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Biblioteca

MARC Lista (tabellare)
Analyzing Cultures : An Introduction and Handbook / / Marcel Danesi and Paul Perron
Analyzing Cultures : An Introduction and Handbook / / Marcel Danesi and Paul Perron
Autore Danesi Marcel <1946->
Pubbl/distr/stampa Indiana University Press, 1999
Descrizione fisica 1 online resource (1 online resource xiii, 413 pages.)
Collana Advances in semiotics
Soggetto topico Semiotiek
Cultuur
Kultursemiotik
Semiotics
Culture - Semiotic models
02.02 philosophy and theory of science
Culture - Modeles semiotiques
Semiotique
Soggetto genere / forma Einführung
ISBN 0-253-05345-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto ; Pt. I. Basic Notions and Views. ; 1. What Is Culture? ; 2. The Field of Cultural Semiotics. ; 3. The Signifying Order -- ; pt. 2. The Semiotic Study of Culture. ; 4. The Body. ; 5. Language. ; 6. Metaphor. ; 7. Space. ; 8. Art. ; 9. Objects. ; 10. Narrative. ; 11. Television and Advertising -- ; pt. III. A Practical Synthesis. ; 12. Semiotic Analysis.
Record Nr. UNINA-9910524680603321
Danesi Marcel <1946->  
Indiana University Press, 1999
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Meaning and textuality / / François Rastier ; translated by Frank Collins and Paul Perron
Meaning and textuality / / François Rastier ; translated by Frank Collins and Paul Perron
Autore Rastier François
Pubbl/distr/stampa Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1997
Descrizione fisica 1 online resource (298 p.)
Disciplina 401/.43
Collana Toronto Italian Studies
Soggetto topico Semantics
Discourse analysis
Soggetto genere / forma Electronic books.
ISBN 1-4426-6483-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Foreword -- Introduction -- Symbols and Abbreviations -- 1. On the ‘Objectivity’ of Meaning -- 2. Difficulties of Avant-Garde Hermeneutics -- 3. Situations of Interpretation and Typology of Texts -- 4. Thematics -- 5. Dialectics -- 6. Dialogics -- 7. Tactics -- 8. The Interaction of the Semantic Components -- 9. Moon, Diana, Hecate -- 10. Goddamn! They Sure Made Short Work of the Blanquette of Veal! -- 11. Daddy Hen -- 12. The White Care of Our [Sail-]Cloth -- 13. Referential Impression or the Sun and the Shepherdess -- Notes -- Glossary -- Bibliography -- Name Index -- Subject Index
Record Nr. UNINA-9910461859403321
Rastier François  
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1997
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Meaning and textuality / / François Rastier ; translated by Frank Collins and Paul Perron
Meaning and textuality / / François Rastier ; translated by Frank Collins and Paul Perron
Autore Rastier François
Pubbl/distr/stampa Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1997
Descrizione fisica 1 online resource (298 p.)
Disciplina 401/.43
Collana Toronto Italian Studies
Soggetto topico Semantics
Discourse analysis
Soggetto genere / forma Electronic books.
ISBN 1-4426-6483-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Part 1: Interpretative Semantics and Forms of Textuality -- 1. On the 'Objectivity' of Meaning -- 2. Difficulties of Avant-Garde Hermeneutics -- 3. Situations of Interpretation and Typology of Texts -- 4. Thematics -- 5. Dialectics -- 6. Dialogics -- 7. Tactics -- 8. The Interaction of the Semantic Components -- Part 2: Essays in Textual Semantics -- 9. Moon, Diana, Hecate -- 10. Goddamn! They Sure Made Short Work of the Blanquette of Veal! -- 11. Daddy Hen -- 12. The White Care of Our [Sail-]Cloth -- 13. Referential Impression or The Sun and the Shepherdess.
Record Nr. UNINA-9910790108503321
Rastier François  
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1997
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Meaning and textuality / / François Rastier ; translated by Frank Collins and Paul Perron
Meaning and textuality / / François Rastier ; translated by Frank Collins and Paul Perron
Autore Rastier François
Pubbl/distr/stampa Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1997
Descrizione fisica 1 online resource (298 p.)
