Concentrationary imaginaries : tracing totalitarian violence in popular culture / / edited by Griselda Pollock and Max Silverman |
Edizione | [First edition.] |
Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd., , 2019 |
Descrizione fisica | 1 online resource (322 p.) |
Disciplina | 306 |
Collana | New encounters, art, cultures, concepts |
Soggetto topico |
Violence in motion pictures
Violence on television |
Soggetto genere / forma | Electronic books. |
ISBN |
0-7556-0434-2
0-7556-0367-2 1-78672-443-X 1-78076-896-6 1-78673-443-5 0-85772-544-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Series preface. Concentrationary memories : the politics of representation / Griselda Pollock and Max Silverman -- Introduction. A concentrationary imaginary? / Griselda Pollock -- Part 1. thinking. Framing horror / Adriana Cavarero -- Between realism and fiction : Arendt and Levi on concentrationary imaginaries / Olivia Guaraldo -- Totality, convergence, synchronization / Ian James -- Part 2. Desire. Wrap me up in sadist knots : representations of sadism -- from Naziploitation to torture porn / Aaron Kerner -- Redemption or transformation : blasphemy and the concentrationary imaginary in Liliana Cavani's / Griselda Pollock -- Part 3. Camp. Seep and creep : the concentrationary imaginary in Martin Scorsese's Shutter island (2010) / Benjamin Hannavy Cousen -- Haneke and the camps / Max Silverman -- Spec(tac)ularizing 'Campness' : Nikita and La Femme Nikita the series / Brenda Hollweg. |
Record Nr. | UNINA-9910466247603321 |
London, England : , : I.B. Tauris & Co. Ltd., , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Concentrationary imaginaries : tracing totalitarian violence in popular culture / / edited by Griselda Pollock and Max Silverman |
Edizione | [First edition.] |
Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd., , 2019 |
Descrizione fisica | 1 online resource (322 p.) |
Disciplina | 306 |
Collana | New encounters, art, cultures, concepts |
Soggetto topico |
Violence in motion pictures
Violence on television |
Soggetto genere / forma | Electronic books. |
ISBN |
0-7556-0434-2
0-85772-544-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Series preface. Concentrationary memories : the politics of representation / Griselda Pollock and Max Silverman -- Introduction. A concentrationary imaginary? / Griselda Pollock -- Part 1. thinking. Framing horror / Adriana Cavarero -- Between realism and fiction : Arendt and Levi on concentrationary imaginaries / Olivia Guaraldo -- Totality, convergence, synchronization / Ian James -- Part 2. Desire. Wrap me up in sadist knots : representations of sadism -- from Naziploitation to torture porn / Aaron Kerner -- Redemption or transformation : blasphemy and the concentrationary imaginary in Liliana Cavani's / Griselda Pollock -- Part 3. Camp. Seep and creep : the concentrationary imaginary in Martin Scorsese's Shutter island (2010) / Benjamin Hannavy Cousen -- Haneke and the camps / Max Silverman -- Spec(tac)ularizing 'Campness' : Nikita and La Femme Nikita the series / Brenda Hollweg. |
Record Nr. | UNINA-9910529882503321 |
London, England : , : I.B. Tauris & Co. Ltd., , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Concentrationary memories : totalitarian terror and cultural resistance / / edited by Griselda Pollock and Max Silverman |
Edizione | [First edition.] |
Pubbl/distr/stampa | London, England : , : I.B. Tauris, , 2019 |
Descrizione fisica | 1 online resource (xix, 315 pages) : illustrations (black and white) |
Disciplina | 791.43658405318 |
Soggetto topico |
Holocaust, Jewish (1939-1945), in motion pictures
Memory in motion pictures Motion pictures - Aesthetics Violence in popular culture World War, 1939-1945 - Motion pictures and the war Film theory & criticism |
ISBN |
1-78672-443-X
0-7556-0367-2 1-78673-443-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction, the politics of memory : from concentrationary memory to concentrationary memories / Griselda Pollock and Max Silverman -- Theorizing the political space and beyond. The memory of politics : Hannah Arendt, Carl Schmitt and the possibility of encounter / John Wolfe Ackerman -- Mediations of memory. Migration and motif : the (parapractic) memories of an image / Thomas Elsaesser ; The two stages of the Eichmann trial / Sylvie Lindeperg and Annette Wieviorka ; Running the film against the reel : locating Jean Cayrol's Lazarean figure in Alain Resnais's Muriel ou le temps d'un retour / Matthew John -- Camp visions. Symbol re-formation : concentrationary memory in Charlotte Delbo's Auschwitz and after / Nicholas Chare ; A new visual structure for the unthinkable : the surrealist aesthetic and the concentrationary sublime in Lee Miller's photographs of Buchenwald and Dachau / Isabelle de le Court ; Muselmann : a distilled image of the Lager? / Glenn Sujo ; Nameless before the concentrationary void : Charlotte Salomon's Leben? Oder Theater? 1941-42 'After Gurs' / Griselda Pollock -- Beyond the limits. Animating memory : Ari Folman's Waltz with Bashir / Claire Launchbury ; Isn't this where? : projections on Pink Floyd the Wall : tracing the concentrationary image / Benjamin Hannavy Cousen ; Memory work in Argentina 1976-2006 / Laura Malosetti Costa. |
Record Nr. | UNINA-9910795013903321 |
London, England : , : I.B. Tauris, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Concentrationary memories : totalitarian terror and cultural resistance / / edited by Griselda Pollock and Max Silverman |
Edizione | [First edition.] |
Pubbl/distr/stampa | London, England : , : I.B. Tauris, , 2019 |
Descrizione fisica | 1 online resource (xix, 315 pages) : illustrations (black and white) |
Disciplina | 791.43658405318 |
Soggetto topico |
Holocaust, Jewish (1939-1945), in motion pictures
Memory in motion pictures Motion pictures - Aesthetics Violence in popular culture World War, 1939-1945 - Motion pictures and the war Film theory & criticism |
ISBN |
1-78672-443-X
0-7556-0367-2 1-78673-443-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction, the politics of memory : from concentrationary memory to concentrationary memories / Griselda Pollock and Max Silverman -- Theorizing the political space and beyond. The memory of politics : Hannah Arendt, Carl Schmitt and the possibility of encounter / John Wolfe Ackerman -- Mediations of memory. Migration and motif : the (parapractic) memories of an image / Thomas Elsaesser ; The two stages of the Eichmann trial / Sylvie Lindeperg and Annette Wieviorka ; Running the film against the reel : locating Jean Cayrol's Lazarean figure in Alain Resnais's Muriel ou le temps d'un retour / Matthew John -- Camp visions. Symbol re-formation : concentrationary memory in Charlotte Delbo's Auschwitz and after / Nicholas Chare ; A new visual structure for the unthinkable : the surrealist aesthetic and the concentrationary sublime in Lee Miller's photographs of Buchenwald and Dachau / Isabelle de le Court ; Muselmann : a distilled image of the Lager? / Glenn Sujo ; Nameless before the concentrationary void : Charlotte Salomon's Leben? Oder Theater? 1941-42 'After Gurs' / Griselda Pollock -- Beyond the limits. Animating memory : Ari Folman's Waltz with Bashir / Claire Launchbury ; Isn't this where? : projections on Pink Floyd the Wall : tracing the concentrationary image / Benjamin Hannavy Cousen ; Memory work in Argentina 1976-2006 / Laura Malosetti Costa. |
Record Nr. | UNINA-9910820340503321 |
London, England : , : I.B. Tauris, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Julia Kristeva, 1966-96 : aesthetics, politics, ethics / / guest editor, Griselda Pollock |
Pubbl/distr/stampa | London : , : Taylor & Francis, , 1998 |
Descrizione fisica | 1 online resource (178 p.) |
Disciplina | 801.85092 |
Altri autori (Persone) | PollockGriselda |
Collana | parallax |
Soggetto topico | Literature, Modern - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-135-73382-1
1-135-73383-X 1-280-16505-7 9786610165056 0-203-98187-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Book Cover; Half-Title; Copyright; Contents; Introduction; Dialogue with Julia Kristeva; Introduction; De L'étrangeté du Phallus ou le Féminin Entre Illusion et Désillusion; Experiencing the Phallus as Extraneous, or Women's Twofold Oedipus Complex; Strangers in Analysis: Nationalism and the Talking Cure; Three Images for Kristeva: From Bellini to Proust; To Inscribe in the Feminine: A Kristevan Impossibility? or Femininity, Melancholy and Sublimation; Transcendence, Fixation and Belief in the Vicissitudes of the Imaginary; Julia Kristeva and her histories; Book Reviews; Conference Report |
Record Nr. | UNINA-9910451072803321 |
London : , : Taylor & Francis, , 1998 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Julia Kristeva, 1966-96 : aesthetics, politics, ethics / / guest editor, Griselda Pollock |
Pubbl/distr/stampa | London : , : Taylor & Francis, , 1998 |
Descrizione fisica | 1 online resource (178 p.) |
Disciplina | 801.85092 |
Altri autori (Persone) | PollockGriselda |
Collana | parallax |
Soggetto topico | Literature, Modern - History and criticism |
ISBN |
1-135-73382-1
1-135-73383-X 1-280-16505-7 9786610165056 0-203-98187-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Book Cover; Half-Title; Copyright; Contents; Introduction; Dialogue with Julia Kristeva; Introduction; De L'étrangeté du Phallus ou le Féminin Entre Illusion et Désillusion; Experiencing the Phallus as Extraneous, or Women's Twofold Oedipus Complex; Strangers in Analysis: Nationalism and the Talking Cure; Three Images for Kristeva: From Bellini to Proust; To Inscribe in the Feminine: A Kristevan Impossibility? or Femininity, Melancholy and Sublimation; Transcendence, Fixation and Belief in the Vicissitudes of the Imaginary; Julia Kristeva and her histories; Book Reviews; Conference Report |
Record Nr. | UNINA-9910783890303321 |
London : , : Taylor & Francis, , 1998 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Julia Kristeva, 1966-96 : aesthetics.politics.ethics / / guest editor Griselda Pollock |
Pubbl/distr/stampa | New York, : Routledge, 1998 |
Descrizione fisica | 1 online resource (178 p.) |
Disciplina | 801.85092 |
Altri autori (Persone) | PollockGriselda |
Collana | parallax |
Soggetto topico | Literature, Modern - History and criticism |
ISBN |
1-135-73382-1
1-135-73383-X 1-280-16505-7 9786610165056 0-203-98187-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Book Cover; Half-Title; Copyright; Contents; Introduction; Dialogue with Julia Kristeva; Introduction; De L'étrangeté du Phallus ou le Féminin Entre Illusion et Désillusion; Experiencing the Phallus as Extraneous, or Women's Twofold Oedipus Complex; Strangers in Analysis: Nationalism and the Talking Cure; Three Images for Kristeva: From Bellini to Proust; To Inscribe in the Feminine: A Kristevan Impossibility? or Femininity, Melancholy and Sublimation; Transcendence, Fixation and Belief in the Vicissitudes of the Imaginary; Julia Kristeva and her histories; Book Reviews; Conference Report |
Record Nr. | UNINA-9910807935103321 |
New York, : Routledge, 1998 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Museums after modernism [[electronic resource] ] : strategies of engagement / / edited by Griselda Pollock and Joyce Zemans |
Pubbl/distr/stampa | Malden, MA, : Blackwell, 2007 |
Descrizione fisica | 1 online resource (274 p.) |
Disciplina |
069
708.001 |
Altri autori (Persone) |
PollockGriselda
ZemansJoyce <1940-> |
Collana | New interventions in art history |
Soggetto topico | Art museums - Philosophy |
ISBN |
1-280-93257-0
9786610932573 0-470-76375-2 0-470-77663-3 1-4051-8217-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Museums After Modernism: Strategies of Engagement; Contents; List of Figures; Notes on Contributors; Series Editor's Preface; Preface; 1 Un-Framing the Modern: Critical Space/Public Possibility; 2 Women's Rembrandt; 3 Museums and the Native Voice; 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact; 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions; 6 A Place for Uncertainty: Towards a New Kind of Museum; 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation
8 Riksutsta ̈llningar: Swedish Traveling Exhibitions9 Reframing Participation in the Museum: A Syncopated Discussion; 10 ''There Is No Such Thing as a Visitor''; 11 ''Anxious Dust'': History and Repression in the Archives of Mary Kelly; 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics; Bibliography; Index |
Record Nr. | UNINA-9910145289303321 |
Malden, MA, : Blackwell, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Museums after modernism [[electronic resource] ] : strategies of engagement / / edited by Griselda Pollock and Joyce Zemans |
Pubbl/distr/stampa | Malden, MA, : Blackwell, 2007 |
Descrizione fisica | 1 online resource (274 p.) |
Disciplina |
069
708.001 |
Altri autori (Persone) |
PollockGriselda
ZemansJoyce <1940-> |
Collana | New interventions in art history |
Soggetto topico | Art museums - Philosophy |
ISBN |
1-280-93257-0
9786610932573 0-470-76375-2 0-470-77663-3 1-4051-8217-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Museums After Modernism: Strategies of Engagement; Contents; List of Figures; Notes on Contributors; Series Editor's Preface; Preface; 1 Un-Framing the Modern: Critical Space/Public Possibility; 2 Women's Rembrandt; 3 Museums and the Native Voice; 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact; 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions; 6 A Place for Uncertainty: Towards a New Kind of Museum; 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation
8 Riksutsta ̈llningar: Swedish Traveling Exhibitions9 Reframing Participation in the Museum: A Syncopated Discussion; 10 ''There Is No Such Thing as a Visitor''; 11 ''Anxious Dust'': History and Repression in the Archives of Mary Kelly; 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics; Bibliography; Index |
Record Nr. | UNISA-996201769403316 |
Malden, MA, : Blackwell, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Museums after modernism : strategies of engagement / / edited by Griselda Pollock and Joyce Zemans |
Pubbl/distr/stampa | Malden, MA, : Blackwell, 2007 |
Descrizione fisica | 1 online resource (274 p.) |
Disciplina |
069
708.001 |
Altri autori (Persone) |
PollockGriselda
ZemansJoyce <1940-> |
Collana | New interventions in art history |
Soggetto topico | Art museums - Philosophy |
ISBN |
1-280-93257-0
9786610932573 0-470-76375-2 0-470-77663-3 1-4051-8217-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Museums After Modernism: Strategies of Engagement; Contents; List of Figures; Notes on Contributors; Series Editor's Preface; Preface; 1 Un-Framing the Modern: Critical Space/Public Possibility; 2 Women's Rembrandt; 3 Museums and the Native Voice; 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact; 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions; 6 A Place for Uncertainty: Towards a New Kind of Museum; 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation
8 Riksutsta ̈llningar: Swedish Traveling Exhibitions9 Reframing Participation in the Museum: A Syncopated Discussion; 10 ''There Is No Such Thing as a Visitor''; 11 ''Anxious Dust'': History and Repression in the Archives of Mary Kelly; 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics; Bibliography; Index |
Record Nr. | UNINA-9910877337203321 |
Malden, MA, : Blackwell, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|