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Memory and the Management of Change : Repossessing the Past / / by Emily Keightley, Michael Pickering
| Memory and the Management of Change : Repossessing the Past / / by Emily Keightley, Michael Pickering |
| Autore | Keightley Emily |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (IX, 228 p.) |
| Disciplina | 306.01 |
| Collana | Palgrave Macmillan Memory Studies |
| Soggetto topico |
Culture - Study and teaching
Collective memory Communication Cultural property Civilization - History Cultural Theory Memory Studies Media and Communication Cultural Heritage Cultural History |
| ISBN |
9783319587448
3319587447 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Chapter 2. Managing Change and Transition -- Chapter 3. Intimate Relationships -- Chapter 4. Places of Habitation and Belonging -- Chapter 5. Grief and Mourning.- . |
| Record Nr. | UNINA-9910255092803321 |
Keightley Emily
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Research Methods for Memory Studies [[electronic resource]]
| Research Methods for Memory Studies [[electronic resource]] |
| Autore | Keightley Emily |
| Pubbl/distr/stampa | Edinburgh, GBR, : Edinburgh University Press, 20130501 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 153.120721 |
| Collana | Research methods for the arts and humanities Research methods for memory studies |
| Soggetto topico |
REFERENCE
Research Memory - Methodology - Research Learning Methods Investigative Techniques Science Mental Processes Natural Science Disciplines Memory Research Design Social Sciences Psychology |
| ISBN |
1-78402-331-0
0-7486-8347-X |
| Classificazione | MR 2000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: Methodological Premises and Purposes -- SECTION ONE. Memory and Identity -- Chapter 1. Autobiographical Memory -- Chapter 2. Oral History and Remembering -- SECTION TWO. Qualities of Memory -- Chapter 3. Experience and Memory -- Chapter 4. Between Official and Vernacular Memory -- SECTION THREE. Media and Memory -- Chapter 5. Televised Remembering -- Chapter 6. Vernacular Remembering -- SECTION FOUR. Locations of Memory -- Chapter 7. Memoryscapes and Multi-Sited Methods -- Chapter 8. Ethnicity and Memory -- SECTION FIVE. Disturbed Memory -- Chapter 9. Painful Pasts -- Chapter 10. Disrupted Childhoods -- SECTION SIX. Confessing and Witnessing -- Chapter 11. Apologia -- Chapter 12. Testimony -- Bibliography -- Notes on Contributors -- Index |
| Altri titoli varianti | Research Methods for the Arts and Humanities |
| Record Nr. | UNINA-9910789594003321 |
|
Keightley Emily
|
||
| Edinburgh, GBR, : Edinburgh University Press, 20130501 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Research Methods for Memory Studies
| Research Methods for Memory Studies |
| Autore | Keightley Emily |
| Pubbl/distr/stampa | Edinburgh, GBR, : Edinburgh University Press, 20130501 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 153.120721 |
| Collana | Research methods for the arts and humanities Research methods for memory studies |
| Soggetto topico |
REFERENCE
Research Memory - Methodology - Research Learning Methods Investigative Techniques Science Mental Processes Natural Science Disciplines Memory Research Design Social Sciences Psychology |
| ISBN |
9781784023317
1784023310 9780748683475 074868347X |
| Classificazione | MR 2000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: Methodological Premises and Purposes -- SECTION ONE. Memory and Identity -- Chapter 1. Autobiographical Memory -- Chapter 2. Oral History and Remembering -- SECTION TWO. Qualities of Memory -- Chapter 3. Experience and Memory -- Chapter 4. Between Official and Vernacular Memory -- SECTION THREE. Media and Memory -- Chapter 5. Televised Remembering -- Chapter 6. Vernacular Remembering -- SECTION FOUR. Locations of Memory -- Chapter 7. Memoryscapes and Multi-Sited Methods -- Chapter 8. Ethnicity and Memory -- SECTION FIVE. Disturbed Memory -- Chapter 9. Painful Pasts -- Chapter 10. Disrupted Childhoods -- SECTION SIX. Confessing and Witnessing -- Chapter 11. Apologia -- Chapter 12. Testimony -- Bibliography -- Notes on Contributors -- Index |
| Altri titoli varianti | Research Methods for the Arts and Humanities |
| Record Nr. | UNINA-9910958649203321 |
|
Keightley Emily
|
||
| Edinburgh, GBR, : Edinburgh University Press, 20130501 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rhythms of labour : music at work in Britain / / Marek Korczynski, Michael Pickering, and Emma Robertson [[electronic resource]]
| Rhythms of labour : music at work in Britain / / Marek Korczynski, Michael Pickering, and Emma Robertson [[electronic resource]] |
| Autore | Korczynski Marek |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (x, 347 pages) : digital, PDF file(s) |
| Disciplina | 781.5/930941 |
| Soggetto topico |
Work songs - Great Britain - History and criticism
Working class - Great Britain - Songs and music - History and criticism Music - Social aspects - Great Britain - History |
| ISBN |
1-139-88810-2
