Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The Grand Union : accidental anarchists of downtown dance, 1970-1976 / / Wendy Perron
| The Grand Union : accidental anarchists of downtown dance, 1970-1976 / / Wendy Perron |
| Autore | Perron Wendy |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2020] |
| Descrizione fisica | 1 online resource (379 pages) |
| Disciplina | 792.80973 |
| Soggetto topico |
Dance companies - United States - History
Improvisation in dance - United States - History Modern dance - United States - History |
| ISBN | 0-8195-7933-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Anna Halprin, John Cage, and Judson Dance Theater -- Only in SoHo -- How Continuous project--altered daily broke open and made space for a Grand Union -- A shared sensibility -- Barbara Dilley -- Douglas Dunn -- David Gordon -- Steve Paxton -- Trisha Brown -- Nancy Lewis -- Yvonne Rainer -- Lincoln Scott and Becky Arnold -- First Walker Art Center residency, May 1971 -- Oberlin College residency, January 1972 -- The Dance Gallery Festival, Spring 1973 -- First LoGiudice video, May 1972 -- Third LoGiudice video, May 1972 -- Fourth LoGiudice video : from darkness to light -- Gender play and Iowa City, March 1974 -- Second Walker Art Center residency, October 1975 -- Public/private, real/not real -- Getting into the act : artists, children, dogs, critics, and hecklers -- Grand Union as laboratory -- The unraveling, or, as the top wobbles -- Epilogue and three lingering moments. |
| Record Nr. | UNINA-9910794004803321 |
Perron Wendy
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Grand Union : accidental anarchists of downtown dance, 1970-1976 / / Wendy Perron
| The Grand Union : accidental anarchists of downtown dance, 1970-1976 / / Wendy Perron |
| Autore | Perron Wendy |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2020] |
| Descrizione fisica | 1 online resource (379 pages) |
| Disciplina | 792.80973 |
| Soggetto topico |
Dance companies - United States - History
Improvisation in dance - United States - History Modern dance - United States - History |
| ISBN | 0-8195-7933-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Anna Halprin, John Cage, and Judson Dance Theater -- Only in SoHo -- How Continuous project--altered daily broke open and made space for a Grand Union -- A shared sensibility -- Barbara Dilley -- Douglas Dunn -- David Gordon -- Steve Paxton -- Trisha Brown -- Nancy Lewis -- Yvonne Rainer -- Lincoln Scott and Becky Arnold -- First Walker Art Center residency, May 1971 -- Oberlin College residency, January 1972 -- The Dance Gallery Festival, Spring 1973 -- First LoGiudice video, May 1972 -- Third LoGiudice video, May 1972 -- Fourth LoGiudice video : from darkness to light -- Gender play and Iowa City, March 1974 -- Second Walker Art Center residency, October 1975 -- Public/private, real/not real -- Getting into the act : artists, children, dogs, critics, and hecklers -- Grand Union as laboratory -- The unraveling, or, as the top wobbles -- Epilogue and three lingering moments. |
| Record Nr. | UNINA-9910828563003321 |
|
Perron Wendy
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Through the eyes of a dancer : selected writings / / Wendy Perron
| Through the eyes of a dancer : selected writings / / Wendy Perron |
| Autore | Perron Wendy |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2013] |
| Descrizione fisica | 1 online resource (xxiv, 343 pages) : illustrations |
| Disciplina | 792 |
| Soggetto topico |
Dance
Performing arts |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8195-7409-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction -- I. The Sixties -- One Route from Ballet to Postmodern -- II. The Seventies -- Barbara Lloyd (Dilley) -- Followable Dancing: Mary Overlie and David Gordon -- People Improvisation: Grand Union -- Consuming Determination: Lucinda Childs -- Older Is Better -- Exporting SoHo -- Improvisation: The Man Who Gets Away with It - Radio Host James Irsay -- Only an Illusion: On Street Performers -- Starting from Nothing: Michael Moschen -- Masters of Surprise: Baryshnikov and Astaire -- Interview with Susan Sontag: On Writing, Art, Feminism, Life, and Death -- Dumb Art: Beautiful but Not