Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Heroes, heroines, and everything in between : challenging gender and sexuality stereotypes in children's entertainment media / / edited by CarrieLynn D. Reinhard and Christopher J. Olson
| Heroes, heroines, and everything in between : challenging gender and sexuality stereotypes in children's entertainment media / / edited by CarrieLynn D. Reinhard and Christopher J. Olson |
| Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2017 |
| Descrizione fisica | 1 online resource (282 pages) |
| Disciplina | 302.23083 |
| Soggetto topico |
Mass media and children
Sex in mass media Gender identity |
| ISBN | 1-4985-3958-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Looking past stereotypes of gender identity and sexuality in children's media / CarrieLynn D. Reinhard, Christopher J. Olson, and Susan G. Kahlenberg -- Shezow: costume changes and gender non-conformity / Rebecca Feasey -- A little queer: ambivalence and the work of gender play in children's literature / Jennifer Miller -- Hungry for change: analysis and application of The Hunger Games / Chrys Egan -- "I'll show you what a girl is": analyzing non-stereotypical representations of gender on Liv & Maddie / Nancy Bressler -- She really knows her stuff: counter-hegemonic messages about gender in Disney Junior's Doc McStuffins / Jerralyn R. R. Moudry -- Female gender modeling between now and then: two western cartoons and their resonance with an Arab culture / Fatima Q. Al Hattami and Richard J. Schaefer -- Cold, tactless, brave, heroic, technowizards: the new feminine of Mattel's fashion dolls / Sara Austin -- Feroumont's, Hubert's and Kerascoët's heroines: debunking the myths of happiness in romantic fairy tales and romance novels / Annick Pellegrin -- "Let it go"?: re-inventing the Disney fairy tale in Frozen / Heike Steinhoff -- A computer boy or a computer girl?: adventure time, BMO and gender fluidity / Christopher J. Olson and CarrieLynn D. Reinhard -- Sexualized sponges: SpongeBob SquarePants and gender identity / Claire Burdfield -- Quantification of gender: gender counter-stereotypes across Disney and Nickelodeon networks using content analysis / Susan G. Kahlenberg -- It's a bird! It's a plane! It's a transgender superhero!: transgender characters in Marvel, DC, and Image comics / Thomas J. Billard and Brian l. Macauley -- Conclusion: new role models for children? / Christopher J. Olson. |
| Record Nr. | UNINA-9910794920903321 |
| Lanham, Maryland : , : Lexington Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Heroes, heroines, and everything in between : challenging gender and sexuality stereotypes in children's entertainment media / / edited by CarrieLynn D. Reinhard and Christopher J. Olson
| Heroes, heroines, and everything in between : challenging gender and sexuality stereotypes in children's entertainment media / / edited by CarrieLynn D. Reinhard and Christopher J. Olson |
| Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2017 |
| Descrizione fisica | 1 online resource (282 pages) |
| Disciplina | 302.23083 |
| Soggetto topico |
Mass media and children
Sex in mass media Gender identity |
| ISBN | 1-4985-3958-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Looking past stereotypes of gender identity and sexuality in children's media / CarrieLynn D. Reinhard, Christopher J. Olson, and Susan G. Kahlenberg -- Shezow: costume changes and gender non-conformity / Rebecca Feasey -- A little queer: ambivalence and the work of gender play in children's literature / Jennifer Miller -- Hungry for change: analysis and application of The Hunger Games / Chrys Egan -- "I'll show you what a girl is": analyzing non-stereotypical representations of gender on Liv & Maddie / Nancy Bressler -- She really knows her stuff: counter-hegemonic messages about gender in Disney Junior's Doc McStuffins / Jerralyn R. R. Moudry -- Female gender modeling between now and then: two western cartoons and their resonance with an Arab culture / Fatima Q. Al Hattami and Richard J. Schaefer -- Cold, tactless, brave, heroic, technowizards: the new feminine of Mattel's fashion dolls / Sara Austin -- Feroumont's, Hubert's and Kerascoët's heroines: debunking the myths of happiness in romantic fairy tales and romance novels / Annick Pellegrin -- "Let it go"?: re-inventing the Disney fairy tale in Frozen / Heike Steinhoff -- A computer boy or a computer girl?: adventure time, BMO and gender fluidity / Christopher J. Olson and CarrieLynn D. Reinhard -- Sexualized sponges: SpongeBob SquarePants and gender identity / Claire Burdfield -- Quantification of gender: gender counter-stereotypes across Disney and Nickelodeon networks using content analysis / Susan G. Kahlenberg -- It's a bird! It's a plane! It's a transgender superhero!: transgender characters in Marvel, DC, and Image comics / Thomas J. Billard and Brian l. Macauley -- Conclusion: new role models for children? / Christopher J. Olson. |