1-107-24106-5 1-107-25070-6 1-107-24987-2 1-107-24821-3 1-107-24738-1 1-139-03031-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Illustrations; Acknowledgements; Introduction; 1 Music at work and the sound of silence; The sound of silence; Towards hearing music at work; Scope; Concepts; Sources and methods; Overview; Title; Part I Music at work in pre-industrial contexts; 2 From work song to singing at work; The category of work song; Folk song in work clothes; Conclusion; 3 Hearing the British Isles singing; The historical record and its deficiencies; Consistent evidence of singing at work; Sailing; Rowing and oyster dredging; Waulking; Spinning, knitting and sewing; Weaving; Cobblers
Driving horses, cattle and wagonsMilking and churning; Hop-picking; Various agricultural tasks - harvesting, general labouring; Fragmentary evidence of singing at work; Tailors; Shepherding/shearing; Washing and domestic service; Quarrying and stone-breaking; Fishing and fish-gutting; Blacksmiths and tinkers; Mining; Evidence of musical silence; Navvies; Miscellaneous crafts; Conclusion: the singing of the people at work; 4 Fancy and function; Wishful singing; All manner of fancies; All manner of functions; Waulking; Shantying; Quarrying, rowing and fishing; Conclusion; 5 Community Knitted together in songHop-picking songs: the communal creation of a working holiday; Waulking songs, shanties and gendered community; Fisher lassies: independent and distinct community through song; Conclusion; 6 Voice; The myth of the happy singing labourers; Singing at work and the dialectic of grounded happiness; The sound of work in song; Expressing a voice via the lyrics of songs; Hop-picking and berry-picking; Shantying; Limiting direct voice and power in the process of singing; Disciplined singing; Conclusion; Part II Industrialisation and music at work; 7 Silenced The general decline of self-produced musicPolicies of prohibition; The roar of industrial noise; Moral discipline; Worker responses to industrial soundscapes; Conclusion; 8 Fragments of singing in the factory; Employer policies: paternalism and the singing worker; Fancy and function in the alienating factory; Community; Spinning and singing; The camaraderie of singing in munitions factories; Isolated singing; Voice; Voice and song in spinning mills; Voice and song in munitions factories; Conclusion; Part III Broadcast music in the workplace 9 Instrumental music? The rise of broadcast music in factoriesInstrumental music?; The prelude; Music While You Work; The role of the state as employer; The voice in the loudspeaker; Evolution beyond the war years; Conclusion; 10 Music and meaning on the factory floor; Hearing popular music at work?; Survival; Community through music; Voice on the shopfloor; Conclusion: music and survival at a critical distance; Conclusion; 11 Learning from the history of music at work; Music at work and our understanding of music; Traditional popular music; Contemporary popular music Music at work and our understanding of work |
| Record Nr. | UNINA-9910462601203321 |
|
Korczynski Marek
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rhythms of labour : music at work in Britain / / Marek Korczynski, Michael Pickering, and Emma Robertson [[electronic resource]]
| Rhythms of labour : music at work in Britain / / Marek Korczynski, Michael Pickering, and Emma Robertson [[electronic resource]] |
| Autore | Korczynski Marek |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (x, 347 pages) : digital, PDF file(s) |
| Disciplina | 781.5/930941 |
| Soggetto topico |
Work songs - Great Britain - History and criticism
Working class - Great Britain - Songs and music - History and criticism Music - Social aspects - Great Britain - History |
| ISBN |
1-139-88810-2
1-107-24106-5 1-107-25070-6 1-107-24987-2 1-107-24821-3 1-107-24738-1 1-139-03031-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Illustrations; Acknowledgements; Introduction; 1 Music at work and the sound of silence; The sound of silence; Towards hearing music at work; Scope; Concepts; Sources and methods; Overview; Title; Part I Music at work in pre-industrial contexts; 2 From work song to singing at work; The category of work song; Folk song in work clothes; Conclusion; 3 Hearing the British Isles singing; The historical record and its deficiencies; Consistent evidence of singing at work; Sailing; Rowing and oyster dredging; Waulking; Spinning, knitting and sewing; Weaving; Cobblers
Driving horses, cattle and wagonsMilking and churning; Hop-picking; Various agricultural tasks - harvesting, general labouring; Fragmentary evidence of singing at work; Tailors; Shepherding/shearing; Washing and domestic service; Quarrying and stone-breaking; Fishing and fish-gutting; Blacksmiths and tinkers; Mining; Evidence of musical silence; Navvies; Miscellaneous crafts; Conclusion: the singing of the people at work; 4 Fancy and function; Wishful singing; All manner of fancies; All manner of functions; Waulking; Shantying; Quarrying, rowing and fishing; Conclusion; 5 Community Knitted together in songHop-picking songs: the communal creation of a working holiday; Waulking songs, shanties and gendered community; Fisher lassies: independent and distinct community through song; Conclusion; 6 Voice; The myth of the happy singing labourers; Singing at work and the dialectic of grounded happiness; The sound of work in song; Expressing