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Pinter Ethic : the Erotic Aesthetic
| Pinter Ethic : the Erotic Aesthetic |
| Autore | Prentice Penelope |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London, : Routledge, 2000 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 822/.914 |
| Collana | Garland reference library of the humanities ;Studies in modern drama |
| Soggetto topico |
Didactic drama, English - History and criticism
Ethics in literature Love in literature Sex in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-57598-3
0-203-90528-8 1-280-40748-4 0-203-90652-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; General Editor's Note; Preface; The Pinter Ethic: Overview; Harold Pinter: Biography; Introduction to the Second Edition: ~Fought Against Savage and Pitiless Odds~; Introduction: Pinter's Achievement; Form and Innovation; The Dumb Waiter: Toward A Definitionof the Pinter Ethic; Paradigmatic Dramatization of Conflict; The Birthday Party: Choice, Action and Responsibility; The Pinter Ethic Defined; The Room and The Revue Sketches: The Ethic in the Early Work; Dominance and Destruction; A Slight Ache as Fulcrum: Leveling Dominant and Subservient Roles
The Triumph of Vitality And TruthA Night Out: Vitality Vitiated; The Hothouse: Madness and Violence; The Caretaker: Dominance and Subservience Equated; The Human Connection; Night School: Possible Justice Without Love; The Dwarfs: Dominance as Betrayal; The Servant: Paradigmatic Powerplays; The Collection and The Lover: Identity Gained by Deliberate Pretense; The Pumpkin Eater: Married Love and Justice; The Homecoming: Dominance, Choice and the Ethic Revised; The Quiller Memorandum: Torture without Threat; Tea Party And The Basement: The Illusive Qualities of Power Accident: Death, Desire, and BirthLandscape, Silence And Night: Where Powerplays Vanish; The Go-Between: Freedom Reborn; Old Times: Triple Dominance; Langrishe, Go Down, La Recherche Du Temps Perdu: The Proust Screenplay, and Monologue: Remembrances of Things Past; No Man's Land: Past Dominance Regained; The French Lieutenant's Woman and The Last Tycoon: Love Gained and Lost; Betrayal: The Past Regained; Precisely And Family Voices: Lovedeath; A Kind of Alaska: Identity Unresolved; Victoria Station: Love And Power Revisited; One For The Road: The End of the Road Mountain Language: Torture RevisitedTurtle Diary, Victory, The Handmaid's Tale, Reunion, The Heat of the Day, The Comfort of Strangers, The Remains of the Day, and The Trial: The Screenplays of the 1980's and Early 1990's; The Comfort Of Strangers: Love and Justice; Party Time and The New World Order: Love and Justice Revisited; Moonlight: Lovedeath Wedded; Ashes to Ashes, The Dreaming Child, and Celebration: Desire, Destruction, Responsibility and the Complicity of Women; Some Conclusions on Love, Justice and Power in the Pinter Ethic: The Public Consequence of Private Acts Select BibliographyIndex |
| Record Nr. | UNINA-9910451100003321 |
Prentice Penelope
|
||
| London, : Routledge, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Pinter ethic : the erotic aesthetic
| Pinter ethic : the erotic aesthetic |
| Autore | Prentice Penelope |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London, : Routledge, 2000 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 822/.914 |
| Collana | Garland reference library of the humanities ;Studies in modern drama |
| Soggetto topico |
Didactic drama, English - History and criticism
Ethics in literature Love in literature Sex in literature |
| ISBN |
1-135-57597-5
1-135-57598-3 0-203-90528-8 1-280-40748-4 0-203-90652-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; General Editor's Note; Preface; The Pinter Ethic: Overview; Harold Pinter: Biography; Introduction to the Second Edition: ~Fought Against Savage and Pitiless Odds~; Introduction: Pinter's Achievement; Form and Innovation; The Dumb Waiter: Toward A Definitionof the Pinter Ethic; Paradigmatic Dramatization of Conflict; The Birthday Party: Choice, Action and Responsibility; The Pinter Ethic Defined; The Room and The Revue Sketches: The Ethic in the Early Work; Dominance and Destruction; A Slight Ache as Fulcrum: Leveling Dominant and Subservient Roles
