History and memory in African-American culture [[electronic resource] /] / edited by Geneviève Fabre, Robert O'Meally |
Pubbl/distr/stampa | New York, : Oxford University Press, 1994 |
Descrizione fisica | 1 online resource (332 p.) |
Disciplina |
305.896073
973/.0496073 |
Altri autori (Persone) |
FabreGeneviève
O'MeallyRobert G. <1948-> |
Soggetto topico |
African Americans - History
African Americans - Historiography African American arts American literature - African American authors |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-802455-X
1-280-44361-8 1-4237-3887-X 0-19-535924-0 1-60129-941-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; 1. Introduction; 2. The Black Writer's Use of Memory; 3. The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston; 4. W. E. B. Du Bois and the Struggle for American Historical Memory; 5. African-American Commemorative Celebrations in the Nineteenth Century; 6. National Identity and Ethnic Diversity: ""Of Plymouth Rock and Jamestown and Ellis Island""; or, Ethnic Literature and Some Redefinitions of America; 7. International Beacons of African-American Memory: Alexandre Dumas père, Henry O. Tanner, and Josephine Baker as Examples of Recognition
8. On the Wrong Side of the Fence: Racial Segregation in American Cemeteries9. What One Cannot Remember Mistakenly; 10. History-Telling and Time: An Example from Kentucky; 11. Memory and Mass Culture; 12. Performing the Memory of Difference in Afro-Caribbean Dance: Katherine Dunham's Choreography, 1938-87; 13. ""With a Whip in His Hand"": Rape, Memory, and African-American Women; 14. Sherley Anne Williams' Dessa Rose: History and the Disruptive Power of Memory; 15. Art History and Black Memory: Toward a ""Blues Aesthetic""; 16. On Burke and the Vernacular: Ralph Ellison's Boomerang of History 17. The Journals of Charlotte L. Forten-Grimké: Les Lieux de Mémoire in African-American Women's Autobiography18. Washington Park; 19. Between Memory and History: Les Lieux de Mémoire; Contributors; Index |
Record Nr. | UNINA-9910450454303321 |
New York, : Oxford University Press, 1994 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
History and memory in African-American culture [[electronic resource] /] / edited by Geneviève Fabre, Robert O'Meally |
Pubbl/distr/stampa | New York, : Oxford University Press, 1994 |
Descrizione fisica | 1 online resource (332 p.) |
Disciplina |
305.896073
973/.0496073 |
Altri autori (Persone) |
FabreGeneviève
O'MeallyRobert G. <1948-> |
Soggetto topico |
African Americans - History
African Americans - Historiography African American arts American literature - African American authors |
ISBN |
0-19-802455-X
1-280-44361-8 1-4237-3887-X 0-19-535924-0 1-60129-941-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; 1. Introduction; 2. The Black Writer's Use of Memory; 3. The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston; 4. W. E. B. Du Bois and the Struggle for American Historical Memory; 5. African-American Commemorative Celebrations in the Nineteenth Century; 6. National Identity and Ethnic Diversity: ""Of Plymouth Rock and Jamestown and Ellis Island""; or, Ethnic Literature and Some Redefinitions of America; 7. International Beacons of African-American Memory: Alexandre Dumas père, Henry O. Tanner, and Josephine Baker as Examples of Recognition
8. On the Wrong Side of the Fence: Racial Segregation in American Cemeteries9. What One Cannot Remember Mistakenly; 10. History-Telling and Time: An Example from Kentucky; 11. Memory and Mass Culture; 12. Performing the Memory of Difference in Afro-Caribbean Dance: Katherine Dunham's Choreography, 1938-87; 13. ""With a Whip in His Hand"": Rape, Memory, and African-American Women; 14. Sherley Anne Williams' Dessa Rose: History and the Disruptive Power of Memory; 15. Art History and Black Memory: Toward a ""Blues Aesthetic""; 16. On Burke and the Vernacular: Ralph Ellison's Boomerang of History 17. The Journals of Charlotte L. Forten-Grimké: Les Lieux de Mémoire in African-American Women's Autobiography18. Washington Park; 19. Between Memory and History: Les Lieux de Mémoire; Contributors; Index |
Record Nr. | UNINA-9910783363003321 |
New York, : Oxford University Press, 1994 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
History and memory in African-American culture / / edited by Geneviève Fabre, Robert O'Meally |
Pubbl/distr/stampa | New York, : Oxford University Press, 1994 |
