Listening to China’s Cultural Revolution : Music, Politics, and Cultural Continuities / / edited by Laikwan Pang, Paul Clark, Tsan-Huang Tsai |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (284 pages) |
Disciplina | 306.4842095109046 |
Collana | Chinese Literature and Culture in the World |
Soggetto topico |
Oriental literature
Ethnology—Asia Asia—History Music Arts Civilization—History Asian Literature Asian Culture Asian History Cultural History |
ISBN | 1-137-46357-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-Title; Series; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction; Part I Temporality: Continuity and Change in Cultural Revolution Music; 1 A Diachronic Study of Jingju Yangbanxi Model Peking Opera Music; 2 From Confucianist Meditative Tool to Maoist Revolutionary Weapon: The Seven-Stringed Zither (Qin) in the Cultural Revolution; 3 Breaking Bad: Sabotaging the Production of the Hero in the Amateur Performance of Yangbanxi; 4 Third World Internationalism: Films and Operas in the Chinese Cultural Revolution
5 Singing in the Dark: Film and Cultural Revolution Musical CulturePart II Geography: Transplantation and the Making of Regional Yangbanxi; 6 Dialects as Untamable: How to Revolutionize Cantonese Opera?; 7 The West Is Red: Uyghur Adaptation of The Legend of the Red Lantern (Qizil Chiragh) during China's Cultural Revolution; 8 The Dragon River Reaches the Borders: The Rehabilitation of Ethnic Music in a Model Opera; Part III Lineages and Legacies: Cultural Revolution Soundscapes beyond the Mao Era; 9 Musical-Dramatic Experimentation in the Yangbanxi : A Case for Precedence in The Great Wall 10 Sonic Imaginary after the Cultural Revolution11 Just Beat It! Popular Legacies of Cultural Revolution Music; About the Authors; Index |
Record Nr. | UNINA-9910253322203321 |
New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Masculinities and Hong Kong cinema [[electronic resource] /] / edited by Laikwan Pang & Day Wong |
Pubbl/distr/stampa | Hong Kong, : Hong Kong University Press, c2005 |
Descrizione fisica | xi, 342 p |
Disciplina | 791.43653095125 |
Altri autori (Persone) |
PangLaikwan
WongDay |
Soggetto topico |
Motion pictures - China - Hong Kong - History
Masculinity in motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN |
988-220-222-5
1-282-70495-8 9786612704956 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910456896203321 |
Hong Kong, : Hong Kong University Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Masculinities and Hong Kong cinema [[electronic resource] /] / edited by Laikwan Pang & Day Wong |
Pubbl/distr/stampa | Hong Kong, : Hong Kong University Press, c2005 |
Descrizione fisica | xi, 342 p |
Disciplina | 791.43653095125 |
Altri autori (Persone) |
PangLaikwan
WongDay |
Soggetto topico |
Motion pictures - China - Hong Kong - History
Masculinity in motion pictures |
ISBN |
988-220-222-5
1-282-70495-8 9786612704956 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910781298003321 |
Hong Kong, : Hong Kong University Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Masculinities and Hong Kong cinema / / edited by Laikwan Pang & Day Wong |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hong Kong, : Hong Kong University Press, c2005 |
Descrizione fisica | xi, 342 p |
Disciplina | 791.43653095125 |
Altri autori (Persone) |
PangLaikwan
WongDay |
Soggetto topico |
Motion pictures - China - Hong Kong - History
Masculinity in motion pictures |
ISBN |
988-220-222-5
1-282-70495-8 9786612704956 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Intro -- Contents -- Acknowledgements -- Contributors -- Introduction -- Part I - History and Lineage -- 1.Making Movies Male: Zhang Che and the Shaw Brothers Martial Arts Movies, 1965-1975 -- 2.Post-1997 Hong Kong Masculinity -- 3.Queering Masculinity in Hong Kong Movies -- 4.Unsung Heroes: Reading Transgender Subjectivities in Hong Kong Action Cinema -- Part II - Transnational Significations -- 5.Kung Fu Films in Diaspora: Death of the Bamboo Hero -- 6.Obtuse Music and Nebulous Males: The Haunting Presence of Taiwan in Hong Kong Films of the 1990s -- 7.Fighting Female Masculinity: Women Warriors and Their Foreignness in Hong Kong Action Cinema of the 1980s -- 8.An Unworthy Subject: Slaughter, Cannibalism and Postcoloniality -- Part III - Production, Reception, and Mediation -- 9.Bringing Breasts into the Mainstream -- 10.Post-Fordist Production and the Re-appropriation of Hong Kong Masculinity in Hollywood -- 11.Masculinities in Self-Invention: Critics' Discourses on Kung Fu-Action Movies and Comedies -- 12.Women's Reception of Mainstream Hong Kong Cinema -- Notes -- Glossary -- Bibliography -- Index. |
Record Nr. | UNINA-9910825784603321 |
Hong Kong, : Hong Kong University Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|