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Activating the inanimate : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva
| Activating the inanimate : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva |
| Pubbl/distr/stampa | Oxfordshire, England : , : Inter-Disciplinary Press, , 2013 |
| Descrizione fisica | 1 online resource (251 p.) |
| Disciplina | 792 |
| Collana | Critical Issues |
| Soggetto topico |
Theater
Performing arts |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84888-121-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Celia Morgan and Filipa Malva -- Symbolic Language and the Mythical Middle Ground / Celia Morgan -- Looking at Postmodern Performances of Canonical Plays / Bilha Blum -- The Full and the Void in the Theatre of Robert Wilson / Marcelo de Andrade Pereira -- The Power of Images in Performance: Josef Svoboda’s Scenography for Intolleranza 1960 at Boston Opera Company / Barbora Příhodová -- Loïe Fuller and her Legacy: The Visual and the Virtual / Liora Malka Yellin -- Little Cinderella, Big Cinderella: Scenography as Performance / Filipa Malva -- Visionary Voice / Silent Clown / Andrew Cope -- Bioscenography: Towards the Scenography of Non-Representation / Parjad Sharifi -- From Verbal to Visual: References to Clothes in Shakespeare’s Plays as Metaphor, Symbol and Concept for Costume Design / Pnina Black Porter -- Emotion and Memory: Clothing the Body as Performance / Jessica Bugg -- Dance Costumes on Display: Reflections and Practice / Sofia Pantouvaki -- Addressing the Absent: Drawing and Scenography / Kate Burnett -- The Explanatory Frame / Myer Taub -- Burning Man: Scenography for the Masses / Virginia L. Vogel -- Performance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning / Alexandra Antoniadou -- Where is the Performance? What has Become of It? / Myfanwyn Ryan -- Old Arts in New Media: Qualified Ontologies of ‘Live’ in the Age of Media Casting / Adele Anderson -- ‘Seed of the Image’: Image Metaphor as a Strategy of Creative Process and Ideological Resistance / Chee-Keng Lee -- Making from Scratch: A Transdisciplinary Research into the Historical and Social Production of Subjectivity / Haya Cohen -- Dancing Clowns and Desert Dunes: Challenging Traditional Imagery in Flamenco-Fusion / Idit Suslik -- Distances in Time and Space: Fictional Medieval Constructs of the Indian Other in the Colonial Imaginary / Sarah Bonnie. |
| Record Nr. | UNINA-9910463322603321 |
| Oxfordshire, England : , : Inter-Disciplinary Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Activating the inanimate : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva
| Activating the inanimate : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva |
| Pubbl/distr/stampa | Oxfordshire, England : , : Inter-Disciplinary Press, , 2013 |
| Descrizione fisica | 1 online resource (251 p.) |
| Disciplina | 792 |
| Collana | Critical Issues |
| Soggetto topico |
Theater
Performing arts |
| ISBN | 1-84888-121-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Celia Morgan and Filipa Malva -- Symbolic Language and the Mythical Middle Ground / Celia Morgan -- Looking at Postmodern Performances of Canonical Plays / Bilha Blum -- The Full and the Void in the Theatre of Robert Wilson / Marcelo de Andrade Pereira -- The Power of Images in Performance: Josef Svoboda’s Scenography for Intolleranza 1960 at Boston Opera Company / Barbora Příhodová -- Loïe Fuller and her Legacy: The Visual and the Virtual / Liora Malka Yellin -- Little Cinderella, Big Cinderella: Scenography as Performance / Filipa Malva -- Visionary Voice / Silent Clown / Andrew Cope -- Bioscenography: Towards the Scenography of Non-Representation / Parjad Sharifi -- From Verbal to Visual: References to Clothes in Shakespeare’s Plays as Metaphor, Symbol and Concept for Costume Design / Pnina Black Porter -- Emotion and Memory: Clothing the Body as Performance / Jessica Bugg -- Dance Costumes on Display: Reflections and Practice / Sofia Pantouvaki -- Addressing the Absent: Drawing and Scenography / Kate Burnett -- The Explanatory Frame / Myer Taub -- Burning Man: Scenography for the Masses / Virginia L. Vogel -- Performance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning / Alexandra Antoniadou -- Where is the Performance? What has Become of It? / Myfanwyn Ryan -- Old Arts in New Media: Qualified Ontologies of ‘Live’ in the Age of Media Casting / Adele Anderson -- ‘Seed of the Image’: Image Metaphor as a Strategy of Creative Process and Ideological Resistance / Chee-Keng Lee -- Making from Scratch: A Transdisciplinary Research into the Historical and Social Production of Subjectivity / Haya Cohen -- Dancing Clowns and Desert Dunes: Challenging Traditional Imagery in Flamenco-Fusion / Idit Suslik -- Distances in Time and Space: Fictional Medieval Constructs of the Indian Other in the Colonial Imaginary / Sarah Bonnie. |
| Record Nr. | UNINA-9910786386403321 |
| Oxfordshire, England : , : Inter-Disciplinary Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Activating the inanimate : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva
| Activating the inanimate : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva |
| Pubbl/distr/stampa | Oxfordshire, England : , : Inter-Disciplinary Press, , 2013 |
| Descrizione fisica | 1 online resource (251 p.) |
| Disciplina | 792 |
| Collana | Critical Issues |
| Soggetto topico |
Theater
Performing arts |
| ISBN | 1-84888-121-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Celia Morgan and Filipa Malva -- Symbolic Language and the Mythical Middle Ground / Celia Morgan -- Looking at Postmodern Performances of Canonical Plays / Bilha Blum -- The Full and the Void in the Theatre of Robert Wilson / Marcelo de Andrade Pereira -- The Power of Images in Performance: Josef Svoboda’s Scenography for Intolleranza 1960 at Boston Opera Company / Barbora Příhodová -- Loïe Fuller and her Legacy: The Visual and the Virtual / Liora Malka Yellin -- Little Cinderella, Big Cinderella: Scenography as Performance / Filipa Malva -- Visionary Voice / Silent Clown / Andrew Cope -- Bioscenography: Towards the Scenography of Non-Representation / Parjad Sharifi -- From Verbal to Visual: References to Clothes in Shakespeare’s Plays as Metaphor, Symbol and Concept for Costume Design / Pnina Black Porter -- Emotion and Memory: Clothing the Body as Performance / Jessica Bugg -- Dance Costumes on Display: Reflections and Practice / Sofia Pantouvaki -- Addressing the Absent: Drawing and Scenography / Kate Burnett -- The Explanatory Frame / Myer Taub -- Burning Man: Scenography for the Masses / Virginia L. Vogel -- Performance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning / Alexandra Antoniadou -- Where is the Performance? What has Become of It? / Myfanwyn Ryan -- Old Arts in New Media: Qualified Ontologies of ‘Live’ in the Age of Media Casting / Adele Anderson -- ‘Seed of the Image’: Image Metaphor as a Strategy of Creative Process and Ideological Resistance / Chee-Keng Lee -- Making from Scratch: A Transdisciplinary Research into the Historical and Social Production of Subjectivity / Haya Cohen -- Dancing Clowns and Desert Dunes: Challenging Traditional Imagery in Flamenco-Fusion / Idit Suslik -- Distances in Time and Space: Fictional Medieval Constructs of the Indian Other in the Colonial Imaginary / Sarah Bonnie. |
| Record Nr. | UNINA-9910810589803321 |
| Oxfordshire, England : , : Inter-Disciplinary Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staged experiences / / edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan
| Staged experiences / / edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan |
| Pubbl/distr/stampa | Oxford, United Kingdom : , : Inter-Disciplinary Press, , [2014] |
| Descrizione fisica | 1 online resource |
| Disciplina | 786 |
| Collana | Critical issues |
| Soggetto topico |
Music - Performance - History
Performance practice (Music) |
