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New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner
| New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner |
| Pubbl/distr/stampa | Bristol [England] ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.430993 |
| Altri autori (Persone) |
FoxAlistair
GrantBarry Keith <1947-> RadnerHilary |
| Soggetto topico | Motion pictures - New Zealand |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-16283-0
9786613162830 1-84150-525-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te; Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures
Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950's New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography Bibliography Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910461284503321 |
| Bristol [England] ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner
| New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner |
| Pubbl/distr/stampa | Bristol [England] ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.430993 |
| Altri autori (Persone) |
FoxAlistair
GrantBarry Keith <1947-> RadnerHilary |
| Soggetto topico | Motion pictures - New Zealand |
| ISBN |
1-283-16283-0
9786613162830 1-84150-525-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te; Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures
Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950's New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography Bibliography Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910789437103321 |
| Bristol [England] ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Zealand cinema : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner
| New Zealand cinema : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol [England] ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.430993 |
| Altri autori (Persone) |
FoxAlistair
GrantBarry Keith <1947-> RadnerHilary |
| Soggetto topico | Motion pictures - New Zealand |
| ISBN |
1-283-16283-0
9786613162830 1-84150-525-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te; Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures
Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950's New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography Bibliography Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910826133603321 |
| Bristol [England] ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||