Mind Models [[electronic resource]] |
Autore | Reynolds Roger |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina |
780.904
780/.9/04 |
Soggetto topico |
Music -- 20th century -- History and criticism
Music -- 21st century -- History and criticism Music -- Social aspects Music Music, Dance, Drama & Film Music History & Criticism, General |
Soggetto genere / forma | Electronic books. |
ISBN |
0-203-03619-0
1-299-46017-8 1-136-09178-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Full Title; Copyright; Contents; Introduction; Preface; Acknowledgments; PART I Rates of Change; Permanence; Acceleration and Pace; Diversity; Capability; Acceptance of Context; New Models; PART II The States of Art; Commerce and Excellence; Subgroups in Society; The General Event; PART III The Public and Private Realms; Alternate Forms of Art; Alternate Approaches to Art; PART IV Sound; Natural Sound and Its Limits; Synthesis; The Last Dimension: Space; PART V Time; Short Intervals, Duration, and Temporal Perspective; Experimental Approaches to Measurement; Some Pitfalls
Altered Time FramesPART VI Notation; The Creative Continuum; The Function of Notation; Good Notational Practice; PART VII Morphology in Music; Computers: The Necessity of Foresight; The Implications of Abundance; Changing Views of Experience; Index |
Record Nr. | UNINA-9910452338403321 |
Reynolds Roger
![]() |
||
Hoboken, : Taylor and Francis, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Mind Models [[electronic resource]] |
Autore | Reynolds Roger |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina |
780.904
780/.9/04 |
Soggetto topico |
Music -- 20th century -- History and criticism
Music -- 21st century -- History and criticism Music -- Social aspects Music Music, Dance, Drama & Film Music History & Criticism, General |
ISBN |
0-203-03619-0
1-299-46017-8 1-136-09178-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Full Title; Copyright; Contents; Introduction; Preface; Acknowledgments; PART I Rates of Change; Permanence; Acceleration and Pace; Diversity; Capability; Acceptance of Context; New Models; PART II The States of Art; Commerce and Excellence; Subgroups in Society; The General Event; PART III The Public and Private Realms; Alternate Forms of Art; Alternate Approaches to Art; PART IV Sound; Natural Sound and Its Limits; Synthesis; The Last Dimension: Space; PART V Time; Short Intervals, Duration, and Temporal Perspective; Experimental Approaches to Measurement; Some Pitfalls
Altered Time FramesPART VI Notation; The Creative Continuum; The Function of Notation; Good Notational Practice; PART VII Morphology in Music; Computers: The Necessity of Foresight; The Implications of Abundance; Changing Views of Experience; Index |
Record Nr. | UNINA-9910779691103321 |
Reynolds Roger
![]() |
||
Hoboken, : Taylor and Francis, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|