Descrizione fisica | 1 online resource (332 p.) |
Disciplina |
305.896073
973/.0496073 |
Altri autori (Persone) |
FabreGeneviève
O'MeallyRobert G. <1948-> |
Soggetto topico |
African Americans - History
African Americans - Historiography African American arts American literature - African American authors |
ISBN |
0-19-802455-X
1-280-44361-8 1-4237-3887-X 0-19-535924-0 1-60129-941-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; 1. Introduction; 2. The Black Writer's Use of Memory; 3. The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston; 4. W. E. B. Du Bois and the Struggle for American Historical Memory; 5. African-American Commemorative Celebrations in the Nineteenth Century; 6. National Identity and Ethnic Diversity: ""Of Plymouth Rock and Jamestown and Ellis Island""; or, Ethnic Literature and Some Redefinitions of America; 7. International Beacons of African-American Memory: Alexandre Dumas père, Henry O. Tanner, and Josephine Baker as Examples of Recognition
8. On the Wrong Side of the Fence: Racial Segregation in American Cemeteries9. What One Cannot Remember Mistakenly; 10. History-Telling and Time: An Example from Kentucky; 11. Memory and Mass Culture; 12. Performing the Memory of Difference in Afro-Caribbean Dance: Katherine Dunham's Choreography, 1938-87; 13. ""With a Whip in His Hand"": Rape, Memory, and African-American Women; 14. Sherley Anne Williams' Dessa Rose: History and the Disruptive Power of Memory; 15. Art History and Black Memory: Toward a ""Blues Aesthetic""; 16. On Burke and the Vernacular: Ralph Ellison's Boomerang of History 17. The Journals of Charlotte L. Forten-Grimké: Les Lieux de Mémoire in African-American Women's Autobiography18. Washington Park; 19. Between Memory and History: Les Lieux de Mémoire; Contributors; Index |
Record Nr. | UNINA-9910828748103321 |
New York, : Oxford University Press, 1994 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Uptown conversation [[electronic resource] ] : the new jazz studies / / edited by Robert G. O'Meally, Brent Hayes Edwards, and Farah Jasmine Griffin |
Pubbl/distr/stampa | New York, : Columbia University Press, c2004 |
Descrizione fisica | 1 online resource |
Disciplina | 781.65/09 |
Altri autori (Persone) |
O'MeallyRobert G. <1948->
EdwardsBrent Hayes GriffinFarah Jasmine |
Soggetto topico | Jazz - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 0-231-50836-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introductory Notes / O'Meally, Robert G. / Edwards, Brent Hayes / Griffin, Farah Jasmine -- Part 1 -- Songs of the Unsung: The Darby Hicks History of Jazz / Lipsitz, George -- "All the Things You Could Be by Now": Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz / Washington, Salim -- Experimental Music in Black and White: The AACM in New York, 1970-1985 / Lewis, George -- When Malindy Sings: A Meditation on Black Women's Vocality / Griffin, Farah Jasmine -- Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954-1960 / Gennari, John -- Mainstreaming Monk: The Ellington Album / Tucker, Mark -- The Man / Szwed, John -- Part 2 -- The Real Ambassadors / Eschen, Penny M. von -- Artistic Othering in Black Diaspora Musics: Preliminary Thoughts on Time, Culture, and Politics / Gaines, Kevin -- Notes on Jazz in Senegal / Mangin, Timothy R. -- Revisiting Romare Bearden's Art of Improvisation / Harris-Kelley, Diedra -- Louis Armstrong, Bricolage, and the Aesthetics of Swing / Veneciano, Jorge Daniel -- Checking Our Balances: Louis Armstrong, Ralph Ellison, and Betty Boop / O'Meally, Robert G. -- Paris Blues: Ellington, Armstrong, and Saying It with Music / Gabbard, Krin -- "How You Sound??": Amiri Baraka Writes Free Jazz / Harris, William J. -- The Literary Ellington / Edwards, Brent Hayes -- "Always New and Centuries Old": Jazz, Poetry, and Tradition as Creative Adaptation / Jackson, Travis A. -- A Space We're All Immigrants From: Othering and Communitas in Nathaniel Mackey's Bedouin Hornbook / Beavers, Herman -- Exploding the Narrative in Jazz Improvisation / Iyer, Vijay -- Beneath the Underground: Exploring New Currents in "Jazz" / Kelley, Robin D. G. -- Contributors -- Index |
Record Nr. | UNINA-9910450703903321 |
New York, : Columbia University Press, c2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Uptown conversation [[electronic resource] ] : the new jazz studies / / edited by Robert G. O'Meally, Brent Hayes Edwards, and Farah Jasmine Griffin |
Pubbl/distr/stampa | New York, : Columbia University Press, c2004 |
