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Doing Shakespeare [[electronic resource] /] / Simon Palfrey
| Doing Shakespeare [[electronic resource] /] / Simon Palfrey |
| Autore | Palfrey Simon |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London, : Arden Shakespeare, 2011 |
| Descrizione fisica | 1 online resource (372 p.) |
| Disciplina | 822.33 |
| Collana | The Arden Shakespeare |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4081-3915-4
1-283-19461-9 9786613194619 1-4081-3914-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Shakespeare's difficulty and excessiveness -- pt. 2. Words as action -- pt. 3. Making characters -- pt. 4. In search of the individual. |
| Record Nr. | UNINA-9910461067803321 |
Palfrey Simon
|
||
| London, : Arden Shakespeare, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Doing Shakespeare / / Simon Palfrey
| Doing Shakespeare / / Simon Palfrey |
| Autore | Palfrey Simon |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | London, England : , : Arden Shakespeare : , , 2011 |
| Descrizione fisica | 1 online resource (xv, 355 pages) |
| Disciplina | 822.33 |
| Collana | The Arden Shakespeare |
| Soggetto topico | Shakespeare studies & criticism |
| ISBN |
1-4081-3915-4
1-283-19461-9 9786613194619 1-4081-3914-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Shakespeare's difficulty and excessiveness -- pt. 2. Words as action -- pt. 3. Making characters -- pt. 4. In search of the individual. |
| Record Nr. | UNINA-9910789523703321 |
|
Palfrey Simon
|
||
| London, England : , : Arden Shakespeare : , , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Doing Shakespeare / / Simon Palfrey
| Doing Shakespeare / / Simon Palfrey |
| Autore | Palfrey Simon |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | London, England : , : Arden Shakespeare : , , 2011 |
| Descrizione fisica | 1 online resource (xv, 355 pages) |
| Disciplina | 822.33 |
| Collana | The Arden Shakespeare |
| Soggetto topico | Shakespeare studies & criticism |
| ISBN |
1-4081-3915-4
1-283-19461-9 9786613194619 1-4081-3914-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Shakespeare's difficulty and excessiveness -- pt. 2. Words as action -- pt. 3. Making characters -- pt. 4. In search of the individual. |
| Record Nr. | UNINA-9910814946703321 |
|
Palfrey Simon
|
||
| London, England : , : Arden Shakespeare : , , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shakespeare in parts [[electronic resource] /] / Simon Palfrey and Tiffany Stern
| Shakespeare in parts [[electronic resource] /] / Simon Palfrey and Tiffany Stern |
| Autore | Palfrey Simon |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, 2007 |
| Descrizione fisica | 1 online resource (560 p.) |
| Disciplina | 822.33 |
| Altri autori (Persone) | SternTiffany |
| Soggetto topico | Theater - England - History - 17th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-959110-5
9786611164492 1-281-16449-6 1-4356-1409-7 0-19-153401-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; Textual Notes; Introduction; I. HISTORY; 1. The Actor's Part; Early Modern Professional Parts; The University Parts; The Restoration Part; Later Parts; Twentieth-Century Parts; 2. The Actors; Casting; Typecasting; 'Becoming' the Part; Doubling and Vizards; 3. Rehearsing and Performing; The Reading; The Distribution of Parts; Learning Parts; Instruction; Rehearsal; Performance and the Prompter; Performances and Repeated Performances; II. INTERPRETING CUES; 4. History of the Cue; The Cue; Length of Cue; 5. Interpreting Shakespeare's Cues: Introduction
6. Cues and CharacterizationEarly and Inaugurating Cues; Transitional Cues; Recurring Cues; Conclusion; 7. Waiting and Suddenness: The Part in Time; Ellipses and Plotting a Part; Set-Piece: Macduff; Cued Action; Set-Piece: Bertram; Short-Line Cues; Conclusion; III. REPEATED CUES; 8. Introduction; 9. From Crowds to Clowns; Crowds; Clowns; Set-Piece: Malvolio; 10. Comi-tragic/Tragi-comic Pathos; Mercutio; 11. The Battle for the Cue-Space: The Merchant of Venice; Shylock's Repetitions; Cues and Power; Cues and Comic Uncertainty; The Trial Scene; Conclusion; 12. Tragedy Tragic Bathos: Romeo and JulietTragic Pathos; Julius Caesar; Hamlet; Troilus and Cressida; Othello; Lady Macbeth; 13. The Cue-Space in King Lear; Gloucester; Poor Tom; Edgar and Gloucester; The 'Mad' Lear; Cordelia; The Final Scene; 14. Post-Tragic Effects; Antony and Cleopatra; Imogen in Cymbeline; 15. The Cue-Space in The Tempest; Cueing the Scene; Miranda; Ariel; Caliban (1); Ferdinand; Antonio and Sebastian; Caliban (2); Conclusion; IV. THE ACTOR WITH HIS PART; 16. History; Interpreting Parts: Emotions; Playwrights and Emotions; Parts and Emphasis; Parts and Action; 17. Dramatic Prosody IntroductionVerse/Prose; Rhyme; Short Speech Units (Short Lines, Midline Switches); 18. Prosodic Switches: Pauses, Prompts, and Soliloquies; Romeo and Juliet; Gloucester/Richard III; Richard II; 19. Midline Shifts in 'Mature' Shakespeare: From Actorly Instruction to 'Virtual' Presence; 20. Case Studies: Five Romantic Heroines and Three Lonely Men; Portia; Rosalind; Olivia; Helena (All's Well That Ends Well); Isabella; Mercutio; Shylock; Macbeth; Notes; Bibliography; Index; Index of Shakespearean Parts by Character; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; General Index AB; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W |
