The African Diaspora and the Disciplines [[electronic resource] /] / edited by Tejumola Olaniyan and James H. Sweet |
Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2010 |
Descrizione fisica | 1 online resource (376 p.) |
Disciplina |
909.0496
909/.0496 |
Altri autori (Persone) |
SweetJames H (James Hoke)
OlaniyanTejumola |
Soggetto topico | African diaspora - Study and teaching (Higher) |
Soggetto genere / forma | Electronic books. |
ISBN | 0-253-00133-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction; Part One. Histories; 1. Clio and the Griot: The African Diaspora in the Disciplineof History; 2. African Diaspora and Anthropology; 3. How Genetics Can Provide Detail to the Transatlantic African Diaspora; 4. Landscapes and Places of Memory: African Diaspora Research and Geography; 5. African Diaspora in Archaeology; Part Two. Social Sciences; 6. Caribbean Sociology, Africa, and the African Diaspora; 7. African Diaspora and Political Science; 8. The African Diaspora and Philosophy; Part Three. Arts and Culture
9. "Function at the Junction"? African Diaspora Studies and Theater Studies10. Ethnomusicology and the African Diaspora; 11. Semioptics of Africana Art History; 12. Out of Context: Thinking Cultural Studies Diasporically; Part Four. Diaspora Contexts; 13. African Diaspora Studies in the Creole-Anglophone Caribbean: A Perspective from the University of the West Indies, Mona, Jamaica; 14. South Africa's Elusive Quest for an African Identity:The Ironies of a South Africa-Led African Renaissance; 15. "Black Folk Here and There": Repositioning Other(ed)African Diaspora(s) in/and "Europe" ContributorsIndex |
Record Nr. | UNINA-9910456821103321 |
Bloomington, : Indiana University Press, 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
|
The African Diaspora and the Disciplines [[electronic resource] /] / edited by Tejumola Olaniyan and James H. Sweet |
Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2010 |
Descrizione fisica | 1 online resource (376 p.) |
Disciplina |
909.0496
909/.0496 |
Altri autori (Persone) |
SweetJames H (James Hoke)
OlaniyanTejumola |
Soggetto topico | African diaspora - Study and teaching (Higher) |
Soggetto genere / forma | Electronic books. |
ISBN | 0-253-00133-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction; Part One. Histories; 1. Clio and the Griot: The African Diaspora in the Disciplineof History; 2. African Diaspora and Anthropology; 3. How Genetics Can Provide Detail to the Transatlantic African Diaspora; 4. Landscapes and Places of Memory: African Diaspora Research and Geography; 5. African Diaspora in Archaeology; Part Two. Social Sciences; 6. Caribbean Sociology, Africa, and the African Diaspora; 7. African Diaspora and Political Science; 8. The African Diaspora and Philosophy; Part Three. Arts and Culture
9. "Function at the Junction"? African Diaspora Studies and Theater Studies10. Ethnomusicology and the African Diaspora; 11. Semioptics of Africana Art History; 12. Out of Context: Thinking Cultural Studies Diasporically; Part Four. Diaspora Contexts; 13. African Diaspora Studies in the Creole-Anglophone Caribbean: A Perspective from the University of the West Indies, Mona, Jamaica; 14. South Africa's Elusive Quest for an African Identity:The Ironies of a South Africa-Led African Renaissance; 15. "Black Folk Here and There": Repositioning Other(ed)African Diaspora(s) in/and "Europe" ContributorsIndex |
Record Nr. | UNINA-9910781499003321 |
Bloomington, : Indiana University Press, 2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The African Diaspora and the Disciplines [[electronic resource] /] / edited by Tejumola Olaniyan and James H. Sweet |
Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2010 |
Descrizione fisica | 1 online resource (376 p.) |
Disciplina |
909.0496
909/.0496 |
Altri autori (Persone) |
SweetJames H (James Hoke)
OlaniyanTejumola |
Soggetto topico | African diaspora - Study and teaching (Higher) |
Soggetto genere / forma | Electronic books. |
