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Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear
| Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear |
| Autore | O'Hear Natasha |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (388 p.) |
| Disciplina | 704.9484 |
| Soggetto topico | Apocalypse in art |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-100296-8
0-19-100295-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Picturing the Apocalypse: The Book of Revelation in the Arts Over two Millennia; Copyright; Dedication; Acknowledgements; Contents; List of Illustrations; List of Plates; List of Tables; Introduction: Revelation: Meanings and Interpretations; Revelation: relevant for today? ; Outline of Revelation; One narrative or many? Finding a way into Revelation; Revelation and the end times; Revelation as an inspiration to art; Key works of art referred to in this book; The Trier Apocalypse; The Beatus Apocalypses; The Anglo-Norman Apocalypses; The Angers Apocalypse Tapestry
The Flemish ApocalypseThe Ghent Altarpiece; Memling's St John Altarpiece; The Apocalypse series of Albrecht Dürer and Lucas Cranach ; William Blake's Apocalypse images; Max Beckmann; 1: The Angel of the Apocalypse: John's Journey and his Angelic Guides; John's prophetic commission; The vision of the heavenly throne room; The mighty angel (Rev. 10); Warrior angels; Angels in the New Jerusalem; Conclusion; 2: The Lamb ; The Lamb in Revelation; The Lamb in visual imagery; Medieval visualizations of the Lamb; Later visualizations of the Lamb; The Lamb in music; Conclusion; 3: The Four Horsemen The Four Horsemen in RevelationThe Four Horsemen in visual imagery; Medieval images; Dürer and Cranach and the Four Horsemen; The Four Horsemen in the eighteenth and nineteenth centuries; The Four Horsemen in twentieth-century satire; Conclusion; 4: The Seven Seals: Angelic Destruction; Revelation's sequences of seven; Depictions of the sequences of seven; The Seven Seals; The Trinity Apocalypse; El Greco; Danby's The Opening of the Sixth Seal; The Seventh Seal; The Seven Trumpets; The Trinity Apocalypse; Dürer and the Seven Trumpets; Coppola's Apocalypse Now; The Seven Bowls The Flemish ApocalypseConclusion; 5: The Woman Clothed with the Sun ; The Woman Clothed with the Sun in Revelation ; Imagery of the Woman Clothed with the Sun ; Medieval visualizations; The fourteenth and fifteenth centuries; Velázquez, Blake, Redon; Twentieth-century visualizations; Conclusion; 6: The Satanic Trinity ; Interpreting the Beasts; The Beasts in visual imagery; Medieval Beasts; The Beasts in the Renaissance: Antichrist and the church; The papal Beast: the Beasts and the Reformation; William Blake and the Beasts of Revelation; The Beasts and modernity; Conclusion 7: The Whore of BabylonInterpreting the Whore of Babylon; The Whore of Babylon in visual imagery; Medieval interpretations; Renaissance and Reformation visualizations; Blake and modern interpretations; Conclusion; 8: Armageddon, the Millennium, and the Last Judgement ; Armageddon; Images of Armageddon; Medieval visualizations of Armageddon; Modern visualizations of Armageddon; The Millennium; Images of the Millennium; The Last Judgement; Images of the Last Judgement; Conclusion; 9: The New Jerusalem; The meaning of the New Jerusalem; Visualizations of the New Jerusalem The New Jerusalem as cathedral |
| Record Nr. | UNINA-9910460972803321 |
O'Hear Natasha
|
||
| Oxford, England : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear
| Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear |
| Autore | O'Hear Natasha |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (388 p.) |
| Disciplina | 704.9484 |
| Soggetto topico | Apocalypse in art |
| ISBN |
0-19-100296-8
0-19-100295-X |
| Classificazione | 20.21 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Picturing the Apocalypse: The Book of Revelation in the Arts Over two Millennia; Copyright; Dedication; Acknowledgements; Contents; List of Illustrations; List of Plates; List of Tables; Introduction: Revelation: Meanings and Interpretations; Revelation: relevant for today? ; Outline of Revelation; One narrative or many? Finding a way into Revelation; Revelation and the end times; Revelation as an inspiration to art; Key works of art referred to in this book; The Trier Apocalypse; The Beatus Apocalypses; The Anglo-Norman Apocalypses; The Angers Apocalypse Tapestry
