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Applied practice : evidence and impact in theatre, music and art / / edited by Matthew Reason and Nick Rowe
| Applied practice : evidence and impact in theatre, music and art / / edited by Matthew Reason and Nick Rowe |
| Edizione | [First edition 2017.] |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Publishing, , 2020 |
| Descrizione fisica | 1 online resource (325 pages) : illustrations |
| Disciplina | 700 |
| Collana | Applied theatre |
| Soggetto topico |
Qualitative research
Arts and society Performing arts - Social aspects Theatre studies |
| ISBN |
1-4742-8386-1
1-4742-8384-5 1-4742-8385-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Acknowledgements -- Introduction: Evidence, A Rope Comprising of Several Cords -- Matthew Reason and Nick Rowe -- PART 1 ? FRAMING REFLECTION ON EVIDENCE AND IMPACT IN PARTICIPATORY ARTS - Matthew Reason and Nick Rowe -- Chapter 1: Purpose, Outcomes and Obliquity: To Plan or Not to Plan - Matthew Reason and Nick Rowe -- Chapter 2: Evidence, Knowledge and Persuasion in Arts Impact Research ? Matthew Reason -- Chapter 3: Intrinsic and Instrumental Impacts in Participatory Art ? Matthew Reason -- Chapter 4: Participatory Research in the Participatory Arts - Matthew Reason and Nick Rowe -- PART 2 ? RESEARCHING PARTICIPATORY ARTS: ANALYTICAL PERSPECTIVES -- Introduction - Matthew Reason and Nick Rowe -- Chapter 5: On the Need for Diversity of Methods in Researching Arts and Health Practice - Stephen Clift, Sidney De Haan Research Centre for Arts and Health, UK -- Chapter 6: Do you see what I see? Art, Science and Evidence in Autism Research - Nicola Shaughnessy, University of Kent, UK -- Chapter 7: Wrestling with Beauty: Putting the Aesthetic into Arts Evaluation - Katya Johanson and Hilary Glow, Deakin University, Australia -- Chapter 8: Capturing the Intangible: Exploring Creative Risk-taking through Collaborative and Creative Methods - Elanor Stannage, York St John University, UK -- Chapter 9: Besieged by Inappropriate Criteria: Arts Organisations Developing Grounded Evaluation Approaches - Anni Raw and Mary Robson, Durham University, UK -- Chapter 10: The Performance of Prison Theatre Practices: Questions of Evidence - Caoimhe McAvinchey, Queen Mary University of London, UK -- Chapter 11: Researching applied arts through ethnographic performance: Perspectives from African contexts - Kennedy C. Chinyowa, Tshwane University of Technology, South Africa -- Chapter 12: Thou Art, I am: Discovery and Recovery in the Art Making Process - Olivia Sagan, Bishop Grosseteste University, UK -- PART 3 ? RESEARCHING PARTICIPATORY ARTS: PRACTICE-ORIENTATED CASE STUDIES -- Introduction - Matthew Reason and Nick Rowe.
Chapter 13: Dear Younger Me: Writing, Songwriting and Choral Singing While Incarcerated as a Means to Bridge Communities and Build Identities - Mary L. Cohen and Perry Miller, University of Iowa, USA -- Chapter 14: Exploring the Perceived Benefits of Shared Musical Experience -- - Chris Bates and Liz Mellor, Leeds College of Music and York St John University, UK -- Chapter 15: The Wisdom of Crowds: Applied Theatre, Social Media and Data Visualisation ? Paul Sutton, applied theatre company C&T, UK -- Chapter 16: A Community Based Theatre Arts Program for Adults with Disabilities: Evidence through Research, Observation and Individual Transformation - Natalie Russo, Melissa Luke, Luis Columna and Elizabethe Ingram, Syracuse University, USA -- Chapter 17: Bespoke Practices: A Practitioner's Perspective on Documenting And Evaluating the Experiences of Artists with Disabilities - Jennifer