La forma della memoria : memorialistica, estetica, cinema nell'opera di Sergej Ejzenstejn / / a cura di Francesco Pitassio
| La forma della memoria : memorialistica, estetica, cinema nell'opera di Sergej Ejzenstejn / / a cura di Francesco Pitassio |
| Pubbl/distr/stampa | Udine, : Forum, 2009 |
| Descrizione fisica | 214 p. : ill. ; ; 24 cm |
| Disciplina | 791 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Altri titoli varianti |
Forma della memoria
La forma della memoria |
| Record Nr. | UNINA-9910130608403321 |
| Udine, : Forum, 2009 | ||
| Lo trovi qui: Univ. Federico II | ||
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Italian Contemporary Screen Performers : Training, Production, Prestige / / edited by Luca Barra, Cristina Formenti, Mariapaola Pierini, Francesco Pitassio
| Italian Contemporary Screen Performers : Training, Production, Prestige / / edited by Luca Barra, Cristina Formenti, Mariapaola Pierini, Francesco Pitassio |
| Autore | Barra Luca |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (304 pages) |
| Disciplina | 791.430280945 |
| Altri autori (Persone) |
FormentiCristina
PieriniMariapaola PitassioFrancesco |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Motion picture plays, European
Motion picture acting Celebrities European Film and TV Screen Performance Celebrity Studies |
| ISBN |
9783031673108
3031673107 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction. Working Stars -- 2. Introduction to Section I -- 3. Antonio Albanese. Drama, Comedy, and Everything in Between -- 4. Luca Argentero. The Charm of Understatement -- 5. Marco Giallini. “I Had a Hundred Jobs!” What His Story Tells Us About Career Development in the Cultural Industries -- 6. Luca Marinelli. “You Have to Learn to Trust Your Own Face” -- 7. Benedetta Porcaroli. Don’t Call Me Baby -- 8. Alba Rohrwacher. An Unconventional Actress with an Academic Training -- 9. Toni Servillo. An Actor “Fallen” into Cinema -- 10. Mirella Bordoni. Teaching Acting with the “Costa Method” -- 11. Tatiana Lepore. From Creative Mediation to Functionality. The Role of the Acting Coach in Italy -- 12. Introduction to Section II -- 13. Giuseppe Battiston. Enough with the Latin Lover -- 14. Silvia Calderoni. A Techno-Heart Athlete -- 15. Coco Rebecca Edogamhe. A Very Ordinary Girl -- 16. Pierfrancesco Favino. Italianness, Masculinity, and Performance of a Popular Antidivo -- 17. Sabrina Ferilli. A Star Reborn. Negotiating Sexuality, Femininity, and Ageing through Authenticity -- 18. Valeria Golino. Transnational and Global Italianness -- 19. Caterina Murino. Global Ambitions, Italian Roots -- 20. Jasmine Trinca. The Smiling Girl Goes #MeToo -- 21. Laura Muccino and Sara Casani. Casting and Crafting Italian TV Stardom -- 22. Beppe Caschetto. How a Talent Agent Can Build a Film and Television Performer -- 23. Introduction to Section III -- 24. Monica Bellucci. Internationalising Italian Beauty -- 25. Alessandro Borghi. (Reluctant) Celebrity, (Self-)promotion, and Social Networks -- 26. Margherita Buy. Accounting the Career of an Ageing (Anti-)Diva -- 27. Paola Cortellesi. Artistic Versatility, Gender Equality, and the Use of Promotional Interviews in the (Re-)Negotiation of a Star’s Image -- 28. Matilda De Angelis. Naked Ambition -- 29. Elio Germano. Not Just an Actor -- 30. Riccardo Scamarcio. The Transference of Energy and the Enigmas of Intimacy -- 31. Greta Scarano. A Versatile Contemporary Celebrity -- 32. Checco Zalone. Popular Performance, Italian Masculinity, and Transmedia Promotion -- 33. Alberto Barbera. Enhancing Italian Actors and Actresses through Film Festivals. |
| Record Nr. | UNINA-9910911299803321 |
Barra Luca
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Popular cinemas in East Central Europe : film cultures and histories / / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga
| Popular cinemas in East Central Europe : film cultures and histories / / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2017 |
| Descrizione fisica | 1 online resource (xvi, 363 pages) : illustrations |
| Disciplina | 791.430943 |
| Collana | International library of the moving image |
