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From la Strada to the Hours : Suffering and Sovereign Women in the Movies
| From la Strada to the Hours : Suffering and Sovereign Women in the Movies |
| Autore | Pramataroff-Hamburger Vivian |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin, Heidelberg : , : Springer Berlin / Heidelberg, , 2024 |
| Descrizione fisica | 1 online resource (381 pages) |
| Altri autori (Persone) | HamburgerAndreas |
| ISBN |
9783662687895
9783662687888 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Part I: "We Are All of Us Stars, and We Deserve to Twinkle." Self-presentations as Objects of Desire -- 1: Sunset Boulevard: Diva as Demon -- Introduction -- Film Plot -- Background -- How Is the Feminine Staged in this Film? -- Psychological Character Analysis: Narcissism vs. Successful Adaptation -- Staging of the Feminine in Relation to the Soft Male: Regressive Fear and Desire vs. Progression -- Further Considerations: Self-Referentiality of the Film and its Effect on Today's Viewers -- Film Details -- References -- 2: Breakfast at Tiffany's, Style Icon as a Lifelong Lie -- Introduction -- Film Plot -- Background to the Film -- Parallel Stories -- How Is the Feminine Portrayed in Film? -- Social Images of Women -- Call Girl and Woman -- Further Reflections, the 1950s, and Today -- Why We Still Love This Mendacious/Whitewashing Film? -- Film Details -- References -- 3: Le Mépris (Jean-Luc Godard 1963) and Its Story of Cinema: A 'Fabric of Quotations' -- Film Details -- References -- 4: Look Behind the Veil: What Is Actually 'Obscure' About Luis Buñuel's film, That Obscure Object of Desire? (Cet obscur objet du désir, F, ES 1977) -- Plot -- The Background -- Obscure Femininity? -- Laura Mulvey and the Visual Pleasure of Narrative Cinema -- The Fetish -- Conclusion -- Film Details -- References -- Part II: Strong Feelings. Women as Persistent Subjects -- 5: Poetry and Reality. Devastated Landscapes of the Soul: La Strada (The Road, I 1954) -- Introduction -- Film Plot -- Background -- Image of Femininity -- Indeed -- Further Thoughts -- Gelsomina as Creature of Nature, Zampanò in the Circle, Matto Aloft -- The Sacred -- Film Details -- References -- 6: Woman as a Black Bird: The Presentation of Femininity in Alfred Hitchcock's The Birds (US 1963) -- Approach -- The Plot -- Background -- Literary Model and Special Features.
Visual Reminiscences of the Two Previous Films -- Hitchcock's Staging of Femininity in The Birds -- Opening Credits -- Melanie in the Mirror of Her Encounters -- Melanie as a Black Bird -- The Unfolding of the Relationship Dynamic Between Mitch and Melanie -- Once Again the Black Bird Melanie: The Abyss of Desire -- Positivity and Scepticism: The Openness of the Final Scene -- Further Considerations -- Hitchcock and Tippi Hedren -- Hitchcock's Image of Women -- Film Details -- References -- 7: Trauma, Depression and Transgenerational Suicidal Tendency: Psychoanalytical Notes on the Film Die Wand [The Wall] (A, D 2012) -- Introduction -- Film Plot -- Background -- The Wall as an Opportunity for Self-Determined Female Identity? -- Transformations of Self and Identity in the Shadow of Traumatic Experiences -- Trauma Processing, Self and Identity: An Attempt at Self-Healing? -- Traumatic Loss and Shock -- The Decision to Continue Living and the Function of the Inner Glass Wall -- Approaching Mourning for What Is Lost -- The Collapse of the Ego Ideal (The Revenge of the Superego) and Depressive Breakdown -- Further Considerations -- Rediscovered by Researchers of Women's Literature, the Second Women's Movement and Feminism -- Film Adaptation of a Cult Book for Civilisation Sceptics and Prophets of Doom (Nuclear Apocalypse) -- Film Details -- References -- 8: Resilient Femininity in Three Billboards Outside Ebbing, Missouri -- Introduction -- Part I. Analysis of the Spectatorship -- Part II. Metamorphoses of the Feminine -- The Female Images in the Film -- Images of Mothers in the Film -- Psychoanalysis, Femininity and Resilience -- Femininity -- The Resilient Ego: Traumatism Versus Activism -- Conclusion: Love Begets Love -- Film Details -- References -- Part III: Mothers and Daughters -- 9: Why Mothers Are Immortal (All About My Mother) -- Plot. Background -- Femininity -- Opposites -- Sham Existence -- Creating a World in Which There Are Only Mothers -- Transplantation and Primal Scene -- Inner Objects -- A Redemption Fantasy -- Film Details -- 10: Understanding Bridget Jones. The Staging of Post-Feminist Female Identity in Bridget Jones's Diary (GB, IRL, F 2001) -- Introduction -- Film Plot -- Background -- The Staging of the Feminine or: De(con)struction of Beauty and Comedy -- Bridget Jones: A Childlike Heroine of Everyday Life -- Post-Feminism, Irony and Sexism -- Bridget and Her Relationships -- The Mother-Daughter Relationship -- Bridget and the Men -- Bridget and Daniel Cleaver -- Bridget and Mark Darcy -- Female Body and Ego Ideal -- Conclusion -- Film Details -- References -- 11: From La Strada to the Hours: Suffering or Sovereign Femininity in Feature Films-Ida and Her Mothers -- Introduction -- Film Plot -- Context -- How Is Femininity Constructed? -- The Church: The Omnipotent, Primal Mother -- Ruja, the Lost Mother -- Wanda, the Found Mother -- The Daughter's Separation -- About the Film -- References -- Part IV: Women's Suffering. Illness and Mystery in the Film -- 12: Black Swan -- Introduction -- Storyline -- Background -- How Is the Feminine Staged Within the Film? -- Fairy Tales, Myths, Archetypes -- Nina, the Conformist Daughter -- Erica, The Phallic Mother -- Nina in Search of a Father -- Lily, the Much Sought-After Rival -- Lily, the Temptress -- Nina, the Black Swan -- Black Swan: A Feminist Film? -- Ballet as a Representative of a Patriarchal Society -- The Abject -- The Ideal of Femininity in Ballet -- Film Details -- References -- 13: 'You Freud, Me Jane'?-Images of Womanhood and Love in Alfred Hitchcock's Marnie (US 1964) -- Introduction -- Film Plot -- Background -- The Image of Women in Marnie -- Processes of Cultivating Love -- Film Details -- References. 14: Thrill and Suffering-Misery (US 1990) -- Introduction -- Film Plot -- A Happy Rescue Can Also Have Unhappy Consequences -- Stick to Your Own Tried and Tested Rules -- Reading Is More than Reading -- Paul's Purge -- Background: Contexts and Subtexts -- The Etymology of Misery -- The Staging of Annie Wilkes' Femininity -- Annie Wilkes' Relational Mode of Idolising Terror -- Paul Sheldon's Struggle for his Identity as an Author -- What Could It Be? -- Misery: The Narrative of the Thriller Tells a Familiar Life Story -- Further Considerations -- Film Details -- References -- 15: 'You Are the Only Person Who Can Give Me Back Myself': The Passions of Self-image and Ego Distortion-Der Liebeswunsch [The Love Wish] (D 2006) -- Introduction -- Film Plot -- Background -- Excursus on Film Aesthetics: 'Sound of the Surf' -- The Beginning: Forgetting to Forget -- Staging the Feminine in Film -- 'Simple or Complicated' -- Anja -- Anja and Leonhard -- Anja and Jan -- Anja as a Mother -- Marlene -- The Ending: 'If I Could Save Time in a Bottle' -- Outlook: The Jumping Kettle -- Film Details -- References -- Internet Sources -- Part V: String Pullers. When Women Control Events -- 16: Alfred Hitchcock's Rebecca: The Replacement Wife -- Plot -- Background -- Femininity in Rebecca -- Further considerations -- Film Details -- References -- 17: Women's Truth Witness for the Prosecution, US 1958 -- Introduction -- Film Plot -- Background -- From Criticism of Justice to the Human Dilemma -- A Look at Femininity in Film -- A Film About Lying -- Is the Camera Lying, Too? -- A Film About Injury -- A Film About Revenge -- Further Reflections on Film Effects and Femininity -- Film Details -- References -- 18: I'm Not Your Nice Girl-Gone Girl (US 2014) -- Introduction -- Background -- Film Plot -- Methodological Considerations -- How Is the Feminine Staged in Film?. Amazing Amy -- Cool Girl -- The Female Corpse -- A Short Phase of Independence and Freedom: The Problem of Female Autonomy -- The Infinitely Giving Mother -- The Desire to Be Seen -- The Aseptic Woman -- The Female Monster -- The Pregnant Wife -- The Fundamental Inaccessibility of the Other -- Conclusion -- Film Details -- References -- 19: Gateway to the Night-The Night Porter (Il Portiere di Notte, I 1974) -- Introduction -- Film Plot -- Background -- Staging the Feminine in Film -- Further Considerations -- Film Details -- References -- 20: In Search of the Lost Mother-The Piano (NZ, AU, F 1993) -- Introduction -- Film Plot -- Background -- How Is the Feminine Staged in Film? -- Further Considerations -- Is the Emancipation of the Female Voice Still Necessary in the Twenty-First Century? -- From the Perverse Bargain to Gaining a Capacity for Love -- Stewart's Admission of his Failure -- Flora's Ways of Dealing with Abandonment -- Film Details -- Part VI: Revolt Against the Camera. The Uprising Against "Male Gaze" -- 21: A Woman in Limbo-Lost in Translation (US 2003) -- Introduction -- Plot -- Background -- How Is the Feminine Staged in Film? -- Further Considerations -- Transitional Object and Reciprocal Use -- Audience Alienation -- Film Details -- References -- 22: Pursuing Emptiness: Obsession and (Im) Potence in Kathryn Bigelow's Blue Steel (US 1990) -- Introduction -- Film Plot -- How Is the Feminine Staged in Film? -- Further Considerations -- Parallels to Zero Dark Thirty -- The Transitional Space and the Phallic -- Film Details -- References -- Part VII: Artifacts and Fantasized Women -- 23: S.O.S.: Spike Jonze's Her as a Film About Object Relations and Grief -- Introduction -- Plot Summary -- Reception -- How Is Femininity Staged in the Film? -- Further Considerations: Assisted Mourning -- Scuppered with an OS -- SO. Letters to the Object. |
| Record Nr. | UNINA-9910865275903321 |
Pramataroff-Hamburger Vivian
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| Berlin, Heidelberg : , : Springer Berlin / Heidelberg, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Women’s Health and Pandemic Crisis / / edited by Vivian Pramataroff-Hamburger, Mechthild Neises-Rudolf
| Women’s Health and Pandemic Crisis / / edited by Vivian Pramataroff-Hamburger, Mechthild Neises-Rudolf |
| Autore | Pramataroff-Hamburger Vivian |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 |
| Descrizione fisica | 1 online resource (252 pages) |
| Disciplina | 150 |
| Altri autori (Persone) | Neises-RudolfMechthild |
| Soggetto topico |
Psychology
Behavioral Sciences and Psychology Pandèmia de COVID-19, 2020- Estudis de gènere |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
9783031437489
3031437489 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. (Post-)Pandemic World -- Chapter 1. “Stupidity” in a Pandemic World Opening lecture of ISPOG-Congress and Three-Countries-Congress (Austria, Germany and Switzerland) in Vienna 2022 -- Chapter 2. The Impact on Women´s Mental Health During Times of Pandemic Mechthild -- Chapter 3. Will the new order of touch leave a lasting mark on the skin? -- Part II. Psychosomatic Obstetrics – giving birth in pandemic times -- Chapter 4. Transfer of facts and fake news with regard to SARS-CoV-2 infected pregnant and parturient women and its impact on them as well as on staff -- Chapter 5. The impact of working conditions on postpartum depressive symptoms and family relations—re-evaluated in light of the COVID-19 pandemic -- Chapter 6. Enhancing mother-child bonding in the context of postpartum mental disorders -- Chapter 7. Stress in pregnancy during the COVID-19 pandemic: a comparison between refugee, immigrant, and women born in Germany -- Part III. Trauma, violence, and resilience – is suffering a part of female identity? -- Chapter 8. Stress and Resilience in the (Post-) Pandemic World. Psychobiological Considerations -- Chapter 9. Healing inherited wounds – Transgenerational trauma therapy -- Chapter 10. Premenstrual disorders in adolescents and effects of major environmental events -- Part IV. Medical Ethics in Times of the Pandemic -- Chapter 11. Moral dilemmas for health care professionals during the Covid-19 pandemic -- Chapter 12. The Covid dynamic - in the hospital and in society -- Chapter 13. Attitudes toward Korean transgenders from a survey of National Human -- Part V. Health System and Healthcare Professionals in POG -- Chapter 14. Burnout Syndrome among Midwives - before and during the COVID-19 Pandemic in Hungary -- Chapter 15. Secondary Tauma and Loss of Healthcare Professionals in Perinatal Death -- Part VI. Traumatic experiences and Life events -- Chapter 16. Covid pandemic and war – different impacts on pregnancy -- Chapter 17. The influence of covid pandemic and earthquake on mood change and subjective experience of pregnancy. -- Chapter 18. Dying in hospital - love in times of final goodbye -- Part VII. Family Planning and IVF -- Chapter 19. Impact of the Covid-19 pandemic on pregnancy intentions of women with rheumatic diseases -- Chapter 20. Effect of labour companionship restrictions during Covid-19 pandemic on labour course and mode of delivery -- Chapter 21. Physical, Mental and Psychosomatic Aspects in Fertility Preservation of Transgender Men and Women -- Chapter 22. Counselling in Reproductive Medicine Tewes Wischmann -- Part VIII. Mindfulness. The Biopsychosocial Model and Advancing POG in Medical Education -- Chapter 23. Heart, brain and behaviour: interactions that underpin the biopsychosocial -- Chapter 24. Advancing Psychosomatic Obstetrics and Gynecology in Medical Education. |
| Record Nr. | UNINA-9910770257703321 |
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Pramataroff-Hamburger Vivian
|
||
| Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||