Gilbert, UK -- Chapter 18: 'There's no pill for that': A Practitioner's Perspective on the Evidence Imperative in the Arts and Mental Health - Linda Boyles, Arts and Mind, UK -- Chapter 19: Embracing Indeterminacy in Participatory Storytelling in a Mental Health Context ? Catherine Heinemeyer, International Centre for Arts and Narrative (ICAN), UK -- Chapter 20: Art Know No Boundaries: Cross Cultural Bridge Building through Transnational Arts Project - Matthew Hahn with Lungile Dlamini & Marius Botha, UK and South Africa -- Chapter 21: Foot in Mouth, Mouth in Trough: Doing Good, Evaluation and other Megalomania - Scott Rankin, Big hART, Australia -- Afterword: Confidence in Art as EvidenceEndnotes ? Ross W. Prior, University of Wolverhampton, UK -- Bibliography -- Notes on Contributors -- Index. |
| Record Nr. | UNINA-9910795488703321 |
| London, England : , : Bloomsbury Publishing, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Applied practice : evidence and impact in theatre, music and art / / edited by Matthew Reason and Nick Rowe
| Applied practice : evidence and impact in theatre, music and art / / edited by Matthew Reason and Nick Rowe |
| Edizione | [First edition 2017.] |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Publishing, , 2020 |
| Descrizione fisica | 1 online resource (325 pages) : illustrations |
| Disciplina | 700 |
| Collana | Applied theatre |
| Soggetto topico |
Qualitative research
Arts and society Performing arts - Social aspects Theatre studies |
| ISBN |
1-4742-8386-1
1-4742-8384-5 1-4742-8385-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Acknowledgements -- Introduction: Evidence, A Rope Comprising of Several Cords -- Matthew Reason and Nick Rowe -- PART 1 ? FRAMING REFLECTION ON EVIDENCE AND IMPACT IN PARTICIPATORY ARTS - Matthew Reason and Nick Rowe -- Chapter 1: Purpose, Outcomes and Obliquity: To Plan or Not to Plan - Matthew Reason and Nick Rowe -- Chapter 2: Evidence, Knowledge and Persuasion in Arts Impact Research ? Matthew Reason -- Chapter 3: Intrinsic and Instrumental Impacts in Participatory Art ? Matthew Reason -- Chapter 4: Participatory Research in the Participatory Arts - Matthew Reason and Nick Rowe -- PART 2 ? RESEARCHING PARTICIPATORY ARTS: ANALYTICAL PERSPECTIVES -- Introduction - Matthew Reason and Nick Rowe -- Chapter 5: On the Need for Diversity of Methods in Researching Arts and Health Practice - Stephen Clift, Sidney De Haan Research Centre for Arts and Health, UK -- Chapter 6: Do you see what I see? Art, Science and Evidence in Autism Research - Nicola Shaughnessy, University of Kent, UK -- Chapter 7: Wrestling with Beauty: Putting the Aesthetic into Arts Evaluation - Katya Johanson and Hilary Glow, Deakin University, Australia -- Chapter 8: Capturing the Intangible: Exploring Creative Risk-taking through Collaborative and Creative Methods - Elanor Stannage, York St John University, UK -- Chapter 9: Besieged by Inappropriate Criteria: Arts Organisations Developing Grounded Evaluation Approaches - Anni Raw and Mary Robson, Durham University, UK -- Chapter 10: The Performance of Prison Theatre Practices: Questions of Evidence - Caoimhe McAvinchey, Queen Mary University of London, UK -- Chapter 11: Researching applied arts through ethnographic performance: Perspectives from African contexts - Kennedy C. Chinyowa, Tshwane University of Technology, South Africa -- Chapter 12: Thou Art, I am: Discovery and Recovery in the Art Making Process - Olivia Sagan, Bishop Grosseteste University, UK -- PART 3 ? RESEARCHING PARTICIPATORY ARTS: PRACTICE-ORIENTATED CASE STUDIES -- Introduction - Matthew Reason and Nick Rowe.
Chapter 13: Dear Younger Me: Writing, Songwriting and Choral Singing While Incarcerated as a Means to Bridge Communities and Build Identities - Mary L. Cohen and Perry Miller, University of Iowa, USA -- Chapter 14: Exploring the Perceived Benefits of Shared Musical Experience -- - Chris Bates and Liz Mellor, Leeds College of Music and York St John University, UK -- Chapter 15: The Wisdom of Crowds: Applied Theatre, Social Media and Data Visualisation ? Paul Sutton, applied theatre company C&T, UK -- Chapter 16: A Community Based Theatre Arts Program for Adults with Disabilities: Evidence through Research, Observation and Individual Transformation - Natalie Russo, Melissa Luke, Luis Columna and Elizabethe Ingram, Syracuse University, USA -- Chapter 17: Bespoke Practices: A Practitioner's Perspective on Documenting And Evaluating the Experiences of Artists with Disabilities - Jennifer Gilbert, UK -- Chapter 18: 'There's no pill for that': A Practitioner's Perspective on the Evidence Imperative in the Arts and Mental Health - Linda Boyles, Arts and Mind, UK -- Chapter 19: Embracing Indeterminacy in Participatory Storytelling in a Mental Health Context ? Catherine Heinemeyer, International Centre for Arts and Narrative (ICAN), UK -- Chapter 20: Art Know No Boundaries: Cross Cultural Bridge Building through Transnational Arts Project - Matthew Hahn with Lungile Dlamini & Marius Botha, UK and South Africa -- Chapter 21: Foot in Mouth, Mouth in Trough: Doing Good, Evaluation and other Megalomania - Scott Rankin, Big hART, Australia -- Afterword: Confidence in Art as EvidenceEndnotes ? Ross W. Prior, University of Wolverhampton, UK -- Bibliography -- Notes on Contributors -- Index. |
| Record Nr. | UNINA-9910806263403321 |
| London, England : , : Bloomsbury Publishing, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Experiencing liveness in contemporary performance : interdisciplinary perspectives / / edited by Matthew Reason and Anja Mølle Lindelof
| Experiencing liveness in contemporary performance : interdisciplinary perspectives / / edited by Matthew Reason and Anja Mølle Lindelof |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routlege, , 2016 |
| Descrizione fisica | 1 online resource (344 pages) : illustrations |
| Disciplina | 792.01 |
| Altri autori (Persone) |
LindelofAnja Mølle <1974->
ReasonMatthew <1975-> |
| Collana | Routledge advances in theatre and performance studies |
| Soggetto topico |
Performing arts - Social aspects
Performing arts - Psychological aspects Performing arts - Audiences Music - Performance |
| ISBN |
1-315-65970-0
1-317-33484-1 1-317-33485-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Audiencing : introduction / Matthew Reason and Anja Mølle Lindelof -- part 2. Materialising : introduction / Matthew Reason and Anja Mølle Lindelof. |
| Record Nr. | UNINA-9910148737603321 |
| New York : , : Routlege, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Kinesthetic empathy in creative and cultural practices [[electronic resource] /] / edited by Dee Reynolds and Matthew Reason
| Kinesthetic empathy in creative and cultural practices [[electronic resource] /] / edited by Dee Reynolds and Matthew Reason |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, IL, : Intellect, 2012 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina | 306 |
| Altri autori (Persone) |
ReynoldsDee
ReasonMatthew <1975-> |
| Soggetto topico |
Dance - Psychological aspects
Social interaction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-86370-7
1-84150-700-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Part I: Mirroring Movements: Empathy and Social Interactions; Introduction; Chapter 1: Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance; Chapter 2: Kinesthetic Empathy and Movement Metaphor in Dance Movement Psychotherapy; Chapter 3: Affective Responses to Everyday Actions; Part II: Kinesthetic Engagement: Embodied Responses and Intersubjectivity; Introduction; Chapter 4: Cinematic Empathy: Spectator Involvement in the Film Experience
Chapter 5: Musical Group Interaction, Intersubjectivity and Merged SubjectivityChapter 6: Kinesthetic Empathy and the Dance's Body: From Emotion to Affect; Part III: Kinesthetic Impact: Performance and Embodied Engagement; Introduction; Chapter 7: Kinesthetic Empathy in Charlie Chaplin's Silent Films; Chapter 8: Effort and Empathy: Engaging with Film Performance; Chapter 9: Breaking the Distance: Empathy and Ethical Awareness in Performance; Part IV: Artistic Enquiries: Kinesthetic Empathy and Practice-Based Research; Introduction Chapter 10: R e-Thinking Stillness: Empathetic Experiences of Stillness in Performance and SculptureChapter 11: Empathy and Exchange: Audience Experiences of Scenography; Chapter 12: Photography and the Representation of Kinesthetic Empathy; Part V: Technological Practices: Kinesthetic Empathy in Virtual and Interactive Environments; Introduction; Chapter 13: T he Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies; Chapter 14: Interactive Multimedia Performance and the Audience's Experience of Kinesthetic Empathy Chapter 15: Kinesthetic Empathy Interaction: Exploring the Concept of Psychomotor Abilities and Kinesthetic Empathy in Designing Interactive SportsEquipmentConclusion; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910462947703321 |
| Bristol, UK ; ; Chicago, IL, : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Kinesthetic empathy in creative and cultural practices [[electronic resource] /] / edited by Dee Reynolds and Matthew Reason
