Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased
| Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased |
| Autore | Rameder Agnes |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2024 |
| Descrizione fisica | 1 online resource (415 pages) |
| Altri autori (Persone) | ArndtMaria |
| Collana | Image |
| Soggetto topico | ART / History / Contemporary (1945-) |
| Soggetto non controllato |
Art History of the 20th Century
Art History of the 21st Century Art Beirut Contemporary Art Culture Fine Arts Lebanon Martyr Political Art Visual Politics Visual Studies |
| ISBN |
9783839475393
3839475392 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Abbrevations -- Figures -- Contents -- 1. Introduction -- Description -- 1.1 An Underview of Pictures of the (Un)Dead in Beirut -- 1.2 Through the Chapters -- 1.3 Research in a Context One Has Not Been Socialised in and the Author’s Background -- 2. The Martyr and the Picture -- 2.1 Constructing the Martyr -- 2.2 The Dead Are on the Walls: Re-Tracing Images of Martyrs in Lebanon -- 2.3 Martyrs and Posters in Lebanon -- 3. Introducing Nancy and the Play’s Context -- 3.1 Beirut’s Art Scene and Contemporary Lebanese Art Discourses -- 3.2 About Nancy -- 3.3 Reading Nancy as an Interplay of Text and Image -- 3.4 Nancy as Mroué’s Most Evasive Artwork on Martyrdom -- 3.5 Four Sectarian Martyrs on Their Way to Murr Tower: The Protagonists, and the Historical Background of Nancy -- 3.6 Martyr Posters from the Wars and Their Appropriation in Nancy -- 3.7 Similar Stories, Similar Visuals, and a Common Meeting Point -- 4. Appropriating and Questioning Images of the Sectarian Martyr in Nancy -- Introduction -- 4.1 The Sectarian Use of Logos, Symbols, and Slogans -- 4.2 The Martyr and the Photographic Image: Indexicality, Iconicity, and Truth Claims -- 4.3 Constructed Nuances of Visual Memory: Hierarchies of Remembrance and the Oblivion of the Dead -- 4.4 Gendered Martyrdom: Performances in the Image After Death and the Martyr Poster as an Advertising Image -- 4.5 Premature Historicist: The Martyr Poster and the Ruin as Presents Framed as Past -- 4.6 The Time Is Out of Joint: The Martyr as a Spectral Ghost -- 4.7 How Nancy Shows Us via Appropriation That the Martyr Image Is Fabricated -- 5. Images of the Dead Around 4 August 2020 -- 5.1 Coexistence: Sectarian Martyrs, the Martyrs of the Thawra, and the Dead of 4 August -- 5.2 Artistic Reflections of 4 August -- 5.3 A Continuation of Violence, Ghosts, Ruins, and Impossible Truths -- 6. Martyrs and Other (Un)Dead in Beirut and Beyond -- 6.1 Nancy and the Construction of Images of Martyrs -- 6.2 Old and New Pictures of the (Un)Dead: Beirut 2020–23 -- 6.3 Looking Further: Martyrs in Northern Ireland -- Afterword: An Ongoing Mass Production of Martyrs and a Stabilised Dystopia -- After the Afterword: War Again -- Bibliography |
| Record Nr. | UNINA-9910947815803321 |
Rameder Agnes
|
||
| Bielefeld : , : transcript Verlag, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased
| Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased |
| Autore | Rameder Agnes |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2024 |
| Descrizione fisica | 1 online resource (415 pages) |
| Altri autori (Persone) | ArndtMaria |
| Collana | Image |
| Soggetto topico | ART / History / Contemporary (1945-) |
| Soggetto non controllato |
Art History of the 20th Century
Art History of the 21st Century Art Beirut Contemporary Art Culture Fine Arts Lebanon Martyr Political Art Visual Politics Visual Studies |
| ISBN |
9783839475393
3839475392 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Abbrevations -- Figures -- Contents -- 1. Introduction -- Description -- 1.1 An Underview of Pictures of the (Un)Dead in Beirut -- 1.2 Through the Chapters -- 1.3 Research in a Context One Has Not Been Socialised in and the Author’s Background -- 2. The Martyr and the Picture -- 2.1 Constructing the Martyr -- 2.2 The Dead Are on the Walls: Re-Tracing Images of Martyrs in Lebanon -- 2.3 Martyrs and Posters in Lebanon -- 3. Introducing Nancy and the Play’s Context -- 3.1 Beirut’s Art Scene and Contemporary Lebanese Art Discourses -- 3.2 About Nancy -- 3.3 Reading Nancy as an Interplay of Text and Image -- 3.4 Nancy as Mroué’s Most Evasive Artwork on Martyrdom -- 3.5 Four Sectarian Martyrs on Their Way to Murr Tower: The Protagonists, and the Historical Background of Nancy -- 3.6 Martyr Posters from the Wars and Their Appropriation in Nancy -- 3.7 Similar Stories, Similar Visuals, and a Common Meeting Point -- 4. Appropriating and Questioning Images of the Sectarian Martyr in Nancy -- Introduction -- 4.1 The Sectarian Use of Logos, Symbols, and Slogans -- 4.2 The Martyr and the Photographic Image: Indexicality, Iconicity, and Truth Claims -- 4.3 Constructed Nuances of Visual Memory: Hierarchies of Remembrance and the Oblivion of the Dead -- 4.4 Gendered Martyrdom: Performances in the Image After Death and the Martyr Poster as an Advertising Image -- 4.5 Premature Historicist: The Martyr Poster and the Ruin as Presents Framed as Past -- 4.6 The Time Is Out of Joint: The Martyr as a Spectral Ghost -- 4.7 How Nancy Shows Us via Appropriation That the Martyr Image Is Fabricated -- 5. Images of the Dead Around 4 August 2020 -- 5.1 Coexistence: Sectarian Martyrs, the Martyrs of the Thawra, and the Dead of 4 August -- 5.2 Artistic Reflections of 4 August -- 5.3 A Continuation of Violence, Ghosts, Ruins, and Impossible Truths -- 6. Martyrs and Other (Un)Dead in Beirut and Beyond -- 6.1 Nancy and the Construction of Images of Martyrs -- 6.2 Old and New Pictures of the (Un)Dead: Beirut 2020–23 -- 6.3 Looking Further: Martyrs in Northern Ireland -- Afterword: An Ongoing Mass Production of Martyrs and a Stabilised Dystopia -- After the Afterword: War Again -- Bibliography |
| Record Nr. | UNISA-996647835503316 |
|
Rameder Agnes
|
||
| Bielefeld : , : transcript Verlag, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||