Disciplina 401/.43
Collana Toronto Italian Studies
Soggetto topico Semantics
Discourse analysis
Soggetto genere / forma Electronic books.
ISBN 1-4426-6483-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Part 1: Interpretative Semantics and Forms of Textuality -- 1. On the 'Objectivity' of Meaning -- 2. Difficulties of Avant-Garde Hermeneutics -- 3. Situations of Interpretation and Typology of Texts -- 4. Thematics -- 5. Dialectics -- 6. Dialogics -- 7. Tactics -- 8. The Interaction of the Semantic Components -- Part 2: Essays in Textual Semantics -- 9. Moon, Diana, Hecate -- 10. Goddamn! They Sure Made Short Work of the Blanquette of Veal! -- 11. Daddy Hen -- 12. The White Care of Our [Sail-]Cloth -- 13. Referential Impression or The Sun and the Shepherdess.
Record Nr. UNINA-9910815761703321
Rastier François  
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1997
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Paris school semiotics . II Practice [[electronic resource] /] / edited by Paul Perron & Frank Collins
Paris school semiotics . II Practice [[electronic resource] /] / edited by Paul Perron & Frank Collins
Pubbl/distr/stampa Amsterdam, : J. Benjamins Pub. Co., 1989
Descrizione fisica 1 online resource (241 p.)
Disciplina 001.51/0944
001.510944
Altri autori (Persone) PerronPaul
CollinsFrank
Collana Semiotic crossroads
Soggetto topico Semiotics - France
Soggetto genere / forma Electronic books.
ISBN 1-283-42457-6
9786613424570
90-272-7837-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III.1. The Vegetable Soup; III.2. The Basil Sauce (Pistou); III.3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES
1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re-)contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The ""Roman charity"" scene in Poussin's La Manne; I. METHOD - OBJECT OF STUDY
I.1. Uttered enunciation - a point of access to the estheticI.2. ""Roman charity""; I.3. Philological digression; II. ADMIRATION; II.1. ""Admiration"" according to Descartes and Malebranche; II.2. A passion sequence: curiosity - ""admiration"" - consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. ""Admiration"" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity - divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel - the miracle - the mystery; III.6. Classical esthetics - Baroque esthetics
APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the ""News"" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I. A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. ""Public Opinion"" and ""Political Class""; II.2. The Public
II.3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III.1. A Polyvalent Operator; III.2. The Problematics of the Narrator; III.3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV.1. Following Public Opinion; IV.2. Defying Opinion; IV.3. Deceiving Public Opinion; IV.4. Facing Opinion; V. A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II.1. Global Segmentation
II.2. The Circulating Object
Record Nr. UNINA-9910461853103321
Amsterdam, : J. Benjamins Pub. Co., 1989
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Paris school semiotics . I Theory [[electronic resource] /] / edited by Paul Perron & Frank Collins
Paris school semiotics . I Theory [[electronic resource] /] / edited by Paul Perron & Frank Collins
Pubbl/distr/stampa Amsterdam, : J. Benjamins Pub. Co., 1989
Descrizione fisica 1 online resource (283 p.)
Disciplina 001.51/0944
001.510944
Altri autori (Persone) PerronPaul
CollinsFrank
Collana Semiotic crossroads
Soggetto topico Semiotics - France
Soggetto genere / forma Electronic books.
