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Body image and body schema [[electronic resource] ] : interdisciplinary perspectives on the body / / edited by Helena de Preester, Veroniek Knockaert
| Body image and body schema [[electronic resource] ] : interdisciplinary perspectives on the body / / edited by Helena de Preester, Veroniek Knockaert |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins, 2005 |
| Descrizione fisica | ix, 343 p |
| Disciplina | 153.7 |
| Altri autori (Persone) |
PreesterHelena de
KnockaertVeroniek |
| Collana | Advances in consciousness research |
| Soggetto topico |
Body image
Body schema |
| ISBN |
1-282-15669-1
9786612156694 90-272-9440-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910782177903321 |
| Amsterdam ; ; Philadelphia, : J. Benjamins, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Body image and body schema : interdisciplinary perspectives on the body / / edited by Helena de Preester, Veroniek Knockaert
| Body image and body schema : interdisciplinary perspectives on the body / / edited by Helena de Preester, Veroniek Knockaert |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins, 2005 |
| Descrizione fisica | ix, 343 p |
| Disciplina | 153.7 |
| Altri autori (Persone) |
PreesterHelena de
KnockaertVeroniek |
| Collana | Advances in consciousness research |
| Soggetto topico |
Body image
Body schema |
| ISBN |
1-282-15669-1
9786612156694 90-272-9440-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Body Image and Body Schema -- Editorial page -- Title page -- LCC data -- Table of contents -- Addresses -- Introduction -- 1. Interdisciplinarity -- 1.1. The body: Body image and body schema -- 1.2. Towards a dynamic structuralism? -- 2. The headlines -- 2.1. Embodiment, speech and mirror neurons -- 2.2. Dissociation of body image and body schema and ways of embodiment -- 2.3. Dynamic interpretations of body image and body schema -- 2.4. Clinical approaches and the mirror stage -- Note -- References -- Embodiment, speech and mirror neurons -- Body schema, body image, and mirror neurons -- 1. The concepts of body schema and body image, and the problem about the mind/brain/body interface(s) -- 2. The concept of body schema -- 2.1. The two foundational body schemas - the body schema and the superficial schema -- 2.2. The body schema of Wilder Penfield -- 2.3. The innate body schema as a blueprint of the ``physical self'' -- 2.4. The body ``representation'' in the brain -- 3. The concept of body image -- 3.1. How the body awareness becomes embedded in the body -- 3.2. The voice experience of cogito ergo sum as a component of the body image -- 3.3. The voice experience and the dual-feedback monitoring architecture of human self-consciousness -- 4. The body image and the embodied self -- 5. Fragments of the embodied self vs. the invisible symbolic self -- 6. How to trigger the extraction of a body image from a body schema: The MNS scenario -- 7. Conclusion -- Notes -- References -- Two phenomenological logics and the mirror neurons theory -- 1. Introduction -- 2. The mediating term between ego and other: A shift in emphasis -- 3. The privilege of the speaking voice -- 4. Consequences for intersubjectivity and communication -- 5. Merleau-Ponty's phenomenological point of view on speech and its consequences.
6. Learning new behaviour and the problem of imitation -- 7. The mediating term between ego and other: Common body or common object? -- 8. The mirror neurons theory: Imitation and understanding of actions and speech -- 8.1. Mirror neurons and their characteristics -- 8.2. The function of mirror neurons: Action understanding -- 8.3. The function of mirror neurons: imitation and learning new behaviour -- 8.4. Mirror neurons and speech -- 9. Conclusion: Intersubjectivity and the mediating term -- Notes -- References -- Some comments on the emotional and motor dynamics of language embodiment -- 1. Introduction -- 2. With high emotion language breaks into fragments -- 2.1. Que faire? -- 2.2. The Ratman -- 2.3. Patient F. and the `f'-series -- 3. Language fragments are objects -- 3.1. Language as a motor act -- 3.2. Language fragments are objects, not actions -- 3.3. Language fragments and emotional memory -- 4. A hypothetical model for the dynamic unconscious -- 4.1. Repression and phantoms: Intentions not acted upon -- 4.2. The dynamic unconscious: A linguistic action space organized by phonemic attractors -- Notes -- References -- Dissociation of body image and body schema and ways of embodiment -- Vectorial versus configural encoding of body space -- 1. Introduction -- 2. Sensorimotor versus representational levels of processing -- 3. The what and where dichotomy -- 4. The vectorial versus configural encoding of body space -- 5. Evidence for a dual mapping in deafferented patients -- 5.1. Perception without location -- 5.2. Location without perception -- 6. In conclusion: The biological roots of identity -- Notes -- References -- Implicit body representations in action -- 1. Introduction -- 2. Body schemas and body images -- 3. Dissociations between body schema and body image -- 3.1. Numbsense -- 3.2. Unilateral neglect. 