| Autore |
Quaranta Chiara
|
| Edizione | [1st ed.] |
| Pubbl/distr/stampa |
Edinburgh University Press, 2023
|
| Descrizione fisica |
1 online resource (240 p.) : ill
|
| Disciplina |
791.43682
|
| Soggetto topico |
PERFORMING ARTS / Film & Video / Direction & Production
|
| Soggetto non controllato |
Literature
|
| ISBN |
1-4744-9448-X
1-4744-9447-1
|
| Formato |
Materiale a stampa  |
| Livello bibliografico |
Monografia |
| Lingua di pubblicazione |
eng
|
| Nota di contenuto |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction -- Prologue: The Eikōn-Eidōlon Dichotomy from Plato to Film -- Part I: Cinematic Iconoclasm as Critique: The Image as Eidōlon -- 1. Aural Cinema: Isidore Isou's Traité de bave et d'éternité -- 2. An Aesthetics of Displeasure: Guy Debord's Destructive Oeuvre -- 3. Towards a Radical Voice: Carmelo Bene's Our Lady of the Turks -- 4. In Search of a True Image: Jean-Luc Godard's Histoire(s) du cinéma -- Part II: Cinematic Iconoclasm as an Ethics of (In)visibility: The Eikōn as Iconoclastic -- 5. Impossible Encounters: Marguerite Duras's Le Navire Night -- 6. Blind Vision, Aural Resonances: Derek Jarman's Blue -- 7. Crumbling Faces: Ingmar Bergman's Cries and Whispers -- 8. Blocks of Suffering: Krzysztof Kieślowski's Three Colours: Blue -- Conclusion: A Communal Vision through Broken Images -- Notes -- Glossary -- Bibliography -- Filmography -- Index
|
| Record Nr. | UNINA-9910745599903321 |
Info
Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction
