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Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
| Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
| Autore | Phillips Damon J. <1968-> |
| Edizione | [Core Textbook] |
| Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 781.6509 |
| Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4008-4648-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
| Record Nr. | UNINA-9910462831803321 |
Phillips Damon J. <1968->
|
||
| Princeton, NJ, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
| Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
| Autore | Phillips Damon J. <1968-> |
| Edizione | [Core Textbook] |
| Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 781.6509 |
| Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
| Soggetto non controllato |
African Americans
Berlin German jazz Milenburg Joys New York Victorian-era firms Weimar Germany adoption narratives anti-jazz sentiments authenticity black musicians bottled water consumers critics cultural elites cultural markets cultural objects cultural products diffusion discographical canon disconnected cities disconnectedness geographic mobility geography green technology identity sequences identity threats identity incumbents jazz music jazz recordings jazz standards jazz legitimacy markets mobility networks musicians nanotechnology organizational role identities product appeal production pseudonyms race re-recording reception record company deception record company record labels recording industry recording location social congruence social systems sociological congruence software |
| ISBN | 1-4008-4648-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
| Record Nr. | UNINA-9910786967803321 |
|
Phillips Damon J. <1968->
|
||
| Princeton, NJ, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||