Faking, Forging, Counterfeiting : Discredited Practices at the Margins of Mimesis / Daniel Becker, Annalisa Fischer, Yola Schmitz, Simone Niehoff, Florencia Sannders |
Autore | Becker Daniel |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2018 |
Descrizione fisica | 1 online resource |
Disciplina | 700 |
Altri autori (Persone) |
NiehoffSimone
SanndersFlorencia |
Collana | Edition Kulturwissenschaft |
Soggetto topico | Forgery; Culture; Cultural Transfer; Translation; Imitation; Original; Copy; Aesthetic Practice; Creativity; Faked Tradition; Pseudotranslation; Imposter; Identity Theft; Hoax; Cultural History; Art; Literature; Theory of Art; General Literature Studies; Media Aesthetics; Cultural Studies |
Soggetto non controllato |
Aesthetic Practice
Art Copy Creativity Cultural History Cultural Studies Cultural Transfer Culture Faked Tradition General Literature Studies Hoax Identity Theft Imitation Imposter Literature Media Aesthetics Original Pseudotranslation Theory of Art Translation |
ISBN | 3-8394-3762-8 |
Classificazione | EC 1960 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Table of Contents 5 Preface 7 Six Degrees of Separation 11 Forgery: The Art of Deception 41 The Artist and the Mountebank 59 Aping the Master 77 Fracture, Facture and the Collecting of Islamic Art 91 Shape-shifters of Transculturation 111 Fake Supreme 127 Reflections on Plagiarism in Jorge Luis Borgess Works 139 "I have chosen to write notes on imaginary books" 153 Faked Translations 167 Creating a Cult, Faking Relics 181 Desiring Fakes 199 Unmasking the Fake 223 Contributors 239 Illustration Credits 243 |
Record Nr. | UNINA-9910263843103321 |
Becker Daniel | ||
Bielefeld, : transcript Verlag, 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Faking, Forging, Counterfeiting : Discredited Practices at the Margins of Mimesis / Daniel Becker, Annalisa Fischer, Yola Schmitz, Simone Niehoff, Florencia Sannders |
Autore | Becker Daniel |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2018 |
Descrizione fisica | 1 online resource |
Disciplina | 700 |
Altri autori (Persone) |
NiehoffSimone
SanndersFlorencia |
Collana | Edition Kulturwissenschaft |
Soggetto topico | Forgery; Culture; Cultural Transfer; Translation; Imitation; Original; Copy; Aesthetic Practice; Creativity; Faked Tradition; Pseudotranslation; Imposter; Identity Theft; Hoax; Cultural History; Art; Literature; Theory of Art; General Literature Studies; Media Aesthetics; Cultural Studies |
Soggetto non controllato |
Aesthetic Practice
Art Copy Creativity Cultural History Cultural Studies Cultural Transfer Culture Faked Tradition General Literature Studies Hoax Identity Theft Imitation Imposter Literature Media Aesthetics Original Pseudotranslation Theory of Art Translation |
ISBN | 3-8394-3762-8 |
Classificazione | EC 1960 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Table of Contents 5 Preface 7 Six Degrees of Separation 11 Forgery: The Art of Deception 41 The Artist and the Mountebank 59 Aping the Master 77 Fracture, Facture and the Collecting of Islamic Art 91 Shape-shifters of Transculturation 111 Fake Supreme 127 Reflections on Plagiarism in Jorge Luis Borgess Works 139 "I have chosen to write notes on imaginary books" 153 Faked Translations 167 Creating a Cult, Faking Relics 181 Desiring Fakes 199 Unmasking the Fake 223 Contributors 239 Illustration Credits 243 |
Record Nr. | UNISA-996308778203316 |
Becker Daniel | ||
Bielefeld, : transcript Verlag, 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|