| Kinesthetic empathy in creative and cultural practices [[electronic resource] /] / edited by Dee Reynolds and Matthew Reason |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, IL, : Intellect, 2012 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina | 306 |
| Altri autori (Persone) |
ReynoldsDee
ReasonMatthew <1975-> |
| Soggetto topico |
Dance - Psychological aspects
Social interaction |
| ISBN |
1-283-86370-7
1-84150-700-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Part I: Mirroring Movements: Empathy and Social Interactions; Introduction; Chapter 1: Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance; Chapter 2: Kinesthetic Empathy and Movement Metaphor in Dance Movement Psychotherapy; Chapter 3: Affective Responses to Everyday Actions; Part II: Kinesthetic Engagement: Embodied Responses and Intersubjectivity; Introduction; Chapter 4: Cinematic Empathy: Spectator Involvement in the Film Experience
Chapter 5: Musical Group Interaction, Intersubjectivity and Merged SubjectivityChapter 6: Kinesthetic Empathy and the Dance's Body: From Emotion to Affect; Part III: Kinesthetic Impact: Performance and Embodied Engagement; Introduction; Chapter 7: Kinesthetic Empathy in Charlie Chaplin's Silent Films; Chapter 8: Effort and Empathy: Engaging with Film Performance; Chapter 9: Breaking the Distance: Empathy and Ethical Awareness in Performance; Part IV: Artistic Enquiries: Kinesthetic Empathy and Practice-Based Research; Introduction Chapter 10: R e-Thinking Stillness: Empathetic Experiences of Stillness in Performance and SculptureChapter 11: Empathy and Exchange: Audience Experiences of Scenography; Chapter 12: Photography and the Representation of Kinesthetic Empathy; Part V: Technological Practices: Kinesthetic Empathy in Virtual and Interactive Environments; Introduction; Chapter 13: T he Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies; Chapter 14: Interactive Multimedia Performance and the Audience's Experience of Kinesthetic Empathy Chapter 15: Kinesthetic Empathy Interaction: Exploring the Concept of Psychomotor Abilities and Kinesthetic Empathy in Designing Interactive SportsEquipmentConclusion; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910786579703321 |
| Bristol, UK ; ; Chicago, IL, : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Kinesthetic empathy in creative and cultural practices [[electronic resource] /] / edited by Dee Reynolds and Matthew Reason
| Kinesthetic empathy in creative and cultural practices [[electronic resource] /] / edited by Dee Reynolds and Matthew Reason |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, IL, : Intellect, 2012 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina | 306 |
| Altri autori (Persone) |
ReynoldsDee
ReasonMatthew <1975-> |
| Soggetto topico |
Dance - Psychological aspects
Social interaction |
| ISBN |
1-283-86370-7
1-84150-700-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Part I: Mirroring Movements: Empathy and Social Interactions; Introduction; Chapter 1: Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance; Chapter 2: Kinesthetic Empathy and Movement Metaphor in Dance Movement Psychotherapy; Chapter 3: Affective Responses to Everyday Actions; Part II: Kinesthetic Engagement: Embodied Responses and Intersubjectivity; Introduction; Chapter 4: Cinematic Empathy: Spectator Involvement in the Film Experience
Chapter 5: Musical Group Interaction, Intersubjectivity and Merged SubjectivityChapter 6: Kinesthetic Empathy and the Dance's Body: From Emotion to Affect; Part III: Kinesthetic Impact: Performance and Embodied Engagement; Introduction; Chapter 7: Kinesthetic Empathy in Charlie Chaplin's Silent Films; Chapter 8: Effort and Empathy: Engaging with Film Performance; Chapter 9: Breaking the Distance: Empathy and Ethical Awareness in Performance; Part IV: Artistic Enquiries: Kinesthetic Empathy and Practice-Based Research; Introduction Chapter 10: R e-Thinking Stillness: Empathetic Experiences of Stillness in Performance and SculptureChapter 11: Empathy and Exchange: Audience Experiences of Scenography; Chapter 12: Photography and the Representation of Kinesthetic Empathy; Part V: Technological Practices: Kinesthetic Empathy in Virtual and Interactive Environments; Introduction; Chapter 13: T he Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies; Chapter 14: Interactive Multimedia Performance and the Audience's Experience of Kinesthetic Empathy Chapter 15: Kinesthetic Empathy Interaction: Exploring the Concept of Psychomotor Abilities and Kinesthetic Empathy in Designing Interactive SportsEquipmentConclusion; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910825799303321 |
| Bristol, UK ; ; Chicago, IL, : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Routledge companion to audiences and the performing arts / / edited by Matthew Reason [and three others]
| Routledge companion to audiences and the performing arts / / edited by Matthew Reason [and three others] |
| Pubbl/distr/stampa | London, England ; ; New York, New York : , : Routledge, , [2022] |
| Descrizione fisica | 1 online resource : illustrations |
| Disciplina | 791 |
| Collana |
Routledge companions
Audience Research |
| Soggetto topico |
Performing arts - Audiences
Arts de l'espectacle Públic |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
1-00-303322-9
1-000-53796-X 1-003-03322-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910772093403321 |
| London, England ; ; New York, New York : , : Routledge, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||