| Record Nr. | UNINA-9910819796103321 |
| Lanham, Maryland : , : Lexington Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson
| Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2016 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico | Motion picture audiences - Research - Methodology |
| ISBN |
1-5013-0296-5
1-5013-0297-3 1-5013-0295-7 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Chapter 1: Introduction: Empirical Approaches to Film Spectators and Spectatorship -- CarrieLynn D. Reinhard (Dominican University, USA) and Christopher J. Olson (University of Illinois, Urbana-Champaign, USA)Chapter 2: Spectatorship in Public Space: The Moving Image in Public Art -- Annie Dell'Aria (Graduate Center CUNY, USA)Chapter 3: The Festival Collective: Cult Audiences and Asian Extreme Cinema -- Jessica Hughes (University of Queensland, Australia)Chapter 4: Transnational Preoccupations: Representations of Aging in Spanish and French Queer -- Cinemas and their Reception -- Darren Waldron (The University of Manchester, UK)Chapter 5: Preferred Readings, Subject Positions and Dissociative Appropriations: Group Discussions -- Following and Challenging the Tradition of Cultural Studies -- Alexander Geimer (University of Hamburg, Germany)Chapter 6: "Legolas - He's Cool ... and He's Hot!": The Meanings and Implications of Audience -- Attachments to Fictional Characters -- Martin Barker (Aberystwyth University, UK)Chapter 7: In Search of the Urban Child Spectator in the Late Silent Era -- Amanda Fleming (Indiana University, USA)Chapter 8: Seeing, Sensing Sound: Eye Tracking Soundscapes in Saving Private Ryan and Monsters -- Inc. -- Sean Redmond (Deakin University, Australia), Sarah Pink (RMIT University, Australia), Jane Stadler (RMIT University, Australia), Jenny Robinson (RMIT University, Australia), Andrea Rassell (RMIT University, Australia) and Darrin Verhagen (RMIT University, Australia)Chapter 9: Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative -- Craig Batty (RMIT University, Australia), Jodi Sita (Australian Catholic University, Australia), Adrian Dyer (RMIT University, Australia), and Claire Perkins (Monash University, Australia) Chapter 10: The Effect of Focalization and Attachment on Film Viewers' Responses to Film -- Characters: Mixing Experimental Design with Qualitative Data Collection -- Katalin Bálint (University of Utrecht, The Netherlands) & András Bálint Kovács (University of ELTE, Hungary)Chapter 11: Making Sense of the American Superhero Film: Critical Engagement and Cinematic -- Entanglement -- CarrieLynn D. Reinhard (Dominican University, USA)Chapter 12: Applying a Model for Comprehension of Texts in the Comprehension of an Art Film -- Sermin Ildirar (Istanbul University, Turkey)Chapter 13: Guiding Imagination by Narrative Contextualization: Exploring Cinematic Moving Images via Eye Tracking Experiments -- Thorsten Kluss (Bremen University, Germany), Heinz-Peter Preusser (Bremen University, Germany), John Bateman (Bremen University, Germany), and Kerstin Schill (Bremen University, Germany)Chapter 14: Conclusion: Considerations for Future Directions -- Christopher Olson (University of Illinois, Urbana-Champaign, USA)Index. |
| Record Nr. | UNINA-9910797709803321 |
| New York : , : Bloomsbury Academic, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson
| Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2016 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico | Motion picture audiences - Research - Methodology |
| ISBN |
1-5013-0296-5
1-5013-0297-3 1-5013-0295-7 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Chapter 1: Introduction: Empirical Approaches to Film Spectators and Spectatorship -- CarrieLynn D. Reinhard (Dominican University, USA) and Christopher J. Olson (University of Illinois, Urbana-Champaign, USA)Chapter 2: Spectatorship in Public Space: The Moving Image in Public Art -- Annie Dell'Aria (Graduate Center CUNY, USA)Chapter 3: The Festival Collective: Cult Audiences and Asian Extreme Cinema -- Jessica Hughes (University of Queensland, Australia)Chapter 4: Transnational Preoccupations: Representations of Aging in Spanish and French Queer -- Cinemas and their Reception -- Darren Waldron (The University of Manchester, UK)Chapter 5: Preferred Readings, Subject Positions and Dissociative Appropriations: Group Discussions -- Following and Challenging the Tradition of Cultural Studies -- Alexander Geimer (University of Hamburg, Germany)Chapter 6: "Legolas - He's Cool ... and He's Hot!": The Meanings and Implications of Audience -- Attachments to Fictional Characters -- Martin Barker (Aberystwyth University, UK)Chapter 7: In Search of the Urban Child Spectator in the Late Silent Era -- Amanda Fleming (Indiana University, USA)Chapter 8: Seeing, Sensing Sound: Eye Tracking Soundscapes in Saving Private Ryan and Monsters -- Inc. -- Sean Redmond (Deakin University, Australia), Sarah Pink (RMIT University, Australia), Jane Stadler (RMIT University, Australia), Jenny Robinson (RMIT University, Australia), Andrea Rassell (RMIT University, Australia) and Darrin Verhagen (RMIT University, Australia)Chapter 9: Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative -- Craig Batty (RMIT University, Australia), Jodi Sita (Australian Catholic University, Australia), Adrian Dyer (RMIT University, Australia), and Claire Perkins (Monash University, Australia) Chapter 10: The Effect of Focalization and Attachment on Film Viewers' Responses to Film -- Characters: Mixing Experimental Design with Qualitative Data Collection -- Katalin Bálint (University of Utrecht, The Netherlands) & András Bálint Kovács (University of ELTE, Hungary)Chapter 11: Making Sense of the American Superhero Film: Critical Engagement and Cinematic -- Entanglement -- CarrieLynn D. Reinhard (Dominican University, USA)Chapter 12: Applying a Model for Comprehension of Texts in the Comprehension of an Art Film -- Sermin Ildirar (Istanbul University, Turkey)Chapter 13: Guiding Imagination by Narrative Contextualization: Exploring Cinematic Moving Images via Eye Tracking Experiments -- Thorsten Kluss (Bremen University, Germany), Heinz-Peter Preusser (Bremen University, Germany), John Bateman (Bremen University, Germany), and Kerstin Schill (Bremen University, Germany)Chapter 14: Conclusion: Considerations for Future Directions -- Christopher Olson (University of Illinois, Urbana-Champaign, USA)Index. |
| Record Nr. | UNINA-9910823069303321 |
| New York : , : Bloomsbury Academic, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Possessed women, haunted states : cultural tensions in exorcism cinema / / Christopher J. Olson and CarrieLynn D. Reinhard
| Possessed women, haunted states : cultural tensions in exorcism cinema / / Christopher J. Olson and CarrieLynn D. Reinhard |
| Autore | Olson Christopher J. |
| Pubbl/distr/stampa | Lanham : , : Lexington Books, , [2017] |
| Descrizione fisica | 1 online resource (217 pages) |
| Disciplina | 791.43/6826594 |
| Soggetto topico |
Exorcism in motion pictures
Women in motion pictures Horror films - History and criticism |
| ISBN | 1-4985-1909-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the politics of possession -- The one that started it all: feminist tensions in The exorcist -- Rip-offs and homages of the 1970s: spotlighting exploitation with Abby and ?eytan -- Revisiting The exorcist: challenging and extending the traditional exorcism narrative -- Keeping the devil at bay: slashers, parodies, and satirizing religion -- Dangerous boys and rebellious priests: possessed and the real story of The exorcist -- True stories and found footage: the exorcism cinema resurgence -- From reaffirming to challenging tradition: comparing The last exorcism and The last exorcism part II -- Conclusion: the resiliency of tradition. |
| Record Nr. | UNINA-9910794821003321 |
Olson Christopher J.
|
||
| Lanham : , : Lexington Books, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Possessed women, haunted states : cultural tensions in exorcism cinema / / Christopher J. Olson and CarrieLynn D. Reinhard
| Possessed women, haunted states : cultural tensions in exorcism cinema / / Christopher J. Olson and CarrieLynn D. Reinhard |
| Autore | Olson Christopher J. |
| Pubbl/distr/stampa | Lanham : , : Lexington Books, , [2017] |
| Descrizione fisica | 1 online resource (217 pages) |
| Disciplina | 791.43/6826594 |
| Soggetto topico |
Exorcism in motion pictures
Women in motion pictures Horror films - History and criticism |
| ISBN | 1-4985-1909-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the politics of possession -- The one that started it all: feminist tensions in The exorcist -- Rip-offs and homages of the 1970s: spotlighting exploitation with Abby and ?eytan -- Revisiting The exorcist: challenging and extending the traditional exorcism narrative -- Keeping the devil at bay: slashers, parodies, and satirizing religion -- Dangerous boys and rebellious priests: possessed and the real story of The exorcist -- True stories and found footage: the exorcism cinema resurgence -- From reaffirming to challenging tradition: comparing The last exorcism and The last exorcism part II -- Conclusion: the resiliency of tradition. |
| Record Nr. | UNINA-9910811907203321 |
|
Olson Christopher J.
|
||
| Lanham : , : Lexington Books, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||