ISBN 1-283-42458-4
9786613424587
90-272-7838-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto PARIS SCHOOL SEMIOTICS I. THEORY; Editorial page; Title page; Copyright page; Table of Contents; Introduction; Interfaces: The Care for a Project; Some Thoughts on this Intellectual Fare; Aspects of a Theory in Progress; NOTES; REFERENCES; I. Narrative Grammar, Actions and Passions; Greimas's Narrative Grammar; I. AT THE FUNDAMENTAL GRAMMAR LEVEL: THE FIRST STAGE OF ""NARRATIVIZATION""; Discussion; II. FROM THE FUNDAMENTAL GRAMMAR TO THE SURFACE NARRATIVE GRAMMAR: THE NARRATIVE UTTERANCE; Discussion; III. FROM THE NARRATIVE UTTERANCE TO THE NARRATIVE UNIT: ""PERFORMANCE""; Discussion
IV. THE LAST STAGE: THE PERFORMANCE SERIESDiscussion; NOTES; Prolegomenato a Theory of Action; I. INTRODUCTORY REMARKS; II. THE NARRATIVE PROGRAM AS MODEL OF REFERENCE FOR A THEORY OF THE FORMS OF ACTION; III. TOWARDS A RESTRICTED THEORY OF SIMPLE FORMS OF ACTION AND INTERACTION; IV. FROM THE ACTANTIAL LEVEL TO THE ACTORIAL LEVEL; NOTES; Toward an Anthropomorphic Narrative Topos; I. WHY THREE DIMENSIONS FOR NARRATIVE?; I.1. Empirical Reasons; I.2. Empirical reasons alone are not enough; I.3. Some Applications and Some Developments; II. DEVELOPING AN ANTHROPOMORPHIC NARRATIVE TOPOS
II.1. The Combinatory PrincipleII.2. Typology and Syntax; II.3. Overall Syntax of the thematico-narrative topos; III. APPLICATIONS; III.1. The Linguistic Manifest of the three dimensions; III.2. The Story of the Man who Set out to Learn about Fear; III.3. Aldo's Conversions in the ""Rivage des Syrtes""; IV. CONCLUSION; NOTES; II. Toward Discourse; Pragmatics and Semiotics Epistemological Observations; Pragmatics and Semiotics Some Semiotic Conditions of Interaction; NOTES; Narrativity and Discursivity Points of Reference and Problematics; I. INTRODUCTION; II. FUNDAMENTAL POSTULATES
II.1. The Principle of ImmanenceII.2. The Generative Process; II.3. The Structural Postulate; II.4. Narrative Transformation; III. NARRATTVITY RESTRICTED TO THE NARRATIVE; III.1. The Narrative Utterance; III.2. The Narrative Program; III.3.The Narrative Schema; IV. NARRATIVE EXTENDED TO DISCOURSE IN GENERAL; IV.1. The Development of Modal Structures; IV.2. The Importance of the Cognitive Dimension; IV.3. The Question of the Subject; V. SETTING INTO DISCOURSE: ENUNCIATION; V.1. The Enunciative Conception of Meaning; V.2. The Enunciative Operations; V.3. Enunciation in Semiotics
V.3.1. Setting into Discourse within the Generative TrajectoryV.3.2. The ""Narrativization of Enunciation""; V.3.3. Figurativization; VI. CONCLUSION; NOTES; Prolegomenato Modal Analysis The Enunciating Subject; I. PREDICATION; II. META-WANTING; III. THE FUNCTION OF RECOGNITION; NOTES; The Esthetic Gaze; I. FROM THE MAGNIFICENT VIEW TO THE SINGULAR IMAGE; The Reference Text; A Magnificent View; Two Verbalizations of the |Plain|; Objectivizing vs. Subjectivizing Seeing; The Conditions of Veridictory Judgment; The Denegation of Social Discourse and the Assertion of Individual Discourse
The Singular Image
Record Nr. UNINA-9910461854903321
Amsterdam, : J. Benjamins Pub. Co., 1989
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Paris school semiotics . I Theory [[electronic resource] /] / edited by Paul Perron & Frank Collins
Paris school semiotics . I Theory [[electronic resource] /] / edited by Paul Perron & Frank Collins
Pubbl/distr/stampa Amsterdam, : J. Benjamins Pub. Co., 1989
Descrizione fisica 1 online resource (283 p.)