Too Bright -- III. The Eighties -- Bausch, Brecht, and Sex: Kontakthof by Pina Bausch -- The Structure of Seduction -- Book Review: The Intimate Act of Choreography -- The Holes in Tin Quiz - Notes on My Duet -- Containing Differences in Time - My Choreographic Process -- Shoot for the Moon, but Don't Aim Too Hard - On J. D. Salinger -- IV. The Nineties -- Beware the Egos of Critics -- Trisha Brown on Tour -- American Dance Guild Concert Review -- Love Is the Crooked Thing: Paris Opéra Ballet -- Book Review: Jill Johnston's Marmalade Me Reissued -- Looking Back on the "Embodiment of Ecstasy" - Sara Rudner -- The Power of Stripping Down to Nothingness - The Butoh Diaspora -- The New Russia: Sasha Pepelyaev's Kinetic Theatre --
V. From 2000 to 2004 -- Seeing Balanchine, Watching Whelan -- Merce at Martha @Mother - Richard Move -- Moving, Joyfully and Carefully, into Old Age -- An Improbable Pair on a Quest into the Past - Baryshnikov and Rainer -- Katherine Dunham: One - Woman Revolution -- Martha Clarke: Between Terror and Desire -- Misha's New Passion: Judson Dance Theater -- Living with AIDS: Six Dancers Share Their Stories -- Irina Loves Maxim - ABT's Russian Couple -- Twyla Tharp: Still Pushing the Boundaries -- The Struggle of the Black Artist to Dance Freely -- A Dance Turns Darker, Its Maker More American - Patricia Hoffbauer -- Paying Heed to the Mysteries of Trisha Brown -- East (Coast) Meets West (Coast): Eiko & Koma Collaborate with Anna Halprin -- Bill T. Jones Searches for Beauty, and a New Home -- Snip, Snip: Dance, Too, Needs Editing -- Batsheva Dance Company: Naharin's Virus -- Kirov Classics Hit and Miss -- Way Up High, Soaring, Floating, Diving, Dancing - Joanna Haigood -- Russia Makes Room for Contemporary Dance -- Wendy Whelan: The Edgy Ballerina -- VI . From 2004 to 2007 -- Tere O'Connor Dance -- Lori Belilove and the Isadora Duncan Dance Company -- Susan Marshall & Company -- Stan Won't Dance -- Urban Bush Women -- Miguel Gutierrez and the Powerful People -- American Ballet Theatre -- Book Review: Feelings Are Facts: A Life, by Yvonne Rainer -- New York City Ballet: Winter Season 2007 -- Enchanted by Cuba -- VII. From 2007 to 2012 -- A Brave, Illuminating, Terrific New Book - Carolyn Brown on Cunningham and Cage -- New York City Ballet: Winter Season 2008 -- New Works Festival: San Francisco Ballet -- Akram Khan’s Bahok -- Flamenco Master in Silence: Was Israel Galván Improvising? -- Trey McIntyre Project -- Pacific Northwest Ballet: All Tharp -- Boston Ballet: Diaghilev’s Ballets Russes Centennial Celebration -- Spoleto Festival (Festival dei 2Mondi) -- The Forsythe Company: Decreation -- Twyla’s New Musical Flies, But… -- International Exposure - The Tel Aviv Festival -- Lemi Ponifasio -- Necessary Weather (revival) - Dana Reitz and Sara Rudner -- Why Don’t Women Make Dances Like That Any More? -- Bloggin about the Process of Choreography - Ugh! -- The Times They Are A-Changin’ -- Biennale de la Danse de Lyon -- Ralph Lemon -- Crystal Pite -- Politeness: Is It Crucial to the Future of Ballet? -- National Ballet of Canada -- Is Appropriation the Same as Stealing and Why Is It Happening More Now? -- Is There a Blackout on Black Swan’s Dancing? -- Putting the Black Swan Blackout in Context -- Can a Floor Give You Spiritual Energy? Ask Jared Grimes -- Eiko & Koma: The Unnatural Side of Communing with Nature -- Merce’s Other Legacy -- A Debate on Snark -- The Joffrey Ballet. |
| Record Nr. | UNINA-9910464352903321 |
|
Perron Wendy
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Through the eyes of a dancer : selected writings / / Wendy Perron
| Through the eyes of a dancer : selected writings / / Wendy Perron |
| Autore | Perron Wendy |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2013] |
| Descrizione fisica | 1 online resource (xxiv, 343 pages) : illustrations |
| Disciplina | 792 |
| Soggetto topico |
Dance
Performing arts |