The Flemish ApocalypseThe Ghent Altarpiece; Memling's St John Altarpiece; The Apocalypse series of Albrecht Dürer and Lucas Cranach ; William Blake's Apocalypse images; Max Beckmann; 1: The Angel of the Apocalypse: John's Journey and his Angelic Guides; John's prophetic commission; The vision of the heavenly throne room; The mighty angel (Rev. 10); Warrior angels; Angels in the New Jerusalem; Conclusion; 2: The Lamb ; The Lamb in Revelation; The Lamb in visual imagery; Medieval visualizations of the Lamb; Later visualizations of the Lamb; The Lamb in music; Conclusion; 3: The Four Horsemen The Four Horsemen in RevelationThe Four Horsemen in visual imagery; Medieval images; Dürer and Cranach and the Four Horsemen; The Four Horsemen in the eighteenth and nineteenth centuries; The Four Horsemen in twentieth-century satire; Conclusion; 4: The Seven Seals: Angelic Destruction; Revelation's sequences of seven; Depictions of the sequences of seven; The Seven Seals; The Trinity Apocalypse; El Greco; Danby's The Opening of the Sixth Seal; The Seventh Seal; The Seven Trumpets; The Trinity Apocalypse; Dürer and the Seven Trumpets; Coppola's Apocalypse Now; The Seven Bowls The Flemish ApocalypseConclusion; 5: The Woman Clothed with the Sun ; The Woman Clothed with the Sun in Revelation ; Imagery of the Woman Clothed with the Sun ; Medieval visualizations; The fourteenth and fifteenth centuries; Velázquez, Blake, Redon; Twentieth-century visualizations; Conclusion; 6: The Satanic Trinity ; Interpreting the Beasts; The Beasts in visual imagery; Medieval Beasts; The Beasts in the Renaissance: Antichrist and the church; The papal Beast: the Beasts and the Reformation; William Blake and the Beasts of Revelation; The Beasts and modernity; Conclusion 7: The Whore of BabylonInterpreting the Whore of Babylon; The Whore of Babylon in visual imagery; Medieval interpretations; Renaissance and Reformation visualizations; Blake and modern interpretations; Conclusion; 8: Armageddon, the Millennium, and the Last Judgement ; Armageddon; Images of Armageddon; Medieval visualizations of Armageddon; Modern visualizations of Armageddon; The Millennium; Images of the Millennium; The Last Judgement; Images of the Last Judgement; Conclusion; 9: The New Jerusalem; The meaning of the New Jerusalem; Visualizations of the New Jerusalem The New Jerusalem as cathedral |
| Record Nr. | UNINA-9910797390403321 |
|
O'Hear Natasha
|
||
| Oxford, England : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear
| Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear |
| Autore | O'Hear Natasha |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (388 p.) |
| Disciplina | 704.9484 |
| Soggetto topico | Apocalypse in art |
| ISBN |
0-19-100296-8
0-19-100295-X |
| Classificazione | 20.21 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Picturing the Apocalypse: The Book of Revelation in the Arts Over two Millennia; Copyright; Dedication; Acknowledgements; Contents; List of Illustrations; List of Plates; List of Tables; Introduction: Revelation: Meanings and Interpretations; Revelation: relevant for today? ; Outline of Revelation; One narrative or many? Finding a way into Revelation; Revelation and the end times; Revelation as an inspiration to art; Key works of art referred to in this book; The Trier Apocalypse; The Beatus Apocalypses; The Anglo-Norman Apocalypses; The Angers Apocalypse Tapestry
The Flemish ApocalypseThe Ghent Altarpiece; Memling's St John Altarpiece; The Apocalypse series of Albrecht Dürer and Lucas Cranach ; William Blake's Apocalypse images; Max Beckmann; 1: The Angel of the Apocalypse: John's Journey and his Angelic Guides; John's prophetic commission; The vision of the heavenly throne room; The mighty angel (Rev. 10); Warrior angels; Angels in the New Jerusalem; Conclusion; 2: The Lamb ; The Lamb in Revelation; The Lamb in visual imagery; Medieval visualizations of the Lamb; Later visualizations of the Lamb; The Lamb in music; Conclusion; 3: The Four Horsemen The Four Horsemen in RevelationThe Four Horsemen in visual imagery; Medieval images; Dürer and Cranach and the Four Horsemen; The Four Horsemen in the eighteenth and nineteenth centuries; The Four Horsemen in twentieth-century satire; Conclusion; 4: The Seven Seals: Angelic Destruction; Revelation's sequences of seven; Depictions of the sequences of seven; The Seven Seals; The Trinity Apocalypse; El Greco; Danby's The Opening of the Sixth Seal; The Seventh Seal; The Seven Trumpets; The Trinity Apocalypse; Dürer and the Seven Trumpets; Coppola's Apocalypse Now; The Seven Bowls The Flemish ApocalypseConclusion; 5: The Woman Clothed with the Sun ; The Woman Clothed with the Sun in Revelation ; Imagery of the Woman Clothed with the Sun ; Medieval visualizations; The fourteenth and fifteenth centuries; Velázquez, Blake, Redon; Twentieth-century visualizations; Conclusion; 6: The Satanic Trinity ; Interpreting the Beasts; The Beasts in visual imagery; Medieval Beasts; The Beasts in the Renaissance: Antichrist and the church; The papal Beast: the Beasts and the Reformation; William Blake and the Beasts of Revelation; The Beasts and modernity; Conclusion 7: The Whore of BabylonInterpreting the Whore of Babylon; The Whore of Babylon in visual imagery; Medieval interpretations; Renaissance and Reformation visualizations; Blake and modern interpretations; Conclusion; 8: Armageddon, the Millennium, and the Last Judgement ; Armageddon; Images of Armageddon; Medieval visualizations of Armageddon; Modern visualizations of Armageddon; The Millennium; Images of the Millennium; The Last Judgement; Images of the Last Judgement; Conclusion; 9: The New Jerusalem; The meaning of the New Jerusalem; Visualizations of the New Jerusalem The New Jerusalem as cathedral |
| Record Nr. | UNINA-9910808014303321 |
|
O'Hear Natasha
|
||
| Oxford, England : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||