Art Crime in Context [[electronic resource] /] / edited by Naomi Oosterman, Donna Yates |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2023 |
Descrizione fisica | 1 online resource (229 pages) |
Disciplina | 060 |
Collana | Studies in Art, Heritage, Law and the Market |
Soggetto topico |
Private international law
Conflict of laws International law Comparative law Criminal law Criminology Cultural property Archaeology Organized crime Private International Law, International and Foreign Law, Comparative Law Criminal Law and Criminal Procedure Law Cultural Heritage Illicit Trade and Treasure Hunting Organized Crime |
ISBN | 3-031-14084-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Assay-ssination: Reflections on the Cost of Jewellery and Gem Crime -- Design crime in context: Mass-manufactured design, design-as-art, and Chandigarh’s modernist furniture -- The Evolution of the Belgian Art and Antiques Unit -- Fossil trafficking, fraud, and fakery -- Illicit Excavations and Trade in Antiquities -- New Security Challenges at Museums and Historic Sites: The Case of Spain -- Revisiting the Looting of Site Q through Lidar: A Case Study of Illicit Digging in La Corona, Guatemala -- Securing Borders and Restraining the Illegal Movement of Cultural Property to, from, and within, the Island of Ireland -- Stealing Heritage in Canada -- The Theft of Your Soulmate: Motivations for the Theft of Rare Violins -- UNESCO Emergency Response “First-Aid” Heritage Interventions in Syria during Armed Conflict -- Yellow Journalism: Neutralisation techniques, media validation, and the Rothko vandal. |
Record Nr. | UNINA-9910632486903321 |
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Colonial Heritage, Power, and Contestation : Negotiating Decolonisation in Latin America and the Caribbean |
Autore | Malig Jedlicki Camila Andrea |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , 2024 |
Descrizione fisica | 1 online resource (294 pages) |
Altri autori (Persone) |
OostermanNaomi
ChristofolettiRodrigo |
Collana | The Latin American Studies Book Series |
ISBN | 3-031-37748-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contents -- Editors and Contributors -- Introduction to Colonial Heritage, Power, and Contestation -- References -- Paths of Decolonisation -- Curre nt Times, Critical, and Future Thinking -- 1 Introduction -- 2 On Current Times, Critical, and Future Thinking -- 3 Rights-Led Approaches to Dissonant and Contested Heritage -- 4 Conclusion -- References -- Caring for Black Monuments -- 1 Introduction: The Coloniality of Heritage in Havana -- 2 "¡Túmbenlo!" (Tear It Down!): The Restoration of the Monument to José Miguel Gómez and the Garden of Fallen Monuments in Havana -- 3 Caring for Quintín Bandera: Callejón de Hamel and the Public Celebration of Blackness -- 4 Conclusion: Heritage as a Site of Affective and Embodied Encounter -- References -- Negotiating Decolonisation? -- 1 Introduction -- 2 Heritage, Politics, Identity: Imagining the Community -- 3 Museums, Exhibitions, Politics of Representation: Cultural Governance in Postcolonial Contexts -- 4 Case Study: Envisioning Independence in Casa de la Libertad, Sucre, Bolivia -- 5 Memories, Places, Genders: Negotiating Decolonisation? -- 6 Concluding Remarks -- References -- Restitution and Repatriation of Culture -- (De)colonially Negotiating the Past -- 1 Introduction -- 2 Theoretical Framework -- 3 The Quimbaya Treasure -- 3.1 1890: Excavation and Circulation-From the Subsoil of Colombia to the Enthrallment of Europeans -- 3.2 1892-1893: State Acquisition, Exhibition and Gift-Colonial Heritage Diplomacy from the Colombian Creole Elite in Search of External Projection -- 3.3 1970 to the Present: Restitution Requests-Colombian Decolonial Heritage Diplomacy in Search of Affirmation -- 3.4 2018 to Present: Unambiguous Intention to Retain-The Spanish Official Responses Based in a Legalistic Perspective of Cultural Property -- 4 Final Considerations -- References -- The Reason for the Artifact.
