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Corps en jeu : De l'Antiquité à nos jours / / Marie-Hélène Garelli, Valérie Visa-Ondarçuhu
| Corps en jeu : De l'Antiquité à nos jours / / Marie-Hélène Garelli, Valérie Visa-Ondarçuhu |
| Autore | Andrisano Angela M |
| Pubbl/distr/stampa | Rennes, : Presses universitaires de Rennes, 2019 |
| Descrizione fisica | 1 online resource (378 p.) |
| Altri autori (Persone) |
BallabrigaAlain
BernardiniPaola Angeli DavidIsabelle DumontJean Christian FartzoffMichel FelsenheldEdouard GarelliMarie-Hélène GottelandSophie JohanVirginie Jouët-PastréEmmanuelle Lada-RichardsIsmene Marchal-LouëtIsabelle MartinPaul M MauduitChristine MouchetFlorence MoureJosé NardoneJean-Luc PellizerEzio PetroneGianna PiqueuxAlexa ThuillierJean-Paul TondoIsabella Visa-OndarçuhuValérie |
| Soggetto topico |
History
corps humain Antiquité histoire des représentations histoire du corps |
| Soggetto non controllato |
corps humain
Antiquité histoire du corps histoire des représentations |
| ISBN | 2-7535-6722-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910341845003321 |
Andrisano Angela M
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| Rennes, : Presses universitaires de Rennes, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Le découpage au cinéma / Gilles Mouëllic, Vincent Amiel, José Moure
| Le découpage au cinéma / Gilles Mouëllic, Vincent Amiel, José Moure |
| Autore | Amiel Vincent |
| Pubbl/distr/stampa | Rennes, : Presses universitaires de Rennes, 2018 |
| Descrizione fisica | 1 online resource (372 p.) |
| Altri autori (Persone) |
AndréEmmanuelle
AumontCharlotte BéginRichard BlümlingerChrista ChateauDominique DaniellouSimon ForestierLaurent Le GaudreaultAndré Joubert-LaurencinHervé MassuetJean-Baptiste MouëllicGilles MoureJosé QuintanaÀngel SabouraudFrédéric SierekKarl SietyEmmanuel Sirois-TrahanJean-Pierre ThomasFrançois VancheriLuc AmielVincent |
| Soggetto topico |
Film Radio Television
cinéma découpage histoire du cinéma |
| ISBN | 2-7535-6142-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910495756803321 |
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Amiel Vincent
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| Rennes, : Presses universitaires de Rennes, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Post-cinema : Cinema in the Post-art Era / / Dominique Chateau, José Moure
| Post-cinema : Cinema in the Post-art Era / / Dominique Chateau, José Moure |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2020] |
| Descrizione fisica | 1 online resource (376 p.) |
| Disciplina | 791.4301 |
| Collana | The Key Debates: Mutations and Appropriations in European Film Studies |
| Soggetto topico | PERFORMING ARTS / Film & Video / Direction & Production |
| Soggetto non controllato | film, contemporary art, media, aesthetics, dispositif |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Editorial -- Acknowledgments -- 1. Introduction -- PART I A Tribute to Agnès Varda -- 2. The Incipit of Beaches of Agnès (Les plages d’Agnès) An Installation in the Form of a Self-portrait -- PART II The End of Cinema? -- 3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 -- 4. Cinema Hangs Tough -- 5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself -- PART III Technological Transformations -- 6. Mutation, Appropriation and Style -- 7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition – A Dialogue -- 8. In-Flight Entertainment or the Emptying Process of Art in the Air -- PART IV New Dispositif, New Conditions -- 9. What Kind of Art Is the Cinema of Interactions? -- 10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix’s Algorithmic Operations -- 11. Post-cinema Ecology -- PART V Transformations in Film Form -- 12. Dwelling with Moving Images -- 13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film -- 14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge -- 15. The Zidane Film -- PART VI Post-cinema, an Artists’ Affair -- 16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 -- 17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU -- 18. Cinématon: The Shortest Films for the Longest Film – A Dialogue -- 19. Documentary as Contemporary Art – A Dialogue |
| Record Nr. | UNISA-996379039003316 |
| Amsterdam : , : Amsterdam University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Post-cinema : Cinema in the Post-art Era / / Dominique Chateau, José Moure
| Post-cinema : Cinema in the Post-art Era / / Dominique Chateau, José Moure |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2020] |
| Descrizione fisica | 1 online resource (376 p.) |
| Disciplina | 791.4301 |
| Collana | The Key Debates: Mutations and Appropriations in European Film Studies |
| Soggetto topico | PERFORMING ARTS / Film & Video / Direction & Production |
| Soggetto non controllato | film, contemporary art, media, aesthetics, dispositif |
| ISBN |
1-04-079316-9
1-003-70178-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Editorial -- Acknowledgments -- 1. Introduction -- PART I A Tribute to Agnès Varda -- 2. The Incipit of Beaches of Agnès (Les plages d’Agnès) An Installation in the Form of a Self-portrait -- PART II The End of Cinema? -- 3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 -- 4. Cinema Hangs Tough -- 5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself -- PART III Technological Transformations -- 6. Mutation, Appropriation and Style -- 7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition – A Dialogue -- 8. In-Flight Entertainment or the Emptying Process of Art in the Air -- PART IV New Dispositif, New Conditions -- 9. What Kind of Art Is the Cinema of Interactions? -- 10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix’s Algorithmic Operations -- 11. Post-cinema Ecology -- PART V Transformations in Film Form -- 12. Dwelling with Moving Images -- 13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film -- 14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge -- 15. The Zidane Film -- PART VI Post-cinema, an Artists’ Affair -- 16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 -- 17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU -- 18. Cinématon: The Shortest Films for the Longest Film – A Dialogue -- 19. Documentary as Contemporary Art – A Dialogue |
| Record Nr. | UNINA-9910420458203321 |
| Amsterdam : , : Amsterdam University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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