| ISBN | 0-8195-7409-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction -- I. The Sixties -- One Route from Ballet to Postmodern -- II. The Seventies -- Barbara Lloyd (Dilley) -- Followable Dancing: Mary Overlie and David Gordon -- People Improvisation: Grand Union -- Consuming Determination: Lucinda Childs -- Older Is Better -- Exporting SoHo -- Improvisation: The Man Who Gets Away with It - Radio Host James Irsay -- Only an Illusion: On Street Performers -- Starting from Nothing: Michael Moschen -- Masters of Surprise: Baryshnikov and Astaire -- Interview with Susan Sontag: On Writing, Art, Feminism, Life, and Death -- Dumb Art: Beautiful but Not Too Bright -- III. The Eighties -- Bausch, Brecht, and Sex: Kontakthof by Pina Bausch -- The Structure of Seduction -- Book Review: The Intimate Act of Choreography -- The Holes in Tin Quiz - Notes on My Duet -- Containing Differences in Time - My Choreographic Process -- Shoot for the Moon, but Don't Aim Too Hard - On J. D. Salinger -- IV. The Nineties -- Beware the Egos of Critics -- Trisha Brown on Tour -- American Dance Guild Concert Review -- Love Is the Crooked Thing: Paris Opéra Ballet -- Book Review: Jill Johnston's Marmalade Me Reissued -- Looking Back on the "Embodiment of Ecstasy" - Sara Rudner -- The Power of Stripping Down to Nothingness - The Butoh Diaspora -- The New Russia: Sasha Pepelyaev's Kinetic Theatre --
V. From 2000 to 2004 -- Seeing Balanchine, Watching Whelan -- Merce at Martha @Mother - Richard Move -- Moving, Joyfully and Carefully, into Old Age -- An Improbable Pair on a Quest into the Past - Baryshnikov and Rainer -- Katherine Dunham: One - Woman Revolution -- Martha Clarke: Between Terror and Desire -- Misha's New Passion: Judson Dance Theater -- Living with AIDS: Six Dancers Share Their Stories -- Irina Loves Maxim - ABT's Russian Couple -- Twyla Tharp: Still Pushing the Boundaries -- The Struggle of the Black Artist to Dance Freely -- A Dance Turns Darker, Its Maker More American - Patricia Hoffbauer -- Paying Heed to the Mysteries of Trisha Brown -- East (Coast) Meets West (Coast): Eiko & Koma Collaborate with Anna Halprin -- Bill T. Jones Searches for Beauty, and a New Home -- Snip, Snip: Dance, Too, Needs Editing -- Batsheva Dance Company: Naharin's Virus -- Kirov Classics Hit and Miss -- Way Up High, Soaring, Floating, Diving, Dancing - Joanna Haigood -- Russia Makes Room for Contemporary Dance -- Wendy Whelan: The Edgy Ballerina -- VI . From 2004 to 2007 -- Tere O'Connor Dance -- Lori Belilove and the Isadora Duncan Dance Company -- Susan Marshall & Company -- Stan Won't Dance -- Urban Bush Women -- Miguel Gutierrez and the Powerful People -- American Ballet Theatre -- Book Review: Feelings Are Facts: A Life, by Yvonne Rainer -- New York City Ballet: Winter Season 2007 -- Enchanted by Cuba -- VII. From 2007 to 2012 -- A Brave, Illuminating, Terrific New Book - Carolyn Brown on Cunningham and Cage -- New York City Ballet: Winter Season 2008 -- New Works Festival: San Francisco Ballet -- Akram Khan’s Bahok -- Flamenco Master in Silence: Was Israel Galván Improvising? -- Trey McIntyre Project -- Pacific Northwest Ballet: All Tharp -- Boston Ballet: Diaghilev’s Ballets Russes Centennial Celebration -- Spoleto Festival (Festival dei 2Mondi) -- The Forsythe Company: Decreation -- Twyla’s New Musical Flies, But… -- International Exposure - The Tel Aviv Festival -- Lemi Ponifasio -- Necessary Weather (revival) - Dana Reitz and Sara Rudner -- Why Don’t Women Make Dances Like That Any More? -- Bloggin about the Process of Choreography - Ugh! -- The Times They Are A-Changin’ -- Biennale de la Danse de Lyon -- Ralph Lemon -- Crystal Pite -- Politeness: Is It Crucial to the Future of Ballet? -- National Ballet of Canada -- Is Appropriation the Same as Stealing and Why Is It Happening More Now? -- Is There a Blackout on Black Swan’s Dancing? -- Putting the Black Swan Blackout in Context -- Can a Floor Give You Spiritual Energy? Ask Jared Grimes -- Eiko & Koma: The Unnatural Side of Communing with Nature -- Merce’s Other Legacy -- A Debate on Snark -- The Joffrey Ballet. |
| Record Nr. | UNINA-9910789577503321 |
|
Perron Wendy
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Through the eyes of a dancer : selected writings / / Wendy Perron
| Through the eyes of a dancer : selected writings / / Wendy Perron |
| Autore | Perron Wendy |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2013] |
| Descrizione fisica | 1 online resource (xxiv, 343 pages) : illustrations |
| Disciplina | 792 |
| Soggetto topico |
Dance