4. Bottom - up interaction between body schema and body image -- 4.1. Body representation and vestibular stimulation -- 4.2. Body representation and prism adaptation -- 5. Dynamic relationships between body schema and body image -- References -- Body self and its narrative representation in schizophrenia -- 1. Introduction -- 2. The incomplete body in schizophrenia narratives: An attempt to recover wholeness -- 3. The Provisional unity of body-image/body-schema: Self as hidden mediator of frames of reference -- 4. Conclusion -- Notes -- References -- Body structure in psychotic and autistic children -- 1. Introduction -- 2. Autism and psychosis in children: The epidemiological conundrum and the Harry Potter effect -- 3. The body problem in psychotic and autistic children: Classical Freudian views -- 4. Evidence of body image perturbations in autistic-psychotic children -- 5. Critical phases in body-structuration -- 6. A few consequences -- References -- Radical embodiment* -- 1. Introduction -- 2. Animal adventure and vegetal rest -- 2.1. Animality is mobility -- 2.2. Vegetality is security -- 3. Spontaneity of the vegetal and anxiety of the animal -- 3.1. The secure life of the animal -- 3.2. Vegetal growth as spontaneous life -- 4. Conclusion: Embodiment is permeability -- Notes -- References -- Dynamic interpretations of body image and body schema -- A functional neurodynamics for the constitution of the own body -- 1. Introduction -- 2. Somatotopic cartography and functional plasticity -- 3. Penfield's homunculus and its contemporary ``Verification'' -- 4. Reorganisations of the functional structure following a deafferentation -- 5. Remodelling induced by Experience (1): The somatosensory cortex -- 6. Remodelling induced by Experience (2): The motor cortex -- 7. Pluralism in the models of neurobiological explanation. 8. Autonomy and experience in the constitution of the own body -- Acknowledgments -- Notes -- References -- What are we naming?* -- Introduction -- I -- II -- III -- Conclusion -- Notes -- References -- Dynamic models of body schematic processes -- 1. Introduction -- 2. The conceptual distinction and its applications -- 3. Body schema: Static or dynamic? -- 4. Body image: Dynamism and synchrony -- 5. The neurological critique -- 6. Conclusion -- Notes -- References -- Clinical approaches and the mirror stage -- Phenomenology and psychoanalysis on the mirror stage -- 1. Introduction -- 2. Metaphysics of presence versus metaphysics of non-presence -- 3. Lacan and Merleau-Ponty on the mirror stage -- 3.1. Merleau-Ponty -- 3.2. The body image is an identification and not a representation -- 3.3. The body image has a unified character and is not partial -- 3.4. Body image and body schema: a matter of dialectics between organisational levels -- 4. Conclusion -- Notes -- References -- Looking at the mirror image -- 1. Introduction -- 2. In the mirror/in front of the mirror -- 3. The imaginary, the symbolic and the real -- 4. A fleeting glance -- 5. An element and its unitary class -- 6. Conclusion -- References -- Anorectics and the mirror -- 1. Introduction -- 2. Need, demand, desire -- 3. The cry of a desire in danger of never emerging -- 4. Bodies and the mirror -- 5. The cruel dominance of the specular image in anorexia nervosa -- 6. Being complete: The anorectic representation of death -- 7. Conclusion -- Notes -- References -- Françoise Dolto's clinical conception of the unconscious body image and the body schema -- 1. Introduction -- 2. Dolto's conception of the unconscious body image -- 3. Body image and body schema -- 4. The threefold composition of the body image -- 5. Clinical fragments -- 5.1. The body image appears through speech. 5.2. The body image represents unconscious structures -- 5.3. Creations represent the libidinal body -- 6. Discussion -- 7. Conclusion -- Notes -- References -- On the relation of the body image to sensation and its absence -- 1. Introduction -- 2. The effects of sensory alterations on one's body image -- 2.1. Vibration and perception sense -- 2.2. Numb big fingers -- 2.3. Feeling a phantom -- 2.4. Visual capture of sensation -- 2.5. Visuo-motor capture of the whole body image -- 3. Conceptual understanding of one's own body: Lessons from Spinal Cord Injury -- 3.1. The sensation of nothing -- 3.2. Visual capture revisited -- 3.3. ``My friend the pain'' -- 3.4. The new visual image -- 3.5. Body Image and the environment: Lived space and time -- 3.6. Body image from agency -- 3.7. Doing and being, through a personal assistant -- 3.8. The body image and the environment: The big idea -- 3.9. New body schema after SCI -- 3.10. Body image from others -- 3.11. Being normal -- 4. Conclusions -- 4.1. Will, ownership and image -- 4.2. The social and the imaginative -- Acknowledgement -- References -- Name index -- Subject index -- The series Advances in Consciousness Research. |
