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Meggs' history of graphic design / / Philip B. Meggs, Alston W. Purvis
| Meggs' history of graphic design / / Philip B. Meggs, Alston W. Purvis |
| Autore | Meggs Philip B. |
| Edizione | [6th ed.] |
| Pubbl/distr/stampa | Hoboken, New Jersey : , : Wiley, , 2016 |
| Descrizione fisica | 1 online resource (682 pages) : illustrations (some colour) |
| Disciplina | 686.2209 |
| Soggetto topico |
Graphic design (Typography) - History
Book design - History |
| ISBN |
1-119-13623-7
1-119-13620-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
History of Graphic Design ; Contents; Preface; Preface to the First Edition; Acknowledgments; Part I The Prologue to Graphic Design ; The visual message from prehistory through the medieval era ; The Invention of Writing; Prehistoric visual communications; The cradle of civilization; The earliest writing; Mesopotamian visual identification; Egyptian hieroglyphs; Papyrus and writing; The first illustrated manuscripts; Egyptian visual identification; Alphabets; Cretan pictographs; The North Semitic alphabet; The Aramaic alphabet and its descendants; The Greek alphabet; The Latin alphabet
The Korean alphabet The Asian Contribution; Chinese calligraphy; The invention of paper; The discovery of printing; The invention of movable type; Illuminated Manuscripts; The classical style; Celtic book design; The Caroline graphic renewal; Spanish pictorial expressionism; Romanesque and Gothic manuscripts; Judaic manuscripts; Islamic manuscripts; Late medieval illuminated manuscripts; Part II A Graphic Renaissance ; The origins of European typography and design for printing ; Printing Comes to Europe; Early European block printing; Movable typography in Europe; Copperplate engraving The German Illustrated Book Origins of the illustrated typographic book; Nuremberg becomes a printing center; Typography spreads from Germany; Renaissance Graphic Design; Graphic design of the Italian Renaissance; Italian writing masters; Innovation passes to France; Basel and Lyons become design centers; The seventeenth century; An Epoch of Typographic Genius ; Graphic design of the rococo era; Caslon and Baskerville; The origins of information graphics; The imperial designs of Louis René Luce; The modern style; The illuminated printing of William Blake; The epoch closes Part III The Bridge to the Twentieth CenturyThe Industrial Revolution: The impact of industrial technology upon visual communications ; Graphic Design and the Industrial Revolution ; Innovations in typography; The wood-type poster; A revolution in printing; The mechanization of typography; Photography, the new communications tool; The inventors of photography; The application of photography to printing; Defining the medium; Photography as reportage; Popular graphics of the Victorian era; The development of lithography; The Boston school of chromolithography The design language of chromolithographyThe battle on the signboards; Images for children; The rise of American editorial and advertising design; Victorian typography; The Arts and Crafts Movement and Its Heritage; The Century Guild; The Kelmscott Press; The private press movement; A book-design renaissance; Art Nouveau; The influence of ukiyo-e; Art nouveau; Chéret and Grasset; English art nouveau; The further development of French art nouveau; Art nouveau comes to America; Innovation in Belgium and the Netherlands; The German Jugendstil movement; The Italian pictorial tradition The Genesis of Twentieth-Century Design |
| Record Nr. | UNINA-9910798398603321 |
Meggs Philip B.
|
||
| Hoboken, New Jersey : , : Wiley, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Meggs' history of graphic design / / Philip B. Meggs, Alston W. Purvis
| Meggs' history of graphic design / / Philip B. Meggs, Alston W. Purvis |
| Autore | Meggs Philip B. |
| Edizione | [6th ed.] |
| Pubbl/distr/stampa | Hoboken, New Jersey : , : Wiley, , 2016 |
| Descrizione fisica | 1 online resource (682 pages) : illustrations (some colour) |
| Disciplina | 686.2209 |
| Soggetto topico |
Graphic design (Typography) - History
Book design - History |
| ISBN |
1-119-13623-7
1-119-13620-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
History of Graphic Design ; Contents; Preface; Preface to the First Edition; Acknowledgments; Part I The Prologue to Graphic Design ; The visual message from prehistory through the medieval era ; The Invention of Writing; Prehistoric visual communications; The cradle of civilization; The earliest writing; Mesopotamian visual identification; Egyptian hieroglyphs; Papyrus and writing; The first illustrated manuscripts; Egyptian visual identification; Alphabets; Cretan pictographs; The North Semitic alphabet; The Aramaic alphabet and its descendants; The Greek alphabet; The Latin alphabet
The Korean alphabet The Asian Contribution; Chinese calligraphy; The invention of paper; The discovery of printing; The invention of movable type; Illuminated Manuscripts; The classical style; Celtic book design; The Caroline graphic renewal; Spanish pictorial expressionism; Romanesque and Gothic manuscripts; Judaic manuscripts; Islamic manuscripts; Late medieval illuminated manuscripts; Part II A Graphic Renaissance ; The origins of European typography and design for printing ; Printing Comes to Europe; Early European block printing; Movable typography in Europe; Copperplate engraving The German Illustrated Book Origins of the illustrated typographic book; Nuremberg becomes a printing center; Typography spreads from Germany; Renaissance Graphic Design; Graphic design of the Italian Renaissance; Italian writing masters; Innovation passes to France; Basel and Lyons become design centers; The seventeenth century; An Epoch of Typographic Genius ; Graphic design of the rococo era; Caslon and Baskerville; The origins of information graphics; The imperial designs of Louis René Luce; The modern style; The illuminated printing of William Blake; The epoch closes Part III The Bridge to the Twentieth CenturyThe Industrial Revolution: The impact of industrial technology upon visual communications ; Graphic Design and the Industrial Revolution ; Innovations in typography; The wood-type poster; A revolution in printing; The mechanization of typography; Photography, the new communications tool; The inventors of photography; The application of photography to printing; Defining the medium; Photography as reportage; Popular graphics of the Victorian era; The development of lithography; The Boston school of chromolithography The design language of chromolithographyThe battle on the signboards; Images for children; The rise of American editorial and advertising design; Victorian typography; The Arts and Crafts Movement and Its Heritage; The Century Guild; The Kelmscott Press; The private press movement; A book-design renaissance; Art Nouveau; The influence of ukiyo-e; Art nouveau; Chéret and Grasset; English art nouveau; The further development of French art nouveau; Art nouveau comes to America; Innovation in Belgium and the Netherlands; The German Jugendstil movement; The Italian pictorial tradition The Genesis of Twentieth-Century Design |
| Record Nr. | UNINA-9910820749903321 |
|
Meggs Philip B.
|
||
| Hoboken, New Jersey : , : Wiley, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||