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A companion to digital art / / edited by Christiane Paul
| A companion to digital art / / edited by Christiane Paul |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Chichester, West Sussex : , : John Wiley & Sons Inc., , 2016 |
| Descrizione fisica | 1 online resource (xviii, 608 pages) : illustrations (chiefly color) |
| Disciplina | 776 |
| Collana | Wiley Blackwell Companions to Art History |
| Soggetto topico | Computer art |
| ISBN |
1-78684-876-7
1-119-22574-4 1-118-47518-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page ; Copyright Page; Contents; List of Figures; Notes on Contributors ; Acknowledgments; Introduction: From Digital to Post-Digital-Evolutions of an Art Form ; Histories of Digital Art ; Network Cultures: The Politics of Digital Art ; Digital Art and the Institution ; Note ; References ; Part I Histories of Digital Art ; Chapter 1 The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities ; Introduction; Media Art's Revolution?; Media Art's Multifarious Potential for Complex Expression; Media Art and the Humanities
Image Science: From the Image Atlas to the Virtual MuseumArt History-Visual Studies-Image Science; Complex Imagery; Collective Strategies: New Tools for the Humanities; The Archive of Digital Art (formerly Database of Virtual Art); Bridging the Gap: New Developments in Thesaurus Research; Media Art Education; The Problem of Media Art Documentation Today-Future Needs; A New Structure for Media Art Research; Notes; References ; Further Reading ; Chapter 2 International Networks of Early Digital Arts ; The IT Sector as Capitalist Dream of Growth The Emergence of Digital Arts and Related NetworksBridging Analog and Digital Art in New Tendencies; Digital Art Networks of the 1980s; Is It Possible to Organize a Meta-Network? ; Conclusion; Notes ; References ; Further Reading ; Chapter 3 Art in the Rear-View Mirror: The Media-Archaeological Tradition in Art ; Artists and Media Archaeology-Before the Beginnings; Art, Technology, and the Past in the 1950s and 1960s; Avant-Garde Cinema, New Film Historicism, and Archaeologies of Projection ; New Media Art, Media Archaeology, and Female Media Artists Alternative Archaeologies of Moving Images and Sounds: Toshio Iwai and Paul DeMarinisConclusion: The Media-Archaeological Turn ; Notes; References ; Further Reading ; Chapter 4 Proto-Media Art: Revisiting Japanese Postwar Avant-garde Art ; An Overview of Postwar Avant-garde Art ; Collectives, Exhibitions, and Organizations; East Asian Avant-garde Art after World War II ; From Experimental Art to Digital Media Art; Notes; References; Chapter 5 Generative Art Theory ; Introduction; What Is Generative Art?; Complexity, Systems, and Generative Art; The Future of Generative Art; Notes ; References Chapter 6 Digital Art at the Interface of Technology and Feminism Exclusions and Exceptions; Inclusions; Cyberfeminist Critique; Networking Communities; Hacktivist Pedagogy; Representation, Change, and Fabriculture; References ; Further Reading ; Chapter 7 The Hauntology of the Digital Image ; Notes; References; Chapter 8 Participatory Art: Histories and Experiences of Display ; A First Thesis; A Second Thesis; A Third Thesis; Four Case Studies of Dynamic Displays; Conclusion: Toward an Art of Participation; Notes; References; Part II Aesthetics of Digital Art Chapter 9 Small Abstract Aesthetics |
| Record Nr. | UNINA-9910136351303321 |
| Chichester, West Sussex : , : John Wiley & Sons Inc., , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Context providers [[electronic resource] ] : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna
| Context providers [[electronic resource] ] : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna |
| Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
700.1
709/.04 |
| Altri autori (Persone) |
LovejoyMargot
PaulChristiane BulajićViktorija Vesna |
| Soggetto topico |
Art, Modern - 21st century
Art, Modern - 20th century Art and society Digital art Creation (Literary, artistic, etc.) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-16289-X
9786613162892 1-84150-539-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part Three; Introduction; Part One; Defining Conditions For Digital Arts: Social Function, Authorship, and Audience; Missing In Action: Agency and Meaning In Interactive Art; Collaborative Systems: Redefining Public Art; Play, Participation, and Art: Blurring the Edges; Part Two; Contextual Networks: Data, Identity, and Collective Production; Aesthetics of Information Visualization; Identity Operated In New Mode: Context and Body/Space/Time; Game Engines As Creative Frameworks; Mapping the Collective
Shifting Media Contexts: When Scientific Labs Become Art StudiosBiotechnical Art and the Ethico-Aesthetic Paradigm; Working With Wetware; Defining Life: Artists Challenge Conventional Classifications; Art and Science Research: Active Contexts and Discourses; Index; Biographies; Back Cover |
| Record Nr. | UNINA-9910456799703321 |
| Bristol ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Context providers [[electronic resource] ] : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna
| Context providers [[electronic resource] ] : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna |
| Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
700.1
709/.04 |
| Altri autori (Persone) |
LovejoyMargot
PaulChristiane BulajićViktorija Vesna |
| Soggetto topico |
Art, Modern - 21st century
Art, Modern - 20th century Art and society Digital art Creation (Literary, artistic, etc.) |
| ISBN |
1-283-16289-X
9786613162892 1-84150-539-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part Three; Introduction; Part One; Defining Conditions For Digital Arts: Social Function, Authorship, and Audience; Missing In Action: Agency and Meaning In Interactive Art; Collaborative Systems: Redefining Public Art; Play, Participation, and Art: Blurring the Edges; Part Two; Contextual Networks: Data, Identity, and Collective Production; Aesthetics of Information Visualization; Identity Operated In New Mode: Context and Body/Space/Time; Game Engines As Creative Frameworks; Mapping the Collective
Shifting Media Contexts: When Scientific Labs Become Art StudiosBiotechnical Art and the Ethico-Aesthetic Paradigm; Working With Wetware; Defining Life: Artists Challenge Conventional Classifications; Art and Science Research: Active Contexts and Discourses; Index; Biographies; Back Cover |
| Record Nr. | UNINA-9910781215503321 |
| Bristol ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Context providers : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna
| Context providers : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
700.1
709/.04 |
| Altri autori (Persone) |
LovejoyMargot
PaulChristiane BulajićViktorija Vesna |
| Soggetto topico |
Art, Modern - 21st century
Art, Modern - 20th century Art and society Digital art Creation (Literary, artistic, etc.) |
| ISBN |
1-283-16289-X
9786613162892 1-84150-539-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part Three; Introduction; Part One; Defining Conditions For Digital Arts: Social Function, Authorship, and Audience; Missing In Action: Agency and Meaning In Interactive Art; Collaborative Systems: Redefining Public Art; Play, Participation, and Art: Blurring the Edges; Part Two; Contextual Networks: Data, Identity, and Collective Production; Aesthetics of Information Visualization; Identity Operated In New Mode: Context and Body/Space/Time; Game Engines As Creative Frameworks; Mapping the Collective
Shifting Media Contexts: When Scientific Labs Become Art StudiosBiotechnical Art and the Ethico-Aesthetic Paradigm; Working With Wetware; Defining Life: Artists Challenge Conventional Classifications; Art and Science Research: Active Contexts and Discourses; Index; Biographies; Back Cover |
| Record Nr. | UNINA-9910825760903321 |
| Bristol ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||