| Soggetto topico |
Motion pictures - Europe, Central - History - 20th century
Motion pictures - Europe, Eastern - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-350-98756-5
1-78672-239-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1. Politics of Popular Cinema in the Interwar Period. Chapter 1. Czech Historical Film and Historical Traditions : The Merry Wives (1938) / Ivan Klimeš -- Chapter 2. Starlets and Heart-throbs : Hungarian Cinema in the Interwar Period / Zsuzsanna Varga -- Part 2. Towards Socialism: Continuities and Ruptures. Chapter 3. The Stripping of His Charms : The Stability and Transformation of Oldrˇich Nový's Star Image (1936-55) / Šárka Gmiterková -- Chapter 4. Transformations : Hungarian Popular Cinema in the 1950s / Balázs Varga -- Chapter 5. Postwar Czechoslovak Comedy : The Autonomisation of Parody, and Lemonade Joe (1964) / Petr Szczepanik -- Part 3. Socialist Film Cultures. Chapter 6. How To Be Loved? Three Takes on 'The Popular' in Socialist and Non-Socialist Cinema : The Popular and The People / Paul Coates -- Chapter 7. 'Humanist Screens': Foreign Cinema in Socialist Poland (1945-56) / Dorota Ostrowska -- Chapter 8. Poland's Wild West and East : Polish Westerns of the 1960s / Mikołaj Kunicki -- Chapter 9. Film in Full Gallop : Aesthetics and the Equine in Poland's Epic Cinema / Matilda Mroz -- Chapter 10. The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale / Pavel Skopal -- Chapter 11. The Paradox of Popularity : The Case of the Socialist Crime Movie in Hungary / Gábor Gelencsér -- Part 4. Out of Socialism: Co-habiting Models of Popular Cinema. Chapter 12. Popular Nostalgia : On Alternative Modes of Popular Cinema in Post-1989 Czech Production / Francesco Pitassio -- Chapter 13. The Power of Love : Polish Post-communist Popular Cinema / Elżbieta Ostrowska -- Chapter 14. When Walls Fall : Families in Hungarian Films of the New Europe / Clara Orban -- Part 5. National Cinemas and Globalised Film Cultures. Chapter 15. The 'Hollywood Factor' in the Most Popular Hungarian Films of the Period 1996-2014 : When a Small Post-communist Cinema Meets a Mainstream One / Andrea Virginás -- Chapter 16. The Exhibition of Popular Cinema in the Czech Republic and Slovakia : After 1989 Within the Context of the European Union / Jan Hanzlík. |
| Record Nr. | UNINA-9910511415603321 |
| London, England : , : I.B. Tauris & Co. Ltd, , 2017 | ||
| Lo trovi qui: Univ. Federico II | ||
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Popular cinemas in East Central Europe : film cultures and histories / / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga
| Popular cinemas in East Central Europe : film cultures and histories / / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2017 |
| Descrizione fisica | 1 online resource (xvi, 363 pages) : illustrations |
| Disciplina | 791.430943 |
| Collana | International library of the moving image |
| Soggetto topico |
Motion pictures - Europe, Central - History - 20th century
Motion pictures - Europe, Eastern - History - 20th century |
| ISBN |
1-350-98756-5
1-78672-239-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1. Politics of Popular Cinema in the Interwar Period. Chapter 1. Czech Historical Film and Historical Traditions : The Merry Wives (1938) / Ivan Klimeš -- Chapter 2. Starlets and Heart-throbs : Hungarian Cinema in the Interwar Period / Zsuzsanna Varga -- Part 2. Towards Socialism: Continuities and Ruptures. Chapter 3. The Stripping of His Charms : The Stability and Transformation of Oldrˇich Nový's Star Image (1936-55) / Šárka Gmiterková -- Chapter 4. Transformations : Hungarian Popular Cinema in the 1950s / Balázs Varga -- Chapter 5. Postwar Czechoslovak Comedy : The Autonomisation of Parody, and Lemonade Joe (1964) / Petr Szczepanik -- Part 3. Socialist Film Cultures. Chapter 6. How To Be Loved? Three Takes on 'The Popular' in Socialist and Non-Socialist Cinema : The Popular and The People / Paul Coates -- Chapter 7. 