Disciplina 001.51/0944
001.510944
Altri autori (Persone) PerronPaul
CollinsFrank
Collana Semiotic crossroads
Soggetto topico Semiotics - France
ISBN 1-283-42458-4
9786613424587
90-272-7838-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto PARIS SCHOOL SEMIOTICS I. THEORY; Editorial page; Title page; Copyright page; Table of Contents; Introduction; Interfaces: The Care for a Project; Some Thoughts on this Intellectual Fare; Aspects of a Theory in Progress; NOTES; REFERENCES; I. Narrative Grammar, Actions and Passions; Greimas's Narrative Grammar; I. AT THE FUNDAMENTAL GRAMMAR LEVEL: THE FIRST STAGE OF ""NARRATIVIZATION""; Discussion; II. FROM THE FUNDAMENTAL GRAMMAR TO THE SURFACE NARRATIVE GRAMMAR: THE NARRATIVE UTTERANCE; Discussion; III. FROM THE NARRATIVE UTTERANCE TO THE NARRATIVE UNIT: ""PERFORMANCE""; Discussion
IV. THE LAST STAGE: THE PERFORMANCE SERIESDiscussion; NOTES; Prolegomenato a Theory of Action; I. INTRODUCTORY REMARKS; II. THE NARRATIVE PROGRAM AS MODEL OF REFERENCE FOR A THEORY OF THE FORMS OF ACTION; III. TOWARDS A RESTRICTED THEORY OF SIMPLE FORMS OF ACTION AND INTERACTION; IV. FROM THE ACTANTIAL LEVEL TO THE ACTORIAL LEVEL; NOTES; Toward an Anthropomorphic Narrative Topos; I. WHY THREE DIMENSIONS FOR NARRATIVE?; I.1. Empirical Reasons; I.2. Empirical reasons alone are not enough; I.3. Some Applications and Some Developments; II. DEVELOPING AN ANTHROPOMORPHIC NARRATIVE TOPOS
II.1. The Combinatory PrincipleII.2. Typology and Syntax; II.3. Overall Syntax of the thematico-narrative topos; III. APPLICATIONS; III.1. The Linguistic Manifest of the three dimensions; III.2. The Story of the Man who Set out to Learn about Fear; III.3. Aldo's Conversions in the ""Rivage des Syrtes""; IV. CONCLUSION; NOTES; II. Toward Discourse; Pragmatics and Semiotics Epistemological Observations; Pragmatics and Semiotics Some Semiotic Conditions of Interaction; NOTES; Narrativity and Discursivity Points of Reference and Problematics; I. INTRODUCTION; II. FUNDAMENTAL POSTULATES
II.1. The Principle of ImmanenceII.2. The Generative Process; II.3. The Structural Postulate; II.4. Narrative Transformation; III. NARRATTVITY RESTRICTED TO THE NARRATIVE; III.1. The Narrative Utterance; III.2. The Narrative Program; III.3.The Narrative Schema; IV. NARRATIVE EXTENDED TO DISCOURSE IN GENERAL; IV.1. The Development of Modal Structures; IV.2. The Importance of the Cognitive Dimension; IV.3. The Question of the Subject; V. SETTING INTO DISCOURSE: ENUNCIATION; V.1. The Enunciative Conception of Meaning; V.2. The Enunciative Operations; V.3. Enunciation in Semiotics
V.3.1. Setting into Discourse within the Generative TrajectoryV.3.2. The ""Narrativization of Enunciation""; V.3.3. Figurativization; VI. CONCLUSION; NOTES; Prolegomenato Modal Analysis The Enunciating Subject; I. PREDICATION; II. META-WANTING; III. THE FUNCTION OF RECOGNITION; NOTES; The Esthetic Gaze; I. FROM THE MAGNIFICENT VIEW TO THE SINGULAR IMAGE; The Reference Text; A Magnificent View; Two Verbalizations of the |Plain|; Objectivizing vs. Subjectivizing Seeing; The Conditions of Veridictory Judgment; The Denegation of Social Discourse and the Assertion of Individual Discourse
The Singular Image
Record Nr. UNINA-9910789873603321
Amsterdam, : J. Benjamins Pub. Co., 1989
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Paris school semiotics . II Practice [[electronic resource] /] / edited by Paul Perron & Frank Collins
Paris school semiotics . II Practice [[electronic resource] /] / edited by Paul Perron & Frank Collins
Pubbl/distr/stampa Amsterdam, : J. Benjamins Pub. Co., 1989
Descrizione fisica 1 online resource (241 p.)
