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Women Experimenting in Theatre : Early Modern to Contemporary / / edited by Kate Aughterson, Deborah Philips
| Women Experimenting in Theatre : Early Modern to Contemporary / / edited by Kate Aughterson, Deborah Philips |
| Autore | Aughterson Kate |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (374 pages) |
| Disciplina | 792.082 |
| Altri autori (Persone) | PhilipsDeborah |
| Soggetto topico |
Performing arts
Theater Theater - History Playwriting Dramatists Theatre and Performance Arts Theatre History Contemporary Theatre and Performance Playwrights and Playwriting |
| ISBN |
9783031636899
3031636899 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction Kate Aughterson and Deborah Philips -- Chapter 1. Stage (Im)Properties: Aphra Behn’s Radical Stagecraft, Kate Aughterson (University of Brighton) -- Chapter 2. Innovative Centilivre, Margarete Rubik (University of Vienna) -- Chapter 3. Elizabeth Inchbald’s Dramaturgy, Chelsea Philips (Villanova University) -- Chapter 4. ‘Dead, dead, and never called me Mother’ – East Lynne, melodrama and adaptation, Peter Blake (University of Brighton) -- Chapter 5. Women Playwright-Managers and the Independent Theatre Society in Fin-de-Siècle London, Renata Miller (City University of New York) -- Chapter 6. See it, be it, say it, play it: representations of militant activism and activists in suffrage theatre and entertainments, Naomi Paxton (Central School of Speech and Drama) -- Chapter 7. What was modernism’s problem with the theatre?, Helen Carr, (Goldsmiths) -- Chapter 8. 'You have produced a good deal of raw material from which you , and, or a group of actors may or may not produce a good play': Shelagh Delaney, Joan Littlewood and the Theatre Workshop production of A Taste of Honey, Deborah Philips (University of Brighton) -- Chapter 9. Freaks, Prophets, Witches: New Forms, Collaborations and Communions in Women’s Theatre 1969-1992, Susan Croft (Director, Unfinished Histories) -- Chapter 10. ‘My sister she wants - / Don’t tell me’: Desire, Negation, Interruption and Agency in Sarah Kane’s Work, Dr Nina Kane (University of Huddersfield) -- Chapter 11. Beyond Mimesis: Generic Crossings between Poetry and Drama in Plays by tucker green, Kay and Harris Elisabeth Bekers, Janine Hauthal & Jade Thomas (Vriejat Universitat Brussels) -- Chapter 12. Feminist revisions: reframing Greek tragedy in the work of Mnouchkine, Mitchell, Carson and Churchill, William Mcevoy (University of Sussex) -- Chapter 13. We Need To Talk About Essex Girls: Working Class Women and Twenty-First Century British Theatre, Katy Shaw (Northumbria University) -- Chapter 14. Decolonizing experimental theatre: Experiments in Living in the Work of Gurpreet Kaur Bhatti, Gabriele Griffin (University of Uppsala) -- Chapter 15. British stage design now: Womxn stage designers and experimentation, Rachel Hann (Northumbria University, Newcastle) -- Chapter 16. Feminist Provocations: Experiments with Failure in the Plays of Alice Birch and Ella Hickson, Hannah Greenstreet (Independent Theatre maker). |
| Record Nr. | UNINA-9910983302703321 |
Aughterson Kate
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Women Writers and Experimental Narratives : Early Modern to Contemporary / / edited by Kate Aughterson, Deborah Philips
| Women Writers and Experimental Narratives : Early Modern to Contemporary / / edited by Kate Aughterson, Deborah Philips |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (XV, 272 p. 2 illus.) |
| Disciplina | 809.89287 |
| Soggetto topico |
Literature
European literature - Renaissance, 1450-1600 Literature, Modern - 20th century Literature, Modern - 21st century Literature, Modern - 19th century Literature, Modern - 18th century Early Modern and Renaissance Literature Contemporary Literature Twentieth-Century Literature Nineteenth-Century Literature Eighteenth-Century Literature |
| ISBN |
9783030496517
3030496511 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. 'Unlink the Chain': Experiment in Aphra Behn's Novels -- 3. Experiment in Prose: Authority and Experience in Lady Mary Wortley Montagu's Letters -- 4. Experiments, Experimentalists, Experimentation: Dissecting Frankenstein -- 5. Genre-Bending and Experimentation in Sensation Fiction; The Case of Mary Braddon and Ellen Wood -- 6. The Ironic Strategies of Kate Chopin's The Awakening -- 7. Realms of Resemblance: Virginia Woolf, Simone de Beauvoir and Maï Zetterling -- 8. Neo-Victorian Experimental Narrative: Writing the Absent Objects of History in Affinity and In the Red Kitchen -- 9. 1966 and Wide Sargasso Sea: The Climate that Made Jean Rhys Legible -- 10. Troublesome reading: story and speculation in African American and African originated women's writing. Resurrecting the past, re-imagining the future -- 11. 'She's a Fine Girl': An Autotheoretical Examination of Early Experiences of Sexuality and Selfhood in Eimear McBride's A Girl is a Half-Formed Thing and Charlotte Roche's Wetlands -- 12. Helen Oyeyemi at the Vanguard of Innovation in Contemporary Black British Women's Literature -- 13. 'Daring to tilt worlds': the fiction of Irenosen Okojie -- 14. Working from the Wound: Trauma, memory and experimental writing praxis in Jeanette Winterson's Why Be Happy When You Could Be Normal?. |
| Record Nr. | UNINA-9910483379803321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||