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Cultural Convergence : The Dublin Gate Theatre, 1928–1960 / / edited by Ondřej Pilný, Ruud van den Beuken, Ian R. Walsh
| Cultural Convergence : The Dublin Gate Theatre, 1928–1960 / / edited by Ondřej Pilný, Ruud van den Beuken, Ian R. Walsh |
| Autore | Pilný Ondřej |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Springer Nature, 2021 |
| Descrizione fisica | 1 online resource (XVIII, 244 p. 28 illus., 1 illus. in color.) |
| Disciplina |
792.09
792.0941835 |
| Soggetto topico |
Theater—History
Theater British literature Theatre History National/Regional Theatre and Performance British and Irish Literature |
| Soggetto non controllato |
Theatre History
National/Regional Theatre and Performance British and Irish Literature National and Regional Theatre and Performance Literature Dublin Gate Theatre cultural exchange Ireland avant-garde North America experimental exchange interaction acculturation Open Access Theatre studies Literature: history & criticism |
| ISBN | 3-030-57562-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA). |
| Record Nr. | UNINA-9910424947303321 |
Pilný Ondřej
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| Springer Nature, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Grotesque in Contemporary Anglophone Drama / / by Ondřej Pilný
| The Grotesque in Contemporary Anglophone Drama / / by Ondřej Pilný |
| Autore | Pilný Ondřej |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (VII, 178 p.) |
| Disciplina | 809 |
| Soggetto topico |
Literature, Modern—20th century
Literature, Modern—21st century British literature America—Literatures Literature—Philosophy Contemporary Literature British and Irish Literature North American Literature Literary Theory |
| ISBN | 1-137-51318-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Engaging Monsters -- 3. Wild Justice -- 4. Life in a Box -- 5. Mutabilities -- 6. Imagine This -- 7. Afterword. |
| Record Nr. | UNINA-9910255233403321 |
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Pilný Ondřej
|
||
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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