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Musicians' mobilities and music migrations in early modern Europe : biographical patterns and cultural exchanges / / Gesa zur Nieden, Berthold Over (editors)
| Musicians' mobilities and music migrations in early modern Europe : biographical patterns and cultural exchanges / / Gesa zur Nieden, Berthold Over (editors) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, Germany : , : Transcript, , [2016] |
| Descrizione fisica | 1 online resource (429 pages) : illustrations, tables |
| Disciplina | 900 |
| Collana | Mainzer Historische Kulturwissenschaften |
| Soggetto topico |
Music - Social aspects - Europe
Music - Europe - 17th century - History and criticism Music - Europe - 18th century - History and criticism |
| Soggetto non controllato |
Baroque
Cultural History Early Modern History History Migration Mobility Music History Musicology |
| ISBN | 3-8394-3504-8 |
| Classificazione | LP 19504 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Editorial 2 Content 5 Preface 9 Roads "which are commonly wonderful for the musicians" - Early Modern Times Musicians' Mobility and Migration 11 Migration and Biography The Case of Agostino Steffani 35 "try it elsewhere [...]" - Konrad Hagius and Musician's Mobility in Early Modern Times in Light of Local and Regional Profile 51 Competition at the Catholic Court of Munich Italian Musicians and Family Networks 73 From Munich to 'Foreign' Lands and Back Again Relocation of the Munich Court and Migration of Musicians (c. 1690-1715) 91 Migratory and Traveling Musicians at the Polish Royal Courts in the 17th Century The Case of Kaspar Förster the Younger 135 Foreign Musicians at the Polish Court in the Eighteenth Century The Case of Pietro Mira 151 Luka Sorgo - a Nobleman and Composer from Dubrovnik 171 MUSICI and MusMig Continuities and Discontinuities 185 Musical Travels Sources of Musicians' Tours and Migrations in the Seventeenth and Eighteenth Century 207 " und bißhero mein Glück in der Welt zu suchen " - Notes on the Biography of Jonas Friederich Boenicke 227 The Russian Experience The Example of Filippo Balatri 241 Soloists of the Opera Productions in Brno, Holeov, Kromí and Vykov Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I) 255 Vienna Kärntnertortheater Singers in the Letters from Georg Adam Hoffmann to Count Johann Adam von Questenberg Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II) 275 Estienne Roger's Foreign Composers 295 From "Sonate a quattro" to "Concertos in Seven Parts" The Acclimatization of Two Compositions by Francesco Scarlatti 311 Spread of Italian Libretti Maria Clementina Sobieska Stuart - a Patron of Roman Operas 323 Migrations of Musical Repertoire The Attems Music Collection from Around 1744 341 The Case of Juraj Kriani (1619-1683?) - His Texts on Music. From Artefacts to Cultural Study (Croatian Writers on Music and The Transfer of Ideas in Their New Environments) 379 People and Places in a (Music) Source. A Case Study of Giuseppe Michele Stratico and His Theoretical Treatises (Croatian Writers on Music and Transfer of Ideas in Their New Environments) 389 List of Contributors 403 Index of Persons 409 Index of Places 425 |
| Record Nr. | UNISA-996308792503316 |
| Bielefeld, Germany : , : Transcript, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden
| Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (798 p.) |
| Disciplina | 782.109033 |
| Collana | Mainzer Historische Kulturwissenschaften |
| Soggetto topico | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
| Soggetto non controllato |
Art History
Art Arts Cultural History European Art Fine Arts Music Aesthetics Pastiche Work Concept |
| ISBN | 3-8394-4885-9 |
| Classificazione | LR 54171 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
| Record Nr. | UNISA-996509963903316 |
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||