Reading the American novel 1920-2010 [[electronic resource] /] / James Phelan |
Autore | Phelan James <1951-> |
Pubbl/distr/stampa | Hoboken, NJ, : John Wiley & Sons Inc., c2013 |
Descrizione fisica | 1 online resource (463 p.) |
Disciplina | 813/.509 |
Collana | Reading the Novel |
Soggetto topico |
American fiction - 20th century - History and criticism
Books and reading - United States |
ISBN |
1-118-51287-1
1-299-44892-5 1-118-51288-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Ethics of the Telling and Ethics of the Told Off-Kilter, Unreliable, and Deficient Narration: A Rhetorical Model; Respect, Disrespect, and Over-respect; Notes; References; Further Reading; Chapter 2: The Age of Innocence (1920): Bildung and the Ethics of Desire; Material and Treatment; The Beginning: Initiation and Launch; Scenes from the Voyage: Newland and May; Newland and Ellen; The Two-stage Arrival: Configuring Wharton's Fierce Realism; Notes; References; Further Reading; Chapter 3: The Great Gatsby (1925): Character Narration, Temporal Order, and Tragedy
Nick as Narrator: Initiation and Launch Nick as Narrator: The Interaction; Nick as Character: Fabula, Sjuzhet, and Progression (Especially in the Voyage); Gatsby: Voyage and Arrival; Talking Back; Notes; References; Further Reading; Chapter 4: A Farewell to Arms (1929): Bildung, Tragedy, and the Rhetoric of Voice; Initiation and Launch I: Or, the Concept of Voice and the Voice of Frederic Henry; Launch II: Frederic and Catherine; Voice in the Voyage; Final Stages of the Voyage, Arrival, and Farewell; Catherine Barkley; Hemingway's View of the World; Notes; References; Further Reading Chapter 5: The Sound and the Fury (1929): Portrait Narrative as Tragedy Benjy: Initiation, Launch, Portrait; Quentin: Initiation, Voyage, Portrait; Jason: Initiation, Voyage, Portrait; Dilsey: Initiation, Arrival, Farewell; Notes; References; Further Reading; Chapter 6: Their Eyes Were Watching God (1937): Bildung and the Rhetoric and Politics of Voice; Initiation, Phase One: The Narrator's Voice; Initiation, Phase Two: Dialogue; The Launch; The Voyage; The Trial Scene; Arrival and Farewell; Notes; References; Further Reading Chapter 7: Invisible Man (1952): Bildung, Politics, and Rhetorical Design Initiation; Launch; Voyage; Arrival, Part One; Arrival, Part Two, and Farewell; Notes; References; Further Reading; Chapter 8: Lolita (1955): The Ethics of the Telling and the Ethics of the Told; Initial Questions; Initiation; From Initiation to Interaction; Toward a Plot of Narration; Ethics of the Telling and Ethics of the Told; Arrival and Farewell; Limits of the Transformation and Further Ethical Consequences; Notes; References; Further Reading Chapter 9: The Crying of Lot 49 (1966): Mimetic Protagonist, Thematic-Synthetic Storyworld |
Record Nr. | UNINA-9910139040803321 |
Phelan James <1951-> | ||
Hoboken, NJ, : John Wiley & Sons Inc., c2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Reading the American novel 1920-2010 / / James Phelan |
Autore | Phelan James <1951-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hoboken, NJ, : John Wiley & Sons Inc., c2013 |
Descrizione fisica | 1 online resource (463 p.) |
Disciplina | 813/.509 |
Collana | Reading the Novel |
Soggetto topico |
American fiction - 20th century - History and criticism
Books and reading - United States |
ISBN |
1-118-51287-1
1-299-44892-5 1-118-51288-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Ethics of the Telling and Ethics of the Told Off-Kilter, Unreliable, and Deficient Narration: A Rhetorical Model; Respect, Disrespect, and Over-respect; Notes; References; Further Reading; Chapter 2: The Age of Innocence (1920): Bildung and the Ethics of Desire; Material and Treatment; The Beginning: Initiation and Launch; Scenes from the Voyage: Newland and May; Newland and Ellen; The Two-stage Arrival: Configuring Wharton's Fierce Realism; Notes; References; Further Reading; Chapter 3: The Great Gatsby (1925): Character Narration, Temporal Order, and Tragedy
Nick as Narrator: Initiation and Launch Nick as Narrator: The Interaction; Nick as Character: Fabula, Sjuzhet, and Progression (Especially in the Voyage); Gatsby: Voyage and Arrival; Talking Back; Notes; References; Further Reading; Chapter 4: A Farewell to Arms (1929): Bildung, Tragedy, and the Rhetoric of Voice; Initiation and Launch I: Or, the Concept of Voice and the Voice of Frederic Henry; Launch II: Frederic and Catherine; Voice in the Voyage; Final Stages of the Voyage, Arrival, and Farewell; Catherine Barkley; Hemingway's View of the World; Notes; References; Further Reading Chapter 5: The Sound and the Fury (1929): Portrait Narrative as Tragedy Benjy: Initiation, Launch, Portrait; Quentin: Initiation, Voyage, Portrait; Jason: Initiation, Voyage, Portrait; Dilsey: Initiation, Arrival, Farewell; Notes; References; Further Reading; Chapter 6: Their Eyes Were Watching God (1937): Bildung and the Rhetoric and Politics of Voice; Initiation, Phase One: The Narrator's Voice; Initiation, Phase Two: Dialogue; The Launch; The Voyage; The Trial Scene; Arrival and Farewell; Notes; References; Further Reading Chapter 7: Invisible Man (1952): Bildung, Politics, and Rhetorical Design Initiation; Launch; Voyage; Arrival, Part One; Arrival, Part Two, and Farewell; Notes; References; Further Reading; Chapter 8: Lolita (1955): The Ethics of the Telling and the Ethics of the Told; Initial Questions; Initiation; From Initiation to Interaction; Toward a Plot of Narration; Ethics of the Telling and Ethics of the Told; Arrival and Farewell; Limits of the Transformation and Further Ethical Consequences; Notes; References; Further Reading Chapter 9: The Crying of Lot 49 (1966): Mimetic Protagonist, Thematic-Synthetic Storyworld |
Record Nr. | UNINA-9910828275603321 |
Phelan James <1951-> | ||
Hoboken, NJ, : John Wiley & Sons Inc., c2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|