Descrizione fisica | 1 online resource |
Disciplina | 781.65/09 |
Altri autori (Persone) |
O'MeallyRobert G. <1948->
EdwardsBrent Hayes GriffinFarah Jasmine |
Soggetto topico | Jazz - History and criticism |
ISBN | 0-231-50836-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introductory Notes / O'Meally, Robert G. / Edwards, Brent Hayes / Griffin, Farah Jasmine -- Part 1 -- Songs of the Unsung: The Darby Hicks History of Jazz / Lipsitz, George -- "All the Things You Could Be by Now": Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz / Washington, Salim -- Experimental Music in Black and White: The AACM in New York, 1970-1985 / Lewis, George -- When Malindy Sings: A Meditation on Black Women's Vocality / Griffin, Farah Jasmine -- Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954-1960 / Gennari, John -- Mainstreaming Monk: The Ellington Album / Tucker, Mark -- The Man / Szwed, John -- Part 2 -- The Real Ambassadors / Eschen, Penny M. von -- Artistic Othering in Black Diaspora Musics: Preliminary Thoughts on Time, Culture, and Politics / Gaines, Kevin -- Notes on Jazz in Senegal / Mangin, Timothy R. -- Revisiting Romare Bearden's Art of Improvisation / Harris-Kelley, Diedra -- Louis Armstrong, Bricolage, and the Aesthetics of Swing / Veneciano, Jorge Daniel -- Checking Our Balances: Louis Armstrong, Ralph Ellison, and Betty Boop / O'Meally, Robert G. -- Paris Blues: Ellington, Armstrong, and Saying It with Music / Gabbard, Krin -- "How You Sound??": Amiri Baraka Writes Free Jazz / Harris, William J. -- The Literary Ellington / Edwards, Brent Hayes -- "Always New and Centuries Old": Jazz, Poetry, and Tradition as Creative Adaptation / Jackson, Travis A. -- A Space We're All Immigrants From: Othering and Communitas in Nathaniel Mackey's Bedouin Hornbook / Beavers, Herman -- Exploding the Narrative in Jazz Improvisation / Iyer, Vijay -- Beneath the Underground: Exploring New Currents in "Jazz" / Kelley, Robin D. G. -- Contributors -- Index |
Record Nr. | UNINA-9910777006003321 |
New York, : Columbia University Press, c2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Uptown conversation : the new jazz studies / / edited by Robert G. O'Meally, Brent Hayes Edwards, and Farah Jasmine Griffin |
Pubbl/distr/stampa | New York, : Columbia University Press, c2004 |
Descrizione fisica | 1 online resource |
Disciplina | 781.65/09 |
Altri autori (Persone) |
O'MeallyRobert G. <1948->
EdwardsBrent Hayes GriffinFarah Jasmine |
Soggetto topico | Jazz - History and criticism |
ISBN | 0-231-50836-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introductory Notes / O'Meally, Robert G. / Edwards, Brent Hayes / Griffin, Farah Jasmine -- Part 1 -- Songs of the Unsung: The Darby Hicks History of Jazz / Lipsitz, George -- "All the Things You Could Be by Now": Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz / Washington, Salim -- Experimental Music in Black and White: The AACM in New York, 1970-1985 / Lewis, George -- When Malindy Sings: A Meditation on Black Women's Vocality / Griffin, Farah Jasmine -- Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954-1960 / Gennari, John -- Mainstreaming Monk: The Ellington Album / Tucker, Mark -- The Man / Szwed, John -- Part 2 -- The Real Ambassadors / Eschen, Penny M. von -- Artistic Othering in Black Diaspora Musics: Preliminary Thoughts on Time, Culture, and Politics / Gaines, Kevin -- Notes on Jazz in Senegal / Mangin, Timothy R. -- Revisiting Romare Bearden's Art of Improvisation / Harris-Kelley, Diedra -- Louis Armstrong, Bricolage, and the Aesthetics of Swing / Veneciano, Jorge Daniel -- Checking Our Balances: Louis Armstrong, Ralph Ellison, and Betty Boop / O'Meally, Robert G. -- Paris Blues: Ellington, Armstrong, and Saying It with Music / Gabbard, Krin -- "How You Sound??": Amiri Baraka Writes Free Jazz / Harris, William J. -- The Literary Ellington / Edwards, Brent Hayes -- "Always New and Centuries Old": Jazz, Poetry, and Tradition as Creative Adaptation / Jackson, Travis A. -- A Space We're All Immigrants From: Othering and Communitas in Nathaniel Mackey's Bedouin Hornbook / Beavers, Herman -- Exploding the Narrative in Jazz Improvisation / Iyer, Vijay -- Beneath the Underground: Exploring New Currents in "Jazz" / Kelley, Robin D. G. -- Contributors -- Index |
Record Nr. | UNINA-9910816016403321 |
New York, : Columbia University Press, c2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|