ISBN | 0-253-00133-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction; Part One. Histories; 1. Clio and the Griot: The African Diaspora in the Disciplineof History; 2. African Diaspora and Anthropology; 3. How Genetics Can Provide Detail to the Transatlantic African Diaspora; 4. Landscapes and Places of Memory: African Diaspora Research and Geography; 5. African Diaspora in Archaeology; Part Two. Social Sciences; 6. Caribbean Sociology, Africa, and the African Diaspora; 7. African Diaspora and Political Science; 8. The African Diaspora and Philosophy; Part Three. Arts and Culture
9. "Function at the Junction"? African Diaspora Studies and Theater Studies10. Ethnomusicology and the African Diaspora; 11. Semioptics of Africana Art History; 12. Out of Context: Thinking Cultural Studies Diasporically; Part Four. Diaspora Contexts; 13. African Diaspora Studies in the Creole-Anglophone Caribbean: A Perspective from the University of the West Indies, Mona, Jamaica; 14. South Africa's Elusive Quest for an African Identity:The Ironies of a South Africa-Led African Renaissance; 15. "Black Folk Here and There": Repositioning Other(ed)African Diaspora(s) in/and "Europe" ContributorsIndex |
Record Nr. | UNINA-9910810962603321 |
Bloomington, : Indiana University Press, 2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
African Drama and Performance [[electronic resource]] |
Autore | Conteh-Morgan John |
Pubbl/distr/stampa | Bloomington, IN, : Indiana University Press, 2004 |
Descrizione fisica | 1 online resource (285 p.) |
Disciplina | 791/.096/0904 |
Altri autori (Persone) | OlaniyanTejumola |
Collana | African expressive cultures African drama and performance |
Soggetto topico |
Theater - Africa - History - 20th century
Theater - History - 20th century - Africa Performing arts - History - 20th century - Africa African drama - History and criticism - 20th century Drama Music, Dance, Drama & Film |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-07134-3
0-253-11090-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth
15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Haló; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index |
Record Nr. | UNINA-9910449812003321 |
Conteh-Morgan John
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||
Bloomington, IN, : Indiana University Press, 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
African Drama and Performance [[electronic resource]] |
Autore | Conteh-Morgan John |
Pubbl/distr/stampa | Bloomington, IN, : Indiana University Press, 2004 |
Descrizione fisica | 1 online resource (285 p.) |
Disciplina | 791/.096/0904 |
Altri autori (Persone) | OlaniyanTejumola |
Collana | African expressive cultures African drama and performance |
Soggetto topico |
Theater - Africa - History - 20th century
Theater - History - 20th century - Africa Performing arts - History - 20th century - Africa African drama - History and criticism - 20th century Drama Music, Dance, Drama & Film |
ISBN |
1-282-07134-3
0-253-11090-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth
15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Haló; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index |
Record Nr. | UNINA-9910783405803321 |
Conteh-Morgan John
![]() |
||
Bloomington, IN, : Indiana University Press, 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
African Drama and Performance [[electronic resource]] |
Autore | Conteh-Morgan John |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bloomington, IN, : Indiana University Press, 2004 |
Descrizione fisica | 1 online resource (285 p.) |
Disciplina | 791/.096/0904 |
Altri autori (Persone) | OlaniyanTejumola |
Collana | African expressive cultures African drama and performance |
Soggetto topico |
Theater - Africa - History - 20th century
Theater - History - 20th century - Africa Performing arts - History - 20th century - Africa African drama - History and criticism - 20th century Drama Music, Dance, Drama & Film |
ISBN |
1-282-07134-3
0-253-11090-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth
15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Haló; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index |
Record Nr. | UNINA-9910821274403321 |
Conteh-Morgan John
![]() |
||
Bloomington, IN, : Indiana University Press, 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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