Disciplina 001.51/0944
001.510944
Altri autori (Persone) PerronPaul
CollinsFrank
Collana Semiotic crossroads
Soggetto topico Semiotics - France
ISBN 1-283-42457-6
9786613424570
90-272-7837-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III.1. The Vegetable Soup; III.2. The Basil Sauce (Pistou); III.3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES
1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re-)contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The ""Roman charity"" scene in Poussin's La Manne; I. METHOD - OBJECT OF STUDY
I.1. Uttered enunciation - a point of access to the estheticI.2. ""Roman charity""; I.3. Philological digression; II. ADMIRATION; II.1. ""Admiration"" according to Descartes and Malebranche; II.2. A passion sequence: curiosity - ""admiration"" - consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. ""Admiration"" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity - divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel - the miracle - the mystery; III.6. Classical esthetics - Baroque esthetics
APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the ""News"" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I. A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. ""Public Opinion"" and ""Political Class""; II.2. The Public
II.3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III.1. A Polyvalent Operator; III.2. The Problematics of the Narrator; III.3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV.1. Following Public Opinion; IV.2. Defying Opinion; IV.3. Deceiving Public Opinion; IV.4. Facing Opinion; V. A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II.1. Global Segmentation
II.2. The Circulating Object
Record Nr. UNINA-9910789873803321
Amsterdam, : J. Benjamins Pub. Co., 1989
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Paris school semiotics . I Theory / / edited by Paul Perron & Frank Collins
Paris school semiotics . I Theory / / edited by Paul Perron & Frank Collins
Edizione [1st ed.]
Pubbl/distr/stampa Amsterdam, : J. Benjamins Pub. Co., 1989
Descrizione fisica 1 online resource (283 p.)
Disciplina 001.51/0944
001.510944
Altri autori (Persone) PerronPaul
CollinsFrank
Collana Semiotic crossroads
Soggetto topico Semiotics - France
ISBN 1-283-42458-4
9786613424587
90-272-7838-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto PARIS SCHOOL SEMIOTICS I. THEORY; Editorial page; Title page; Copyright page; Table of Contents; Introduction; Interfaces: The Care for a Project; Some Thoughts on this Intellectual Fare; Aspects of a Theory in Progress; NOTES; REFERENCES; I. Narrative Grammar, Actions and Passions; Greimas's Narrative Grammar; I. AT THE FUNDAMENTAL GRAMMAR LEVEL: THE FIRST STAGE OF ""NARRATIVIZATION""; Discussion; II. FROM THE FUNDAMENTAL GRAMMAR TO THE SURFACE NARRATIVE GRAMMAR: THE NARRATIVE UTTERANCE; Discussion; III. FROM THE NARRATIVE UTTERANCE TO THE NARRATIVE UNIT: ""PERFORMANCE""; Discussion
IV. THE LAST STAGE: THE PERFORMANCE SERIESDiscussion; NOTES; Prolegomenato a Theory of Action; I. INTRODUCTORY REMARKS; II. THE NARRATIVE PROGRAM AS MODEL OF REFERENCE FOR A THEORY OF THE FORMS OF ACTION; III. TOWARDS A RESTRICTED THEORY OF SIMPLE FORMS OF ACTION AND INTERACTION; IV. FROM THE ACTANTIAL LEVEL TO THE ACTORIAL LEVEL; NOTES; Toward an Anthropomorphic Narrative Topos; I. WHY THREE DIMENSIONS FOR NARRATIVE?; I.1. Empirical Reasons; I.2. Empirical reasons alone are not enough; I.3. Some Applications and Some Developments; II. DEVELOPING AN ANTHROPOMORPHIC NARRATIVE TOPOS