'Humanist Screens': Foreign Cinema in Socialist Poland (1945-56) / Dorota Ostrowska -- Chapter 8. Poland's Wild West and East : Polish Westerns of the 1960s / Mikołaj Kunicki -- Chapter 9. Film in Full Gallop : Aesthetics and the Equine in Poland's Epic Cinema / Matilda Mroz -- Chapter 10. The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale / Pavel Skopal -- Chapter 11. The Paradox of Popularity : The Case of the Socialist Crime Movie in Hungary / Gábor Gelencsér -- Part 4. Out of Socialism: Co-habiting Models of Popular Cinema. Chapter 12. Popular Nostalgia : On Alternative Modes of Popular Cinema in Post-1989 Czech Production / Francesco Pitassio -- Chapter 13. The Power of Love : Polish Post-communist Popular Cinema / Elżbieta Ostrowska -- Chapter 14. When Walls Fall : Families in Hungarian Films of the New Europe / Clara Orban -- Part 5. National Cinemas and Globalised Film Cultures. Chapter 15. The 'Hollywood Factor' in the Most Popular Hungarian Films of the Period 1996-2014 : When a Small Post-communist Cinema Meets a Mainstream One / Andrea Virginás -- Chapter 16. The Exhibition of Popular Cinema in the Czech Republic and Slovakia : After 1989 Within the Context of the European Union / Jan Hanzlík. |
| Record Nr. | UNINA-9910796582003321 |
| London, England : , : I.B. Tauris & Co. Ltd, , 2017 | ||
| Lo trovi qui: Univ. Federico II | ||
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Popular cinemas in East Central Europe : film cultures and histories / / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga
| Popular cinemas in East Central Europe : film cultures and histories / / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2017 |
| Descrizione fisica | 1 online resource (xvi, 363 pages) : illustrations |
| Disciplina | 791.430943 |
| Collana | International library of the moving image |
| Soggetto topico |
Motion pictures - Europe, Central - History - 20th century
Motion pictures - Europe, Eastern - History - 20th century |
| ISBN |
1-350-98756-5
1-78672-239-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1. Politics of Popular Cinema in the Interwar Period. Chapter 1. Czech Historical Film and Historical Traditions : The Merry Wives (1938) / Ivan Klimeš -- Chapter 2. Starlets and Heart-throbs : Hungarian Cinema in the Interwar Period / Zsuzsanna Varga -- Part 2. Towards Socialism: Continuities and Ruptures. Chapter 3. The Stripping of His Charms : The Stability and Transformation of Oldrˇich Nový's Star Image (1936-55) / Šárka Gmiterková -- Chapter 4. Transformations : Hungarian Popular Cinema in the 1950s / Balázs Varga -- Chapter 5. Postwar Czechoslovak Comedy : The Autonomisation of Parody, and Lemonade Joe (1964) / Petr Szczepanik -- Part 3. Socialist Film Cultures. Chapter 6. How To Be Loved? Three Takes on 'The Popular' in Socialist and Non-Socialist Cinema : The Popular and The People / Paul Coates -- Chapter 7. 'Humanist Screens': Foreign Cinema in Socialist Poland (1945-56) / Dorota Ostrowska -- Chapter 8. Poland's Wild West and East : Polish Westerns of the 1960s / Mikołaj Kunicki -- Chapter 9. Film in Full Gallop : Aesthetics and the Equine in Poland's Epic Cinema / Matilda Mroz -- Chapter 10. The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale / Pavel Skopal -- Chapter 11. The Paradox of Popularity : The Case of the Socialist Crime Movie in Hungary / Gábor Gelencsér -- Part 4. Out of Socialism: Co-habiting Models of Popular Cinema. Chapter 12. Popular Nostalgia : On Alternative Modes of Popular Cinema in Post-1989 Czech Production / Francesco Pitassio -- Chapter 13. The Power of Love : Polish Post-communist Popular Cinema / Elżbieta Ostrowska -- Chapter 14. When Walls Fall : Families in Hungarian Films of the New Europe / Clara Orban -- Part 5. National Cinemas and Globalised Film Cultures. Chapter 15. The 'Hollywood Factor' in the Most Popular Hungarian Films of the Period 1996-2014 : When a Small Post-communist Cinema Meets a Mainstream One / Andrea Virginás -- Chapter 16. The Exhibition of Popular Cinema in the Czech Republic and Slovakia : After 1989 Within the Context of the European Union / Jan Hanzlík. |
| Record Nr. | UNINA-9910815541403321 |
| London, England : , : I.B. Tauris & Co. Ltd, , 2017 | ||
| Lo trovi qui: Univ. Federico II | ||
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