| Record Nr. | UNINA-9910465616003321 |
|
Palfrey Simon
|
||
| Oxford, : Oxford University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shakespeare in parts [[electronic resource] /] / Simon Palfrey and Tiffany Stern
| Shakespeare in parts [[electronic resource] /] / Simon Palfrey and Tiffany Stern |
| Autore | Palfrey Simon |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, 2007 |
| Descrizione fisica | xii, 545 p. : ill |
| Disciplina | 822.33 |
| Altri autori (Persone) | SternTiffany |
| Soggetto topico | Theater - England - History - 17th century |
| ISBN |
9780191534010
0191534013 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795849203321 |
|
Palfrey Simon
|
||
| Oxford, : Oxford University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shakespeare in parts [[electronic resource] /] / Simon Palfrey and Tiffany Stern
| Shakespeare in parts [[electronic resource] /] / Simon Palfrey and Tiffany Stern |
| Autore | Palfrey Simon |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, 2007 |
| Descrizione fisica | xii, 545 p. : ill |
| Disciplina | 822.33 |
| Altri autori (Persone) | SternTiffany |
| Soggetto topico | Theater - England - History - 17th century |
| ISBN |
9780191534010
0191534013 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- List of Illustrations -- Textual Notes -- Introduction -- I. HISTORY -- 1. The Actor's Part -- Early Modern Professional Parts -- The University Parts -- The Restoration Part -- Later Parts -- Twentieth-Century Parts -- 2. The Actors -- Casting -- Typecasting -- 'Becoming' the Part -- Doubling and Vizards -- 3. Rehearsing and Performing -- The Reading -- The Distribution of Parts -- Learning Parts -- Instruction -- Rehearsal -- Performance and the Prompter -- Performances and Repeated Performances -- II. INTERPRETING CUES -- 4. History of the Cue -- The Cue -- Length of Cue -- 5. Interpreting Shakespeare's Cues: Introduction -- 6. Cues and Characterization -- Early and Inaugurating Cues -- Transitional Cues -- Recurring Cues -- Conclusion -- 7. Waiting and Suddenness: The Part in Time -- Ellipses and Plotting a Part -- Set-Piece: Macduff -- Cued Action -- Set-Piece: Bertram -- Short-Line Cues -- Conclusion -- III. REPEATED CUES -- 8. Introduction -- 9. From Crowds to Clowns -- Crowds -- Clowns -- Set-Piece: Malvolio -- 10. Comi-tragic/Tragi-comic Pathos -- Mercutio -- 11. The Battle for the Cue-Space: The Merchant of Venice -- Shylock's Repetitions -- Cues and Power -- Cues and Comic Uncertainty -- The Trial Scene -- Conclusion -- 12. Tragedy -- Tragic Bathos: Romeo and Juliet -- Tragic Pathos -- Julius Caesar -- Hamlet -- Troilus and Cressida -- Othello -- Lady Macbeth -- 13. The Cue-Space in King Lear -- Gloucester -- Poor Tom -- Edgar and Gloucester -- The 'Mad' Lear -- Cordelia -- The Final Scene -- 14. Post-Tragic Effects -- Antony and Cleopatra -- Imogen in Cymbeline -- 15. The Cue-Space in The Tempest -- Cueing the Scene -- Miranda -- Ariel -- Caliban (1) -- Ferdinand -- Antonio and Sebastian -- Caliban (2) -- Conclusion -- IV. THE ACTOR WITH HIS PART -- 16. History -- Interpreting Parts: Emotions.
Playwrights and Emotions -- Parts and Emphasis -- Parts and Action -- 17. Dramatic Prosody -- Introduction -- Verse/Prose -- Rhyme -- Short Speech Units (Short Lines, Midline Switches) -- 18. Prosodic Switches: Pauses, Prompts, and Soliloquies -- Romeo and Juliet -- Gloucester/Richard III -- Richard II -- 19. Midline Shifts in 'Mature' Shakespeare: From Actorly Instruction to 'Virtual' Presence -- 20. Case Studies: Five Romantic Heroines and Three Lonely Men -- Portia -- Rosalind -- Olivia -- Helena (All's Well That Ends Well) -- Isabella -- Mercutio -- Shylock -- Macbeth -- Notes -- Bibliography -- Index -- Index of Shakespearean Parts by Character -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- General Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. |
| Record Nr. | UNINA-9910812766303321 |
|
Palfrey Simon
|
||
| Oxford, : Oxford University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||