| Record Nr. | UNINA-9910967078203321 |
| Amsterdam ; ; Philadelphia, : J. Benjamins, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Body Image and Body Schema : Interdisciplinary Perspectives on the Body
| Body Image and Body Schema : Interdisciplinary Perspectives on the Body |
| Autore | De Preester Helena |
| Altri autori (Persone) |
PreesterHelena de
KnockaertVeroniek |
| ISBN |
1-282-15669-1
9786612156694 90-272-9440-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910454009203321 |
De Preester Helena
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| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester
| Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2013 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 700.1/9 |
| Altri autori (Persone) | PreesterHelena de |
| Collana | Advances in consciousness research |
| Soggetto topico |
Mind and body
Human beings - Attitude and movement Arts - Psychological aspects Arts audiences - Psychology |
| Soggetto genere / forma | Electronic books. |
| ISBN | 90-272-7200-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910462891203321 |
| Amsterdam, : John Benjamins Pub. Co., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester
| Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2013 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 700.1/9 |
| Altri autori (Persone) | PreesterHelena de |
| Collana | Advances in consciousness research |
| Soggetto topico |
Mind and body
Human beings - Attitude and movement Arts - Psychological aspects Arts audiences - Psychology |
| ISBN | 90-272-7200-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910786969303321 |
| Amsterdam, : John Benjamins Pub. Co., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving imagination : explorations of gesture and inner movement / / edited by Helena De Preester
| Moving imagination : explorations of gesture and inner movement / / edited by Helena De Preester |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2013 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 700.1/9 |
| Altri autori (Persone) | PreesterHelena de |
| Collana | Advances in consciousness research |
| Soggetto topico |
Mind and body
Human beings - Attitude and movement Arts - Psychological aspects Arts audiences - Psychology |
| ISBN |
9789027272003
902727200X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Moving Imagination -- Editiorial page -- Title page -- LCC data -- Table of Contents -- Moving imagination -- Headlines and themes -- Helena De Preester -- Bodily resonance -- Maxine Sheets-Johnstone -- The moving body -- Gestural recreation of the world in drama -- Xavier Escribano -- Movement, gesture, and meaning -- A sensorimotor model for audience engagement with dance -- William P. Seeley -- Achieved spontaneity and spectator's performative experience - The motor dimension of the actor-spectator relationship -- Gabriele Sofia -- The digital body in contemporary American cinema -- Marco Luceri -- Embodiment -- Technologies and musics -- Don Ihde -- Is gesture knowledge? A philosophical approach to the epistemology of musical gestures -- Michael Funk & -- Mark Coeckelbergh -- Sound in film as an inner movement -- Towards embodied listening strategies -- Martine Huvenne -- Body English -- kinaesthetic empathy, dance and the art of Len Lye -- Michael Parmenter -- The Somatic in Kinetic Sculpture -- from Len Lye to an Introverted Kinetic Sculpture (via Donna Haraway's cyborg) -- Laura Woodward -- Edgar Degas -- Modelling movement. Being in the body -- Boris Wiseman & -- Jonathan Cole -- Time lines -- The temporal dimension of marking -- David Rosand -- Styles of observation and embodiment -- Using drawing to understand Robert Morris' Untitled 3 L-Beams (1965) -- Francis Halsall -- Cy Twombly -- Gesture, space, and writing -- Rajiv Kaushik -- Pre-motor and motor activities in early medieval handwriting -- Jan W. M. van Zwieten & -- Koos Jaap van Zwieten -- The neurophenomenology of gesture in the art of Henri Michaux -- Jay Hetrick -- Moving without moving -- A first-person experiential phenomenological approach -- Natalie Depraz -- The "I cannot, but it can" of aesthetic perception -- Erica Harris -- Moving imagination.
