top

  Info

  • Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.

  Info

  • Utilizzare questo link per rimuovere la selezione effettuata.
Documentary making for digital humanists / / Darren R. Reid and Brett Sanders
Documentary making for digital humanists / / Darren R. Reid and Brett Sanders
Autore Reid Darren R.
Pubbl/distr/stampa Cambridge, UK : , : Open Book Publishers, , [2021]
Descrizione fisica 1 online resource (viii, 283 pages) : illustrations
Disciplina 070.18
Soggetto topico Documentary films
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction / Darren R. Reid and Brett Sanders -- 1. The Humanist Auteur / Darren R. Reid and Brett Sanders -- 2. Learning to Love the Camera / Darren R. Reid and Brett Sanders -- 3. The Production Process / Darren R. Reid and Brett Sanders -- 4. Concept and Planning / Darren R. Reid and Brett Sanders -- 5. Collaboration / Darren R. Reid and Brett Sanders -- 6. Precedent / Darren R. Reid and Brett Sanders -- 7. Choosing Your Filmmaking Equipment / Darren R. Reid and Brett Sanders -- 8. Core Methods / Darren R. Reid and Brett Sanders -- 9. Settings, Lenses, Focus, and Exposure / Darren R. Reid and Brett Sanders -- 10. Composing a Shot Tips and Techniques / Darren R. Reid and Brett Sanders -- 11. Shots and Compositions Considered / Darren R. Reid and Brett Sanders -- 12. The Visual Language of Cinema / Darren R. Reid and Brett Sanders -- 13. Interviews / Darren R. Reid and Brett Sanders -- 14. Recording Audio and Creating Soundscapes / Darren R. Reid and Brett Sanders -- 15. Light / Darren R. Reid and Brett Sanders -- 16. Camera Movement / Darren R. Reid and Brett Sanders ; 17. The Two-Page Film School / Darren R. Reid and Brett Sanders -- 18. Post-Mortem: Making a Short Documentary about the 2016 Presidential Election / Darren R. Reid and Brett Sanders -- 19. Post-Production Workflow / Darren R. Reid and Brett Sanders -- 20. The Three-Act Structure / Darren R. Reid and Brett Sanders -- 21. The Protagonist / Darren R. Reid and Brett Sanders -- 22. Assembly / Darren R. Reid and Brett Sanders -- 23. Editing Workflow in Adobe Premiere Pro / Darren R. Reid and Brett Sanders -- 24. Distribution and Dissemination / Darren R. Reid and Brett Sanders -- Bibliography -- Illustrations.
Record Nr. UNINA-9910508308603321
Reid Darren R.  
Cambridge, UK : , : Open Book Publishers, , [2021]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Documentary making for digital humanists / / Darren R. Reid, Brett Sanders
Documentary making for digital humanists / / Darren R. Reid, Brett Sanders
Autore Reid Darren R.
Pubbl/distr/stampa Cambridge, UK : , : Open Book Publishers, , 2021
Descrizione fisica 1 online resource (viii, 283 pages)
Disciplina 070.18
Collana Open field guides series
Soggetto topico Digital humanities
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto The humanist auteur -- Learning to love the camera -- The production process -- Concept and planning -- Collaboration -- Precedent -- Choosing your filmmaking equipment -- Core methods -- Settings, lenses, focus, and exposure -- Composing a shot : tips and techniques -- Shots and compositions considered -- The visual language of cinema -- Interviews -- Recording audio and creating soundscapes -- Light -- Camera movement -- The two-page film school -- Post-mortem : making a short documentary about the 2016 presidential election -- Post-production workflow -- The three-act structure -- The protagonist -- Assembly -- Editing workflow in Adobe Premiere Pro -- Distribution and dissemination. Introduction -- 1. The Humanist Auteur -- The Digital Wave (and the Power It Gives Us) -- Film as Scholarly Tool -- The Filmmaker-Scholar -- The Filmmaker-Scholar as Auteur -- Looking for Charlie -- 2. Learning to Love the Camera -- 3. The Production Process -- Pre-Production -- Production -- Post-Production -- 4. Concept and Planning -- Schema One -- Essay Films -- Schema Two -- Discussion/Interview Films -- Schema Three -- Full-Production Films -- Schema Four -- Subjective Explorations -- Achievability -- Case Study -- Signals -- Planning -- 5. Collaboration -- 6. Precedent 7. Choosing Your Filmmaking Equipment -- Smartphone Kit (100-1,000) -- DSLR Kit (300-5,000) -- 8. Core Methods -- Stabilise your Camera -- Focus your Camera on your Subject -- Compose your Shots -- Plan to Capture Contextual Footage -- Take Control of your Camera's Settings -- 9. Settings, Lenses, Focus, and Exposure -- Camera Settings -- Lenses -- Stylised Focus -- Exposure -- Summary -- 10. Composing a Shot -- Tips and Techniques -- Head Room -- Looking Room -- The 30° and 180° Rules -- Fundamentals -- 11. Shots and Compositions Considered -- 12. The Visual Language of Cinema -- Frame Rate Vulnerability, Strength, and Significance through Camera Angles -- Wide Shots, Close-Ups, Mid-Shots -- Aspect Ratios -- 13. Interviews -- Oral History and Interviewing -- Designing an Interview -- Formulating Interview Questions -- The Phrasing of Questions -- The Role of the Interviewer -- The Interviewer/Subject Relationship -- The Ethics of Interviewing -- The Interview Process -- Participant Information Sheet Template -- Informed Consent Form Template -- 14. Recording Audio and Creating Soundscapes -- Recording Sound on Site -- Rough and Ready -- Lavaliere Microphones -- Run and Gun Clipping -- On-Site Tips -- Engineering Ambience -- Voice-Overs and Commentary -- 15. Light -- Core Rules -- Hard Light and Soft Light -- Lights and Lighting -- Lighting Quick-Reference Guide -- 16. Camera Movement -- Going Handheld -- Handheld Tracking -- Camera Pans and Tilts -- Dolly Shot -- Tripod Dolly -- 17. The Two-Page Film School -- 18. Post-Mortem: Making a Short Documentary about the 2016 Presidential Election -- Pre-Production -- Production -- Post-Production -- Aftermath -- 19. Post-Production Workflow -- Review your Footage -- (Re)Consider your Audience's Relationship to the Film Plan a Working-Structure for your Film -- Begin Creating a Rough Cut -- Step Back -- Critically Review and Reassess -- Post-Mortem -- Refine Your Rough Cut -- Step Back, Review Your Fine Cut and Reassess -- Reflections -- 20. The Three-Act Structure -- 21. The Protagonist -- Harmon's Story Embryo -- Casting the Audience as the Protagonist -- The On-Screen Protagonist -- The Journey -- 22. Assembly -- Editing -- Colour-Grading -- Sound-Tracking -- 23. Editing Workflow in Adobe Premiere Pro -- Step One: How to Start a New Project -- Step Two: Get to Know the Premiere Workspace.
Record Nr. UNINA-9910774789803321
Reid Darren R.  
Cambridge, UK : , : Open Book Publishers, , 2021
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Native American racism in the age of Donald Trump : historical and contemporary perspectives / / Darren R. Reid
Native American racism in the age of Donald Trump : historical and contemporary perspectives / / Darren R. Reid
Autore Reid Darren R.
Pubbl/distr/stampa Cham, Switzerland : , : Palgrave Macmillan, , [2020]
Descrizione fisica 1 online resource (xii, 147 pages) : color illustrations
Collana Palgrave pivot
Soggetto topico Indians of North America - Social conditions - 21st century
Indians of North America - Ethnic identity
Indians, Treatment of - United States - History - 21st century
Racism - United States - History - 21st century
ISBN 3-030-58718-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction -- Trump versus Indian country -- Memory and White victimhood -- Race and identity -- Epilogue.
Record Nr. UNINA-9910427039203321
Reid Darren R.  
Cham, Switzerland : , : Palgrave Macmillan, , [2020]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui