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La Beauté et ses monstres : Dans l’Europe baroque (16e-18e siècles) / / Gisèle Venet, Tony Gheeraert, Line Cottegnies
| La Beauté et ses monstres : Dans l’Europe baroque (16e-18e siècles) / / Gisèle Venet, Tony Gheeraert, Line Cottegnies |
| Autore | Beauregard Raphaëlle Costa De |
| Pubbl/distr/stampa | Paris, : Presses Sorbonne Nouvelle, 2017 |
| Descrizione fisica | 1 online resource (266 p.) |
| Disciplina | 809/.9337 |
| Altri autori (Persone) |
BoulardClaire
CervantèsXavier CottegniesLine CoutonMarie Dagen–LaneyrieNadeije EdwardsMichael Efstathiou-LavabreAthéna GheeraertTony GhermaniLaïla IstriaCécile JouslinOlivier LeroyChristian LojkineStéphane MankinRobert MathieuCastellaniGisèle PollardTanya PotterLois VenetGisèle |
| Soggetto topico |
Monsters in literature
Beauty, Personal, in literature Baroque literature - History and criticism |
| Soggetto non controllato |
esthétique
monstres histoire beauté Europe 16-18e Baroque |
| ISBN | 2-87854-847-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910256650103321 |
Beauregard Raphaëlle Costa De
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| Paris, : Presses Sorbonne Nouvelle, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Shakespeare's theater [[electronic resource] ] : a sourcebook / / edited by Tanya Pollard
| Shakespeare's theater [[electronic resource] ] : a sourcebook / / edited by Tanya Pollard |
| Pubbl/distr/stampa | Malden, MA, : Blackwell Pub., 2004 |
| Descrizione fisica | 1 online resource (388 p.) |
| Disciplina |
792.094209031
822.3/3 822.33 |
| Altri autori (Persone) | PollardTanya |
| Soggetto topico |
Theater - England - History - 16th century
Theater - England - History - 17th century |
| ISBN |
1-281-32277-6
9786611322779 0-470-75297-1 0-470-75296-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A treatise against dicing, dancing, plays, and interludes, with other idle pastimes (1577) / John Northbrooke -- The school of abuse (1579) / Stephen Gosson -- An Apology of the School of Abuse (1579) / Stephen Gosson -- A reply to Stephen Gosson's School of Abuse, defence of poetry, music, and stage plays (1579) / Thomas Lodge -- A Second and Third Blast of Retreat from Plays and Theaters (1580) / Anthony Munday -- Plays confuted in five actions (1582) / Stephen Gosson -- Anatomy of abuses (1583) / Philip Stubbes -- A mirror of monsters (1587) / William Rankins -- The art of English poesy (1589) / George Puttenham -- An Apology for poetry (1595) / Philip Sidney -- The theater of God's judgments (1597) / Thomas Beard -- The overthrow of stage-plays (1599) / John Rainolds -- Letter to Dr. John Rainolds (1592) / William Gager -- Virtue's Commonwealth (1603) / Henry Crosse -- Preface to Volpone (1607) / Ben Jonson -- The gull's horn book (1609) / Thomas Dekker -- An apology for actors (1612) / Thomas Heywood -- A refutation of the apology for actors (1615) / I.G. [John Greene] -- Letter to Revd. Mr. Sutton (1616) / Nathan Field -- Histriomastix: the player's scourge (1633) / William Prynne -- Discoveries (1641) / Ben Jonson -- Legal acts and correspondences pertaining to the theater. |
| Record Nr. | UNISA-996208270003316 |
| Malden, MA, : Blackwell Pub., 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]]
| Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
| Disciplina | 820.9/353 |
| Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
| ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
| Record Nr. | UNINA-9910463171103321 |
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]]
| Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
| Disciplina | 820.9/353 |
| Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
| ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
| Classificazione | LIT004120 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
| Record Nr. | UNINA-9910786158803321 |
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]]
| Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
| Disciplina | 820.9/353 |
| Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
| ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
| Classificazione | LIT004120 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
| Record Nr. | UNINA-9910824607003321 |
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||