Bodily resonance -- 1. Introduction -- 2. Thinking in movement -- 3. The imaginative consciousness of movement -- 4. The question of mirror neurons -- 5. Experiential evidence -- References -- The moving body -- 1. Introduction -- 2. Lecoq and the poetry of motion in space -- 3. Mimism and the dynamics of meaning -- 4. Conclusion -- References -- Movement, gesture, and meaning -- 1. What is the neuroscience of art? -- 2. What is the neuroscience of dance? -- 3. Art, aesthetics, and the neuroscience of dance -- 4. Art, meaning, and perception -- 5. A sensorimotor model for audience engagement with dance -- 6. The neuroscience of dance redux -- References -- Achieved spontaneity and spectator's performative experience - The motor dimension of the actor-spectator relationship -- 1. Introduction -- 2. Entailed hypotheses and methodologies -- 3. Determination of the matter of the research -- 4. The actor's creative processes and their motor dimension -- 5. Motor dynamics of believable action -- 6. Surprising and suspending. The actor's advantage over the spectator -- 7. Foreseeing and anticipating: The spectator's advantage over the actor -- 8. Fragmentation and reconstruction: The artificial body schema -- 9. The spectator's performative experience -- 10. Conclusions -- References -- The digital body in contemporary American cinema -- 1. A transformation of American cinema -- 2. Second lives -- 3. Body, space, movement, image, acting: From theatre to cinema -- 4. To be or not to be: The actor, the spectator and the representation of movement -- 5. Conclusion -- References -- Embodiment -- 1. Introduction -- 2. Where we are -- 3. Where does music come from? -- 4. A phenomenology of instrumentation -- 5. Instrumental trajectories -- 6. Digital postmodernism -- 7. Phenomenological reprise -- 8. Musics from beyond hearing -- References. Is gesture knowledge? A philosophical approach to the epistemology of musical gestures -- 1. Introduction -- 2. Musical gestures as subject of musical scholarship and interdisciplinary research -- 3. Classical epistemology and propositional knowledge -- 4. Implicit knowledge -- 5. Gesture as critique on cartesian dualism -- 6. Musical gestures and technologies -- 7. Musical gestures as cultural and social phenomenon -- 8. Conclusion -- References -- Sound in film as an inner movement -- 1. Introduction -- 2. Existing views on sound in film -- 3. Sound in film as an audible dynamic energetic movement -- 4. Different listening strategies provoking different kinds of imagination -- 5. Different kinds of images evoked by listening to sound -- 6. Listening to a recorded sound as such -- 7. Conclusion -- References -- Body English -- 1. Len Lye and the dance -- 2. Kinaesthetic empathy in dance -- 3. Len Lye's conception of aesthetic reception -- 4. The double movement of introjection and projection -- References -- The Somatic in Kinetic Sculpture -- 1. Introduction -- 2. The art that moves -- 3. The introverted kinetic sculpture -- 4. From Len Lye to an introverted kinetic sculpture -- 5. In conclusion -- References -- Edgar Degas -- 1. Freezing movement -- 2. Moments of being -- 3. Degas's development -- 4. Lessons from loss -- proprioception and embodiment -- 5. Microscopies -- References -- Time lines -- References -- Styles of observation and embodiment -- 1. Introduction -- 2. Why I can't draw -- 3. Untitled, 3 L-Beams -- 4. Drawing is a process -- 5. Drawing and medium specificity -- 6. Showing drawing as an embodied practice: Morris' Blind Time Drawings -- 7. Conclusion -- References -- Cy Twombly -- 1. Rendering the process of mark-making -- 2. The body's intentions opened up into mark-making -- 3. Language/writing - gesture -- References. Pre-motor and motor activities in early medieval handwriting -- 1. Introduction - The beatrice saga -- 2. Movements of inner organs -- 3. Handwriting and neuromotor characteristics -- 4. Traces of emotion in a handwritten text -- 5. Historical backgrounds of the text -- 6. Preliminary screening of character size and regularity -- 7. Further analyses, results and conclusions -- 8. Discussion -- 9. Summary -- Acknowledgements -- References -- The neurophenomenology of gesture in the art of Henri Michaux -- 1. From gesture to the pre-gestural -- 2. Michaux's mescaline work as a model for neurophenomenology -- References -- Moving without moving -- 1. Introduction -- 2. Two contrasted third person philosophical phenomenological accounts of the "inner move" -- 2.1 Merleau-Ponty: From kinaesthesia to motricity -- 2.2 Michel Henry and self-affection -- 3. Two first person experiential phenomenological accounts of "inner move" -- 3.1 From a third person to a first person approach -- 3.2 Meditation: Moving while remaining still -- 3.3 Manual fasciatherapy: Experiencing one's inner moves thanks to the other's hand-move -- 4. Crossing third person and first person phenomenological approaches: Emergent subcategories of "inner move" -- References -- The "I cannot, but it can" of aesthetic perception -- 1. The personal body and its spatiality: I can -- 2. Introducing the I cannot -- 3. The I cannot and non-representational art -- 4. A non-dualistic solution to the problem of the I cannot -- References -- Name index -- Subject index. |
| Record Nr. | UNINA-9910958725203321 |
| Amsterdam, : John Benjamins Pub. Co., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||