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The performance of power [[electronic resource] ] : theatrical discourse and politics / / edited by Sue-Ellen Case and Janelle Reinelt
| The performance of power [[electronic resource] ] : theatrical discourse and politics / / edited by Sue-Ellen Case and Janelle Reinelt |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Iowa City, : University of Iowa Press, 1991 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 792 |
| Altri autori (Persone) |
CaseSue-Ellen
ReineltJanelle G |
| Collana | Studies in theatre history and culture |
| Soggetto topico |
Theater
Drama - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-58729-034-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Sue-Ellen Case and Janelle ReineltIntroduction,; Materialist Semiotics; Kim F. Hall: Sexual Politics and Cultural Identity in The Masque of Blackness; Sarah Bryant-Bertail: The Good Soldier Schwejk as Dialectical Theater; David Savran: Revolution . . . History . . . Theater: The Politics of the Wooster Group's Second Trilogy; J. Ellen Gainor: Bernard Shaw and the Drama of Imperialism; Deconstruction; Gregory W. Bredbeck: Constructing Patroclus: The High and Low Discourses of Renaissance Sodomy; Jeffrey D. Mason: The Politics of Metamora
Sue-Ellen Case: The Eurocolonial Reception of Sanskrit PoeticsRevealing Surveillance Strategies; Joseph Roach: The Artificial Eye: Augustan Theater and the Empire of the Visible; Barry B. Witham: The Playhouse and the Committee; Janice Carlisle: Spectacle as Government: Dickens and the Working-Class Audience; Constructing Utopia; Nina Auerbach: Victorian Players and Sages; Spencer Golub: Charlie Chaplin, Soviet Icon; Janelle Reinelt: Theorizing Utopia: Edward Bond's War Plays; The Academic Institution and the Production of Knowledge; Thomas Postlewait: Introduction Margaret B. Wilkerson: Demographics and the AcademySimon Williams: The Challenge to Professional Training and Development; Jon Whitmore: Integrating Instruction, Production, and Research; Gay Gibson Cima: Conferring Power in the Theater; Bruce A. McConachie: New Historicism and American Theater History: Toward an Interdisciplinary Paradigm for Scholarship; Marvin Carlson: The Theory of History; Notes on Contributors |
| Record Nr. | UNINA-9910456441703321 |
| Iowa City, : University of Iowa Press, 1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The performance of power : theatrical discourse and politics / / edited by Sue-Ellen Case and Janelle Reinelt
| The performance of power : theatrical discourse and politics / / edited by Sue-Ellen Case and Janelle Reinelt |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Iowa City : , : University of Iowa Press, , 1991 |
| Descrizione fisica | 1 online resource (xix, 284 pages) : illustrations |
| Disciplina | 792 |
| Altri autori (Persone) |
CaseSue-Ellen
ReineltJanelle G |
| Collana | Studies in theatre history and culture |
| Soggetto topico |
Theater
Drama - History and criticism |
| ISBN | 1-58729-034-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Sue-Ellen Case and Janelle ReineltIntroduction,; Materialist Semiotics; Kim F. Hall: Sexual Politics and Cultural Identity in The Masque of Blackness; Sarah Bryant-Bertail: The Good Soldier Schwejk as Dialectical Theater; David Savran: Revolution . . . History . . . Theater: The Politics of the Wooster Group's Second Trilogy; J. Ellen Gainor: Bernard Shaw and the Drama of Imperialism; Deconstruction; Gregory W. Bredbeck: Constructing Patroclus: The High and Low Discourses of Renaissance Sodomy; Jeffrey D. Mason: The Politics of Metamora
Sue-Ellen Case: The Eurocolonial Reception of Sanskrit Poetics; Revealing Surveillance Strategies; Joseph Roach: The Artificial Eye: Augustan Theater and the Empire of the Visible; Barry B. Witham: The Playhouse and the Committee; Janice Carlisle: Spectacle as Government: Dickens and the Working-Class Audience; Constructing Utopia; Nina Auerbach: Victorian Players and Sages; Spencer Golub: Charlie Chaplin, Soviet Icon; Janelle Reinelt: Theorizing Utopia: Edward Bond's War Plays; The Academic Institution and the Production of Knowledge; Thomas Postlewait: Introduction Margaret B. Wilkerson: Demographics and the Academy; Simon Williams: The Challenge to Professional Training and Development; Jon Whitmore: Integrating Instruction, Production, and Research; Gay Gibson Cima: Conferring Power in the Theater; Bruce A. McConachie: New Historicism and American Theater History: Toward an Interdisciplinary Paradigm for Scholarship; Marvin Carlson: The Theory of History; Notes on Contributors |
| Record Nr. | UNINA-9910778728003321 |
| Iowa City : , : University of Iowa Press, , 1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The performance of power : theatrical discourse and politics / / edited by Sue-Ellen Case and Janelle Reinelt
| The performance of power : theatrical discourse and politics / / edited by Sue-Ellen Case and Janelle Reinelt |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Iowa City, : University of Iowa Press, 1991 |
| Descrizione fisica | 1 online resource (xix, 284 pages) : illustrations |
| Disciplina | 792 |
| Altri autori (Persone) |
CaseSue-Ellen
ReineltJanelle G |
| Collana | Studies in theatre history and culture |
| Soggetto topico |
Theater
Drama - History and criticism |
| ISBN |
9781587290343
1587290340 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Sue-Ellen Case and Janelle ReineltIntroduction,; Materialist Semiotics; Kim F. Hall: Sexual Politics and Cultural Identity in The Masque of Blackness; Sarah Bryant-Bertail: The Good Soldier Schwejk as Dialectical Theater; David Savran: Revolution . . . History . . . Theater: The Politics of the Wooster Group's Second Trilogy; J. Ellen Gainor: Bernard Shaw and the Drama of Imperialism; Deconstruction; Gregory W. Bredbeck: Constructing Patroclus: The High and Low Discourses of Renaissance Sodomy; Jeffrey D. Mason: The Politics of Metamora
Sue-Ellen Case: The Eurocolonial Reception of Sanskrit Poetics; Revealing Surveillance Strategies; Joseph Roach: The Artificial Eye: Augustan Theater and the Empire of the Visible; Barry B. Witham: The Playhouse and the Committee; Janice Carlisle: Spectacle as Government: Dickens and the Working-Class Audience; Constructing Utopia; Nina Auerbach: Victorian Players and Sages; Spencer Golub: Charlie Chaplin, Soviet Icon; Janelle Reinelt: Theorizing Utopia: Edward Bond's War Plays; The Academic Institution and the Production of Knowledge; Thomas Postlewait: Introduction Margaret B. Wilkerson: Demographics and the Academy; Simon Williams: The Challenge to Professional Training and Development; Jon Whitmore: Integrating Instruction, Production, and Research; Gay Gibson Cima: Conferring Power in the Theater; Bruce A. McConachie: New Historicism and American Theater History: Toward an Interdisciplinary Paradigm for Scholarship; Marvin Carlson: The Theory of History; Notes on Contributors |
| Record Nr. | UNINA-9910953638803321 |
| Iowa City, : University of Iowa Press, 1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||