Embodying Asian/American sexualities [[electronic resource] /] / edited by Gina Masequesmay and Sean Metzger |
Pubbl/distr/stampa | Lanham, MD, : Lexington Books, c2009 |
Descrizione fisica | 1 online resource (197 p.) |
Disciplina |
305.30973
306.76089950 |
Altri autori (Persone) |
MaséquesmayGina
MetzgerSean <1973-> |
Soggetto topico |
Asian Americans - Sexual behavior
Asian Americans - Attitudes Asian Americans - Race identity |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-49417-1
9786612494178 0-7391-3351-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction: Embodying Asian/American Sexualities; Chapter 1. The Rice Room: Scenes from a Bar; Chapter 2. Pornography and Its Dis/Contents; Chapter 3. The One that She Wants: Margaret Cho, Mediatization, and Autobiographical Performance; Chapter 4. Novell-aah!: A Short Play; Chapter 5. And the Crow Cries Before He Dies; Chapter 6. Queer Theory and Anti-Racism Education; Chapter 7. The Anxiety over Borders; Chapter 8. An Interview with Pauline Park; Chapter 9. Public Agendas and Private Struggles
Chapter 10. Family, Citizenship, and Selfhood in Luong Ung's First They Killed My FatherChapter 11. Homosexuality and Korean Immigrant Protestant Churches; Chapter 12. Finding Fellatio; Chapter 13. Ghosts; Index; About the Contributors |
Record Nr. | UNINA-9910454536303321 |
Lanham, MD, : Lexington Books, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Embodying Asian/American sexualities [[electronic resource] /] / edited by Gina Masequesmay and Sean Metzger |
Pubbl/distr/stampa | Lanham, MD, : Lexington Books, c2009 |
Descrizione fisica | 1 online resource (197 p.) |
Disciplina |
305.30973
306.76089950 |
Altri autori (Persone) |
MaséquesmayGina
MetzgerSean <1973-> |
Soggetto topico |
Asian Americans - Sexual behavior
Asian Americans - Attitudes Asian Americans - Race identity |
ISBN |
1-282-49417-1
9786612494178 0-7391-3351-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction: Embodying Asian/American Sexualities; Chapter 1. The Rice Room: Scenes from a Bar; Chapter 2. Pornography and Its Dis/Contents; Chapter 3. The One that She Wants: Margaret Cho, Mediatization, and Autobiographical Performance; Chapter 4. Novell-aah!: A Short Play; Chapter 5. And the Crow Cries Before He Dies; Chapter 6. Queer Theory and Anti-Racism Education; Chapter 7. The Anxiety over Borders; Chapter 8. An Interview with Pauline Park; Chapter 9. Public Agendas and Private Struggles
Chapter 10. Family, Citizenship, and Selfhood in Luong Ung's First They Killed My FatherChapter 11. Homosexuality and Korean Immigrant Protestant Churches; Chapter 12. Finding Fellatio; Chapter 13. Ghosts; Index; About the Contributors |
Record Nr. | UNINA-9910782982403321 |
Lanham, MD, : Lexington Books, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Embodying Asian/American sexualities [[electronic resource] /] / edited by Gina Masequesmay and Sean Metzger |
Pubbl/distr/stampa | Lanham, MD, : Lexington Books, c2009 |
Descrizione fisica | 1 online resource (197 p.) |
Disciplina |
305.30973
306.76089950 |
Altri autori (Persone) |
MaséquesmayGina
MetzgerSean <1973-> |
Soggetto topico |
Asian Americans - Sexual behavior
Asian Americans - Attitudes Asian Americans - Race identity |
ISBN |
1-282-49417-1
9786612494178 0-7391-3351-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction: Embodying Asian/American Sexualities; Chapter 1. The Rice Room: Scenes from a Bar; Chapter 2. Pornography and Its Dis/Contents; Chapter 3. The One that She Wants: Margaret Cho, Mediatization, and Autobiographical Performance; Chapter 4. Novell-aah!: A Short Play; Chapter 5. And the Crow Cries Before He Dies; Chapter 6. Queer Theory and Anti-Racism Education; Chapter 7. The Anxiety over Borders; Chapter 8. An Interview with Pauline Park; Chapter 9. Public Agendas and Private Struggles
Chapter 10. Family, Citizenship, and Selfhood in Luong Ung's First They Killed My FatherChapter 11. Homosexuality and Korean Immigrant Protestant Churches; Chapter 12. Finding Fellatio; Chapter 13. Ghosts; Index; About the Contributors |
Record Nr. | UNINA-9910816564103321 |
Lanham, MD, : Lexington Books, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Futures of Chinese cinema [[electronic resource] ] : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger |
Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2009 |
Descrizione fisica | 1 online resource (298 p.) |
Disciplina | 791.430951 |
Altri autori (Persone) |
KhooOlivia
MetzgerSean <1973-> |
Soggetto topico |
Motion picture locations - China
Motion pictures - China |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-45567-2
9786612455674 1-84150-345-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part I: Historiography; Chapter 1: Celebratory Screens: Chinese Cinema in the New Millennium; Chapter 2: Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema; Chapter 3: Socialist Geographies, Internationalist Temporalities and Travelling Film Technologies: Sino-Soviet Film Exchange in the 1950's and 1960's; Chapter 4: Hong Kong Ghost in the Japanese Shell? Cross-racial Performance and Transnational Chinese Cinema
Chapter 5: Jia Zhangke and the Temporality of Postsocialist Chinese Cinema: In the Now (and then)Part II: Capital - Economic and Industrial Contexts; Chapter 6: From BitTorrent Piracy to Creative Industries: Hong Kong Cinema Emptied Out; Chapter 7: Genre Film, Media Corporations and the Commercialization of the Chinese Film Industry: The Case of 'New Year Comedies'; Chapter 8: Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires; Part III: Epistemologies; Chapter 9: The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu Chapter 10: Saving Face, or the Future Perfect of Queer Chinese/American Cinema?Chapter 11: Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters; Chapter 12: Multiple-screen Realities; Contributors; Index; Back Cover |
Record Nr. | UNINA-9910456875203321 |
Bristol, UK ; ; Chicago, : Intellect, 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Futures of Chinese cinema [[electronic resource] ] : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger |
Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2009 |
Descrizione fisica | 1 online resource (298 p.) |
Disciplina | 791.430951 |
Altri autori (Persone) |
KhooOlivia
MetzgerSean <1973-> |
Soggetto topico |
Motion picture locations - China
Motion pictures - China |
ISBN |
1-282-45567-2
9786612455674 1-84150-345-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part I: Historiography; Chapter 1: Celebratory Screens: Chinese Cinema in the New Millennium; Chapter 2: Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema; Chapter 3: Socialist Geographies, Internationalist Temporalities and Travelling Film Technologies: Sino-Soviet Film Exchange in the 1950's and 1960's; Chapter 4: Hong Kong Ghost in the Japanese Shell? Cross-racial Performance and Transnational Chinese Cinema
Chapter 5: Jia Zhangke and the Temporality of Postsocialist Chinese Cinema: In the Now (and then)Part II: Capital - Economic and Industrial Contexts; Chapter 6: From BitTorrent Piracy to Creative Industries: Hong Kong Cinema Emptied Out; Chapter 7: Genre Film, Media Corporations and the Commercialization of the Chinese Film Industry: The Case of 'New Year Comedies'; Chapter 8: Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires; Part III: Epistemologies; Chapter 9: The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu Chapter 10: Saving Face, or the Future Perfect of Queer Chinese/American Cinema?Chapter 11: Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters; Chapter 12: Multiple-screen Realities; Contributors; Index; Back Cover |
Record Nr. | UNINA-9910780815303321 |
Bristol, UK ; ; Chicago, : Intellect, 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Futures of Chinese cinema : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2009 |
Descrizione fisica | 1 online resource (298 p.) |
Disciplina | 791.430951 |
Altri autori (Persone) |
KhooOlivia
MetzgerSean <1973-> |
Soggetto topico |
Motion picture locations - China
Motion pictures - China |
ISBN |
1-282-45567-2
9786612455674 1-84150-345-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part I: Historiography; Chapter 1: Celebratory Screens: Chinese Cinema in the New Millennium; Chapter 2: Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema; Chapter 3: Socialist Geographies, Internationalist Temporalities and Travelling Film Technologies: Sino-Soviet Film Exchange in the 1950's and 1960's; Chapter 4: Hong Kong Ghost in the Japanese Shell? Cross-racial Performance and Transnational Chinese Cinema
Chapter 5: Jia Zhangke and the Temporality of Postsocialist Chinese Cinema: In the Now (and then)Part II: Capital - Economic and Industrial Contexts; Chapter 6: From BitTorrent Piracy to Creative Industries: Hong Kong Cinema Emptied Out; Chapter 7: Genre Film, Media Corporations and the Commercialization of the Chinese Film Industry: The Case of 'New Year Comedies'; Chapter 8: Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires; Part III: Epistemologies; Chapter 9: The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu Chapter 10: Saving Face, or the Future Perfect of Queer Chinese/American Cinema?Chapter 11: Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters; Chapter 12: Multiple-screen Realities; Contributors; Index; Back Cover |
Record Nr. | UNINA-9910827177803321 |
Bristol, UK ; ; Chicago, : Intellect, 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|