Rates of Change; Permanence; Acceleration and Pace; Diversity; Capability; Acceptance of Context; New Models; PART II The States of Art; Commerce and Excellence; Subgroups in Society; The General Event; PART III The Public and Private Realms; Alternate Forms of Art; Alternate Approaches to Art; PART IV Sound; Natural Sound and Its Limits; Synthesis; The Last Dimension: Space; PART V Time; Short Intervals, Duration, and Temporal Perspective; Experimental Approaches to Measurement; Some Pitfalls
Altered Time FramesPART VI Notation; The Creative Continuum; The Function of Notation; Good Notational Practice; PART VII Morphology in Music; Computers: The Necessity of Foresight; The Implications of Abundance; Changing Views of Experience; Index |
| Record Nr. | UNINA-9910814646903321 |
|
Reynolds Roger
|
||
| Hoboken, : Taylor and Francis, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||