The Triumph of Vitality And TruthA Night Out: Vitality Vitiated; The Hothouse: Madness and Violence; The Caretaker: Dominance and Subservience Equated; The Human Connection; Night School: Possible Justice Without Love; The Dwarfs: Dominance as Betrayal; The Servant: Paradigmatic Powerplays; The Collection and The Lover: Identity Gained by Deliberate Pretense; The Pumpkin Eater: Married Love and Justice; The Homecoming: Dominance, Choice and the Ethic Revised; The Quiller Memorandum: Torture without Threat; Tea Party And The Basement: The Illusive Qualities of Power Accident: Death, Desire, and BirthLandscape, Silence And Night: Where Powerplays Vanish; The Go-Between: Freedom Reborn; Old Times: Triple Dominance; Langrishe, Go Down, La Recherche Du Temps Perdu: The Proust Screenplay, and Monologue: Remembrances of Things Past; No Man's Land: Past Dominance Regained; The French Lieutenant's Woman and The Last Tycoon: Love Gained and Lost; Betrayal: The Past Regained; Precisely And Family Voices: Lovedeath; A Kind of Alaska: Identity Unresolved; Victoria Station: Love And Power Revisited; One For The Road: The End of the Road Mountain Language: Torture RevisitedTurtle Diary, Victory, The Handmaid's Tale, Reunion, The Heat of the Day, The Comfort of Strangers, The Remains of the Day, and The Trial: The Screenplays of the 1980's and Early 1990's; The Comfort Of Strangers: Love and Justice; Party Time and The New World Order: Love and Justice Revisited; Moonlight: Lovedeath Wedded; Ashes to Ashes, The Dreaming Child, and Celebration: Desire, Destruction, Responsibility and the Complicity of Women; Some Conclusions on Love, Justice and Power in the Pinter Ethic: The Public Consequence of Private Acts Select BibliographyIndex |
| Record Nr. | UNINA-9910783957703321 |
|
Prentice Penelope
|
||
| London, : Routledge, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Pinter ethic : the erotic aesthetic / / Penelope Prentice
| The Pinter ethic : the erotic aesthetic / / Penelope Prentice |
| Autore | Prentice Penelope |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York, : Garland, 2000 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 822/.914 |
| Collana | Garland reference library of the humanities ;Studies in modern drama |
| Soggetto topico |
Didactic drama, English - History and criticism
Ethics in literature Love in literature Sex in literature |
| ISBN |
1-135-57597-5
1-135-57598-3 0-203-90528-8 1-280-40748-4 0-203-90652-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; General Editor's Note; Preface; The Pinter Ethic: Overview; Harold Pinter: Biography; Introduction to the Second Edition: ~Fought Against Savage and Pitiless Odds~; Introduction: Pinter's Achievement; Form and Innovation; The Dumb Waiter: Toward A Definitionof the Pinter Ethic; Paradigmatic Dramatization of Conflict; The Birthday Party: Choice, Action and Responsibility; The Pinter Ethic Defined; The Room and The Revue Sketches: The Ethic in the Early Work; Dominance and Destruction; A Slight Ache as Fulcrum: Leveling Dominant and Subservient Roles
The Triumph of Vitality And TruthA Night Out: Vitality Vitiated; The Hothouse: Madness and Violence; The Caretaker: Dominance and Subservience Equated; The Human Connection; Night School: Possible Justice Without Love; The Dwarfs: Dominance as Betrayal; The Servant: Paradigmatic Powerplays; The Collection and The Lover: Identity Gained by Deliberate Pretense; The Pumpkin Eater: Married Love and Justice; The Homecoming: Dominance, Choice and the Ethic Revised; The Quiller Memorandum: Torture without Threat; Tea Party And The Basement: The Illusive Qualities of Power Accident: Death, Desire, and BirthLandscape, Silence And Night: Where Powerplays Vanish; The Go-Between: Freedom Reborn; Old Times: Triple Dominance; Langrishe, Go Down, La Recherche Du Temps Perdu: The Proust Screenplay, and Monologue: Remembrances of Things Past; No Man's Land: Past Dominance Regained; The French Lieutenant's Woman and The Last Tycoon: Love Gained and Lost; Betrayal: The Past Regained; Precisely And Family Voices: Lovedeath; A Kind of Alaska: Identity Unresolved; Victoria Station: Love And Power Revisited; One For The Road: The End of the Road Mountain Language: Torture RevisitedTurtle Diary, Victory, The Handmaid's Tale, Reunion, The Heat of the Day, The Comfort of Strangers, The Remains of the Day, and The Trial: The Screenplays of the 1980's and Early 1990's; The Comfort Of Strangers: Love and Justice; Party Time and The New World Order: Love and Justice Revisited; Moonlight: Lovedeath Wedded; Ashes to Ashes, The Dreaming Child, and Celebration: Desire, Destruction, Responsibility and the Complicity of Women; Some Conclusions on Love, Justice and Power in the Pinter Ethic: The Public Consequence of Private Acts Select BibliographyIndex |
| Record Nr. | UNINA-9910814376503321 |
|
Prentice Penelope
|
||
| New York, : Garland, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||