Performing arts |
| ISBN | 0-8195-7409-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction -- I. The Sixties -- One Route from Ballet to Postmodern -- II. The Seventies -- Barbara Lloyd (Dilley) -- Followable Dancing: Mary Overlie and David Gordon -- People Improvisation: Grand Union -- Consuming Determination: Lucinda Childs -- Older Is Better -- Exporting SoHo -- Improvisation: The Man Who Gets Away with It - Radio Host James Irsay -- Only an Illusion: On Street Performers -- Starting from Nothing: Michael Moschen -- Masters of Surprise: Baryshnikov and Astaire -- Interview with Susan Sontag: On Writing, Art, Feminism, Life, and Death -- Dumb Art: Beautiful but Not Too Bright -- III. The Eighties -- Bausch, Brecht, and Sex: Kontakthof by Pina Bausch -- The Structure of Seduction -- Book Review: The Intimate Act of Choreography -- The Holes in Tin Quiz - Notes on My Duet -- Containing Differences in Time - My Choreographic Process -- Shoot for the Moon, but Don't Aim Too Hard - On J. D. Salinger -- IV. The Nineties -- Beware the Egos of Critics -- Trisha Brown on Tour -- American Dance Guild Concert Review -- Love Is the Crooked Thing: Paris Opéra Ballet -- Book Review: Jill Johnston's Marmalade Me Reissued -- Looking Back on the "Embodiment of Ecstasy" - Sara Rudner -- The Power of Stripping Down to Nothingness - The Butoh Diaspora -- The New Russia: Sasha Pepelyaev's Kinetic Theatre --
V. From 2000 to 2004 -- Seeing Balanchine, Watching Whelan -- Merce at Martha @Mother - Richard Move -- Moving, Joyfully and Carefully, into Old Age -- An Improbable Pair on a Quest into the Past - Baryshnikov and Rainer -- Katherine Dunham: One - Woman Revolution -- Martha Clarke: Between Terror and Desire -- Misha's New Passion: Judson Dance Theater -- Living with AIDS: Six Dancers Share Their Stories -- Irina Loves Maxim - ABT's Russian Couple -- Twyla Tharp: Still Pushing the Boundaries -- The Struggle of the Black Artist to Dance Freely -- A Dance Turns Darker, Its Maker More American - Patricia Hoffbauer -- Paying Heed to the Mysteries of Trisha Brown -- East (Coast) Meets West (Coast): Eiko & Koma Collaborate with Anna Halprin -- Bill T. Jones Searches for Beauty, and a New Home -- Snip, Snip: Dance, Too, Needs Editing -- Batsheva Dance Company: Naharin's Virus -- Kirov Classics Hit and Miss -- Way Up High, Soaring, Floating, Diving, Dancing - Joanna Haigood -- Russia Makes Room for Contemporary Dance -- Wendy Whelan: The Edgy Ballerina -- VI . From 2004 to 2007 -- Tere O'Connor Dance -- Lori Belilove and the Isadora Duncan Dance Company -- Susan Marshall & Company -- Stan Won't Dance -- Urban Bush Women -- Miguel Gutierrez and the Powerful People -- American Ballet Theatre -- Book Review: Feelings Are Facts: A Life, by Yvonne Rainer -- New York City Ballet: Winter Season 2007 -- Enchanted by Cuba -- VII. From 2007 to 2012 -- A Brave, Illuminating, Terrific New Book - Carolyn Brown on Cunningham and Cage -- New York City Ballet: Winter Season 2008 -- New Works Festival: San Francisco Ballet -- Akram Khan’s Bahok -- Flamenco Master in Silence: Was Israel Galván Improvising? -- Trey McIntyre Project -- Pacific Northwest Ballet: All Tharp -- Boston Ballet: Diaghilev’s Ballets Russes Centennial Celebration -- Spoleto Festival (Festival dei 2Mondi) -- The Forsythe Company: Decreation -- Twyla’s New Musical Flies, But… -- International Exposure - The Tel Aviv Festival -- Lemi Ponifasio -- Necessary Weather (revival) - Dana Reitz and Sara Rudner -- Why Don’t Women Make Dances Like That Any More? -- Bloggin about the Process of Choreography - Ugh! -- The Times They Are A-Changin’ -- Biennale de la Danse de Lyon -- Ralph Lemon -- Crystal Pite -- Politeness: Is It Crucial to the Future of Ballet? -- National Ballet of Canada -- Is Appropriation the Same as Stealing and Why Is It Happening More Now? -- Is There a Blackout on Black Swan’s Dancing? -- Putting the Black Swan Blackout in Context -- Can a Floor Give You Spiritual Energy? Ask Jared Grimes -- Eiko & Koma: The Unnatural Side of Communing with Nature -- Merce’s Other Legacy -- A Debate on Snark -- The Joffrey Ballet. |
| Record Nr. | UNINA-9910828569003321 |
|
Perron Wendy
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||