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Genres et acteurs du cinéma français : 1930-1960 / Gwénaëlle Le Gras, Delphine Chedaleux
| Genres et acteurs du cinéma français : 1930-1960 / Gwénaëlle Le Gras, Delphine Chedaleux |
| Autore | Amiel Vincent |
| Pubbl/distr/stampa | Rennes, : Presses universitaires de Rennes, 2018 |
| Descrizione fisica | 1 online resource (216 p.) |
| Altri autori (Persone) |
ChedaleuxDelphine
DriskellJonathan HaywardSusan Le GrasGwénaëlle MarieLaurent MoineRaphaëlle PhillipsAlastair PillardThomas PisanoGiusy RolletBrigitte SellierGeneviève VincendeauGinette Le GrasGwénaëlle |
| Soggetto topico |
Film Radio Television
cinéma histoire du cinéma genres acteurs cinéma français |
| ISBN | 2-7535-6166-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910495697603321 |
Amiel Vincent
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| Rennes, : Presses universitaires de Rennes, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Is It French? Popular Postnational Screen Fiction from France
| Is It French? Popular Postnational Screen Fiction from France |
| Autore | Harrod Mary |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , 2024 |
| Descrizione fisica | 1 online resource (310 pages) |
| Disciplina | 791.430944 |
| Altri autori (Persone) | MoineRaphaëlle |
| Collana | Palgrave European Film and Media Studies |
| ISBN | 3-031-39195-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: The Expanding Imagination of Mainstream French Films and Television Series -- From a Transnational to a Postnational Model -- Screening Postnational Frenchness -- Industry, Identity, Ideology -- References -- Part I: New Figures, New Voices -- From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero's Dix pour cent and Drôle -- Streaming Frenchness: New Spaces, New Speech? -- Commodifying Glamour in Dix pour cent -- Standing Up for Multicultural France -- References -- Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution -- Contemporary French Multilingual Cinema -- The Rise of Sign Language Cinemas -- French Sign Language on Screen -- A Coda on CODA and Beyond -- Conclusion: The Postnational Within and Beyond French Borders -- Appendix: List of LSF Films and Television Series -- References -- Alexandre Aja: A Postnational Genre Auteur? -- Postnational Genre (and) Stardom -- From Nation to Genre in Aja's Oeuvre and Brand -- Crawl and Oxygène as Postnational Genre Texts -- References -- Part II: Embodying the Postnational: Fans, Filmmakers, Action Spectaculars -- An Alternative to Hollywood? EuropaCorp's 'Blockbusters' and the Global Audience -- American-Style Blockbusters? -- A Europeanness as Seductive As It Is Strange -- Conclusion: A Tenuous Ambition, a Downward Slope -- References -- The Limits of Luc Besson's 'Made-in-France' Blockbusters: From the Transnational to the Postnational in Valerian and Anna -- Critical Contexts and Cultural Settings -- The Evolution of Luc Besson's International Productions -- Valerian: Too French for a Global Blockbuster -- Anna: A Past-Facing Postnational Product -- References.
Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema -- Netflix and the French Action Complex -- Action Cinema and Cultural Translation -- Towards a Postnational Typology -- Appendix: Action-Oriented French-Language Netflix Originals (March 2023) -- Films -- Series -- References -- Part III: French Femininity and (Post)Feminism -- Charlotte Rampling Made in France: From a National to a Postnational Identity -- 'Auto-reverse' Dubbing -- Silent Strength as a Universal Language -- From a Specific to a Generic Form of Otherness -- References -- National and Postnational Femininity in Engrenages: The Limits of Empowerment -- Grit and Glamour: A 'Realist' Series? -- Women at Work in Engrenages: Feminist Intervention or Feminised Utopia? -- Female Sexuality in Engrenages: Body Matters -- National, International, Postnational -- References -- Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture -- An Ironic Incarnation of Americanised Frenchness -- Camille Cottin's franchouillardise: Between Comic Unruliness and Misogynistic Comedy -- Camille Cottin Abroad: The Disintegration of Her Comic Persona -- References -- Part IV: Industry Players: From Product to Brand -- Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era -- Dumas Takes the Helm: Gaumont Since Intouchables -- Gaumont and French Cinema in the Streaming Era -- Gaumont's Platform Original Films and Contemporary French Cinema -- References -- Netflix's Lupin: Cultural Heritage and Internationalisation in the Age of Global (S)VoD Platforms -- Internationalisation Practices -- Lupin with and Against Heritage Cinema -- Cultural Heritage and Modelling Fandom -- References -- An Industry Perspective on Dix pour cent and Ten Percent -- Index. |
| Record Nr. | UNINA-9910831005703321 |
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Harrod Mary
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| Cham : , : Springer International Publishing AG, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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