II.1. The Combinatory PrincipleII.2. Typology and Syntax; II.3. Overall Syntax of the thematico-narrative topos; III. APPLICATIONS; III.1. The Linguistic Manifest of the three dimensions; III.2. The Story of the Man who Set out to Learn about Fear; III.3. Aldo's Conversions in the ""Rivage des Syrtes""; IV. CONCLUSION; NOTES; II. Toward Discourse; Pragmatics and Semiotics Epistemological Observations; Pragmatics and Semiotics Some Semiotic Conditions of Interaction; NOTES; Narrativity and Discursivity Points of Reference and Problematics; I. INTRODUCTION; II. FUNDAMENTAL POSTULATES
II.1. The Principle of ImmanenceII.2. The Generative Process; II.3. The Structural Postulate; II.4. Narrative Transformation; III. NARRATTVITY RESTRICTED TO THE NARRATIVE; III.1. The Narrative Utterance; III.2. The Narrative Program; III.3.The Narrative Schema; IV. NARRATIVE EXTENDED TO DISCOURSE IN GENERAL; IV.1. The Development of Modal Structures; IV.2. The Importance of the Cognitive Dimension; IV.3. The Question of the Subject; V. SETTING INTO DISCOURSE: ENUNCIATION; V.1. The Enunciative Conception of Meaning; V.2. The Enunciative Operations; V.3. Enunciation in Semiotics
V.3.1. Setting into Discourse within the Generative TrajectoryV.3.2. The ""Narrativization of Enunciation""; V.3.3. Figurativization; VI. CONCLUSION; NOTES; Prolegomenato Modal Analysis The Enunciating Subject; I. PREDICATION; II. META-WANTING; III. THE FUNCTION OF RECOGNITION; NOTES; The Esthetic Gaze; I. FROM THE MAGNIFICENT VIEW TO THE SINGULAR IMAGE; The Reference Text; A Magnificent View; Two Verbalizations of the |Plain|; Objectivizing vs. Subjectivizing Seeing; The Conditions of Veridictory Judgment; The Denegation of Social Discourse and the Assertion of Individual Discourse
The Singular Image
Record Nr. UNINA-9910955733403321
Amsterdam, : J. Benjamins Pub. Co., 1989
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Paris school semiotics . II Practice / / edited by Paul Perron & Frank Collins
Paris school semiotics . II Practice / / edited by Paul Perron & Frank Collins
Edizione [1st ed.]
Pubbl/distr/stampa Amsterdam, : J. Benjamins Pub. Co., 1989
Descrizione fisica 1 online resource (241 p.)
Disciplina 001.51/0944
001.510944
Altri autori (Persone) PerronPaul
CollinsFrank
Collana Semiotic crossroads
Soggetto topico Semiotics - France
ISBN 1-283-42457-6
9786613424570
90-272-7837-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III.1. The Vegetable Soup; III.2. The Basil Sauce (Pistou); III.3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES
1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re-)contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The ""Roman charity"" scene in Poussin's La Manne; I. METHOD - OBJECT OF STUDY
I.1. Uttered enunciation - a point of access to the estheticI.2. ""Roman charity""; I.3. Philological digression; II. ADMIRATION; II.1. ""Admiration"" according to Descartes and Malebranche; II.2. A passion sequence: curiosity - ""admiration"" - consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. ""Admiration"" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity - divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel - the miracle - the mystery; III.6. Classical esthetics - Baroque esthetics
APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the ""News"" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I. A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. ""Public Opinion"" and ""Political Class""; II.2. The Public
II.3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III.1. A Polyvalent Operator; III.2. The Problematics of the Narrator; III.3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV.1. Following Public Opinion; IV.2. Defying Opinion; IV.3. Deceiving Public Opinion; IV.4. Facing Opinion; V. A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II.1. Global Segmentation
II.2. The Circulating Object
Record Nr. UNINA-9910968671203321
Amsterdam, : J. Benjamins Pub. Co., 1989
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