a voice via the lyrics of songs; Hop-picking and berry-picking; Shantying; Limiting direct voice and power in the process of singing; Disciplined singing; Conclusion; Part II Industrialisation and music at work; 7 Silenced The general decline of self-produced musicPolicies of prohibition; The roar of industrial noise; Moral discipline; Worker responses to industrial soundscapes; Conclusion; 8 Fragments of singing in the factory; Employer policies: paternalism and the singing worker; Fancy and function in the alienating factory; Community; Spinning and singing; The camaraderie of singing in munitions factories; Isolated singing; Voice; Voice and song in spinning mills; Voice and song in munitions factories; Conclusion; Part III Broadcast music in the workplace 9 Instrumental music? The rise of broadcast music in factoriesInstrumental music?; The prelude; Music While You Work; The role of the state as employer; The voice in the loudspeaker; Evolution beyond the war years; Conclusion; 10 Music and meaning on the factory floor; Hearing popular music at work?; Survival; Community through music; Voice on the shopfloor; Conclusion: music and survival at a critical distance; Conclusion; 11 Learning from the history of music at work; Music at work and our understanding of music; Traditional popular music; Contemporary popular music Music at work and our understanding of work |
| Record Nr. | UNINA-9910786705803321 |
|
Korczynski Marek
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rhythms of labour : music at work in Britain / / Marek Korczynski, Michael Pickering, and Emma Robertson
| Rhythms of labour : music at work in Britain / / Marek Korczynski, Michael Pickering, and Emma Robertson |
| Autore | Korczynski Marek |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (x, 347 pages) : digital, PDF file(s) |
| Disciplina | 781.5/930941 |
| Soggetto topico |
Work songs - Great Britain - History and criticism
Working class - Great Britain - Songs and music - History and criticism Music - Social aspects - Great Britain - History |
| ISBN |
1-139-88810-2
1-107-24106-5 1-107-25070-6 1-107-24987-2 1-107-24821-3 1-107-24738-1 1-139-03031-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Illustrations; Acknowledgements; Introduction; 1 Music at work and the sound of silence; The sound of silence; Towards hearing music at work; Scope; Concepts; Sources and methods; Overview; Title; Part I Music at work in pre-industrial contexts; 2 From work song to singing at work; The category of work song; Folk song in work clothes; Conclusion; 3 Hearing the British Isles singing; The historical record and its deficiencies; Consistent evidence of singing at work; Sailing; Rowing and oyster dredging; Waulking; Spinning, knitting and sewing; Weaving; Cobblers
Driving horses, cattle and wagonsMilking and churning; Hop-picking; Various agricultural tasks - harvesting, general labouring; Fragmentary evidence of singing at work; Tailors; Shepherding/shearing; Washing and domestic service; Quarrying and stone-breaking; Fishing and fish-gutting; Blacksmiths and tinkers; Mining; Evidence of musical silence; Navvies; Miscellaneous crafts; Conclusion: the singing of the people at work; 4 Fancy and function; Wishful singing; All manner of fancies; All manner of functions; Waulking; Shantying; Quarrying, rowing and fishing; Conclusion; 5 Community Knitted together in songHop-picking songs: the communal creation of a working holiday; Waulking songs, shanties and gendered community; Fisher lassies: independent and distinct community through song; Conclusion; 6 Voice; The myth of the happy singing labourers; Singing at work and the dialectic of grounded happiness; The sound of work in song; Expressing a voice via the lyrics of songs; Hop-picking and berry-picking; Shantying; Limiting direct voice and power in the process of singing; Disciplined singing; Conclusion; Part II Industrialisation and music at work; 7 Silenced The general decline of self-produced musicPolicies of prohibition; The roar of industrial noise; Moral discipline; Worker responses to industrial soundscapes; Conclusion; 8 Fragments of singing in the factory; Employer policies: paternalism and the singing worker; Fancy and function in the alienating factory; Community; Spinning and singing; The camaraderie of singing in munitions factories; Isolated singing; Voice; Voice and song in spinning mills; Voice and song in munitions factories; Conclusion; Part III Broadcast music in the workplace 9 Instrumental music? The rise of broadcast music in factoriesInstrumental music?; The prelude; Music While You Work; The role of the state as employer; The voice in the loudspeaker; Evolution beyond the war years; Conclusion; 10 Music and meaning on the factory floor; Hearing popular music at work?; Survival; Community through music; Voice on the shopfloor; Conclusion: music and survival at a critical distance; Conclusion; 11 Learning from the history of music at work; Music at work and our understanding of music; Traditional popular music; Contemporary popular music Music at work and our understanding of work |
| Record Nr. | UNINA-9910971461103321 |
|
Korczynski Marek
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||