1 Introduction -- 2 Indigenous Cultural Heritage as a Tool -- 2.1 The Importance of Indigenous Cultural Heritage -- 3 International Standards on the Human Rights of Indigenous Peoples on Cultural Heritage and Repatriation -- 3.1 The Hague Convention of 1954 -- 3.2 The UNESCO Convention of 1970 -- 3.3 The UNIDROIT Convention of 1995 -- 3.4 United Nations Declaration on the Rights of Indigenous Peoples of 2007 -- 4 The Repatriation of Cultural Goods and Human Rights -- 5 The Cultural Reappropriation of Repatriated Cultural Goods -- 5.1 Human Rights: Cultural Reappropriation as an Attribution of the State -- 6 Concluding Remarks -- References -- Repatriation of Cultural Heritage and Their Museographic Use from a Decolonial Perspective -- 1 Introduction -- 2 Heritage, Decolonization, and Restitution -- 3 Why Should Demands for Restitution and Repatriation of Cultural Property Be the Subject of Postcolonial and Decolonial Studies? -- 4 Dispute and Return of Archaeological Heritage of Machu Picchu -- 5 About the Permanent Exhibition "Recovered Heritage: Assets of Our Peruvian Identity" -- 6 How to Make Demands for the Return of Cultural Heritage of Historical Reparation? -- 7 Conclusion -- References -- Restitution of Indigenous Cultural Objects in Latin America -- 1 Introduction -- 2 NAGPRA -- 2.1 Origins and Content -- 2.2 Effects -- 3 Restitution of Indigenous Cultural Objects in Latin America -- 3.1 A Brief Overview -- 3.2 Brief Reference to Experiences in Regulation and Practice -- 4 Beyond Participation: Considering Indigenous Rules and Practices -- 5 Discussion -- References -- The Veins of Latin America Remain Open -- 1 Introduction -- 2 The Tragedy of Colonialism and Coloniality: Material and Intellectual Dispossession -- 3 Postcolonial and Decolonial Studies -- 4 Authorized Heritage Discourse (AHD) and UNESCO World Heritage Sites. 5 The Farce: Cultural Goods Trade and the Veins that Remain Open -- 5.1 Trade in Cultural Goods -- 5.2 A Crime that Pays Off: The Illicit Trafficking of Cultural Properties -- 6 Conclusion -- References -- Museums, Discourse, and Power -- Entangled Heritage -- 1 Introduction -- 2 An Overseas Museum for Portugal -- 3 "Collection Trips"-Ethnography as a Collection Practice -- 4 From Africa to Portugal, from Portugal to the (Civilized) World -- References -- Denaturalization and Occidental Narrative to the Detriment of the Materiality of Moche and Tupinambá -- 1 Introduction -- 2 Homogeneous Time to the Detriment of "Indigenous Archaeological Artifacts" -- 3 The Tupinambá Mantle -- 4 The Huacos Moche and Their Avatars -- 5 The Moche Subject -- 6 The Subject Tupinambá and His Postcolonial Agency -- 7 Conclusion -- Reference s -- Andean Colonial Paintings -- 1 Introduction -- 2 Medieval Ethos and Modernity -- 3 The Novissimi and the Church of Carabuco -- 3.1 The Last Judgment, San Francisco Convent -- 4 Conclusion -- References -- Decolonial Approaches and Narratives in Latin America and the Caribbean and European Museums -- 1 Introduction -- 2 Power, Coloniality, and Decoloniality -- 2.1 Decoloniality in the Museological Context -- 2.2 Return, Restitution, and Repatriation -- 2.3 Latin America and the Caribbean and Europe -- 3 Methodology -- 3.1 Data and Methods -- 3.2 Sample -- 3.3 Latin America and the Caribbean Cases -- 3.4 European Cases -- 4 Results -- 4.1 Legal- and Object-Centred Narrative -- 4.2 Silenced Stories and Discomfort -- 4.3 Communities and Reclamation of Human Rights -- 5 Concluding Remarks -- Reference s -- Frontiers of Decoloniality -- "A Symbol of Alliance and Peace Among American Nations" -- 1 Introduction -- 2 The Construction of the Columbus Lighthouse and the Pan-American Flight. 3 The First Inter-American Education Ministers Meeting: A Proposal for Valuing the Americas -- 4 Conclusions -- Reference s -- Decolonialism, Paulo Freire and the Triangular Approach -- 1 Introduction: Historical Context -- 2 Paulo Freire and Arts Education -- 3 Congress on Teaching/Learning the Arts in Latin America: Colonialism and Gender -- 3.1 A Participatory Congress -- 3.2 Preparation for Debates -- 4 The Triangular Approach -- 4.1 Contextualisation -- 4.2 Art Making -- 4.3 Reading Works of Art -- 4.4 Individual and Collective Readings of a Work of Art -- 4.5 The Tree (2018/2020) -- 5 Conclusion -- References -- The Mirror of Modernity -- 1 Introduction -- 2 The Modern World Heritage: Considerations on the Emergence of a New Field in the World Heritage Scope -- 3 Brasília and Pampulha Modern World Heritage Sites -- 3.1 Conjunto Urbanístico De Brasília (1987) -- 3.2 Conjunto Moderno Da Pampulha (2016) -- 4 Final Considerations -- References -- Coloniality, Race, and Indigenous Knowledge in Reports of Nineteenth-Century Explorers in Southern Brazil -- 1 Introduction -- 2 Naming and Classifying Indigenous People -- 3 The Empire of Laws -- 4 Conclusion -- References. |
Record Nr. | UNINA-9910799483603321 |
Malig Jedlicki Camila Andrea | ||
Cham : , : Springer International Publishing AG, , 2024 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Crime and art : sociological and criminological perspectives of crimes in the art world / / Naomi Oosterman, Donna Yates, editors |
Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2021] |
Descrizione fisica | 1 online resource (284 pages) |
Disciplina | 364.16287 |
Collana | Studies in art, heritage, law and the market |
Soggetto topico |
Art thefts
Art thefts - Investigation Classical antiquities thefts |
ISBN | 3-030-84856-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910508467503321 |
Cham, Switzerland : , : Springer, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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