| ISBN | 1-84888-328-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Arthur Maria Steijn , Ana Penjak and Celia Morgan -- Hypnagogia and Imagination: Scenographic Constructions of Venice / Lilja Blumenfeld -- Language in Performance / Sadia Zoubir-Shaw -- Scenography as a Means for Youth Education and Creative Interaction in the ‘Interactive Opera in Primary Schools’ Research Project / Sofia Pantouvaki -- Life and Liveness: Using Film in the Theatre / Bilha Blum -- Imagined Spaces: Motion Graphics in Spatial Experience Design / Arthur Maria Steijn -- Costume Narrative: Recognition and Comprehension / Hilary Baxter -- From Lucile’s Showroom to Ziegfeld’s Stage: Fashion, Celebrity Culture and Theatrical Spectacle / Anne K. Reilly -- Brazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens / Fausto Viana -- Costume Identity in the Globalised World / Rosane Muniz -- From Butoh to Butohs: Produits d’Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice / Catherine Girardin -- Hotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space / Maria Carneiro -- Drawing the Scene / Filipa Malva -- De-Signing for a Dancer/Choreographer’s Visual Literacy / Helene Gee Markstein -- From Scenography to Narrative Environments / Ekavi-Louise Whitlock-Blundell -- Situated Vagrancy / Benedict Anderson -- From Abstraction to Performance: Three Moves through the Visual Traces / Adele Anderson -- Experience and Perception of the Audience: Momentums of Intimacy within Performance / Haya Cohen -- Imagining Absence: Performance in the Text / Ulla Kallenbach -- Hamlet Domesticus: Three Directors’ Productions of Hamlet on the Modern Croatian Stage / Ana Penjak. |
| Record Nr. | UNINA-9910795132103321 |
| Oxford, United Kingdom : , : Inter-Disciplinary Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staged experiences / / edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan
| Staged experiences / / edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan |
| Pubbl/distr/stampa | Oxford, United Kingdom : , : Inter-Disciplinary Press, , [2014] |
| Descrizione fisica | 1 online resource |
| Disciplina | 786 |
| Collana | Critical issues |
| Soggetto topico |
Music - Performance - History
Performance practice (Music) |
| ISBN | 1-84888-328-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Arthur Maria Steijn , Ana Penjak and Celia Morgan -- Hypnagogia and Imagination: Scenographic Constructions of Venice / Lilja Blumenfeld -- Language in Performance / Sadia Zoubir-Shaw -- Scenography as a Means for Youth Education and Creative Interaction in the ‘Interactive Opera in Primary Schools’ Research Project / Sofia Pantouvaki -- Life and Liveness: Using Film in the Theatre / Bilha Blum -- Imagined Spaces: Motion Graphics in Spatial Experience Design / Arthur Maria Steijn -- Costume Narrative: Recognition and Comprehension / Hilary Baxter -- From Lucile’s Showroom to Ziegfeld’s Stage: Fashion, Celebrity Culture and Theatrical Spectacle / Anne K. Reilly -- Brazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens / Fausto Viana -- Costume Identity in the Globalised World / Rosane Muniz -- From Butoh to Butohs: Produits d’Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice / Catherine Girardin -- Hotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space / Maria Carneiro -- Drawing the Scene / Filipa Malva -- De-Signing for a Dancer/Choreographer’s Visual Literacy / Helene Gee Markstein -- From Scenography to Narrative Environments / Ekavi-Louise Whitlock-Blundell -- Situated Vagrancy / Benedict Anderson -- From Abstraction to Performance: Three Moves through the Visual Traces / Adele Anderson -- Experience and Perception of the Audience: Momentums of Intimacy within Performance / Haya Cohen -- Imagining Absence: Performance in the Text / Ulla Kallenbach -- Hamlet Domesticus: Three Directors’ Productions of Hamlet on the Modern Croatian Stage / Ana Penjak. |
| Record Nr. | UNINA-9910825218503321 |
| Oxford, United Kingdom : , : Inter-Disciplinary Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||